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This book chronicles the first 100 years of the history of the oldest state poetry society in America, the Poetry Society of South Carolina, founded in Charleston in 1920 by DuBose Heyward, John Bennett, Josephine Pinckney, Hervey Allen, and Laura Bragg. It covers every one of the 101 seasons of the PSSC from the Jazz Age to the COVID era, where everyone from Carl Sandburg, Edna St. Vincent Millay, Robert Frost, Robert Penn Warren, Allen Tate, Ogden Nash, Billy Collins, Sherwood Anderson, Jericho Brown, Thornton Wilder, Robert Pinsky, and hundreds of others appeared before the membership. This is an insider's view, with insights into the inner workings and disfunctions of the organization and its slow progress from a Whites-only organization of the segregated South founded in the aftermath of World War I and the Spanish Flu Pandemic, through the Roaring Twenties, into the darkness of the Great Depression, World War II, a resurgence during the Atomic Age, the turbulent Sixties, the decline of Charleston, its rebound into a tourist mecca, and into the present day. Written as a page-turner, not an encyclopedia, The History of the Poetry Society of South Carolina is a fascinating read from beginning to end. It's loaded with useless trivia, salacious gossip, morbidity, humor, scandal, heartbreak, intrigue, embezzlement, drama, backstabbing, and irony.
"The essays tell how these and other individuals faced the tensions and contradictions of their time and place. While some traced their lineage back to the city's first families, others were relative newcomers. Some broke new ground racially and sexually as well as artistically; others perpetuated the myths of the Old South. Some were censured at home but praised in New York, London, and Paris. The essays also underscore the significance and growth of such cultural institutions as the Poetry Society of South Carolina, the Charleston Museum, and the Gibbes Art Gallery."--BOOK JACKET.
This is a chronicle of South Carolina describing in human terms 475 years of recorded history in the Palmetto State. Recounting the period from the first Spanish exploration to the end of the Civil War, the author charts South Carolina's rising national and international importance.
The Federal Writers Project creates an image of South Carolina of years past All of us, at one time or another, have had a strong desire to be able to get into a time machine and be transported magically to an earlier place and time. Science has not yet produced for us such a time machine, but the Federal Writers Project (FWP), a division of the Works Progress Administration, did produce for prosperity guides to all of the old 48 states. Using talented local researchers and writers the FWP created an image of America fifty plus years ago. A reprint of the original, South Carolina: The WPA Guide to the Palmetto State is divided into three sections: 19 essays on a variety of topics ranging from history to cookery; detailed descriptions of the 11 towns in the state that had populations of more than 10,000; and 21 remarkably detailed guided tours to all sections of the state. In addition to the original chapters, there are two appendices—updated highway numbers for each tour and a guide to getting off the present Interstate Highway System and picking up the guided tours. South Carolina's Guide is very much a product of its times. The essays and tours mince no words in describing the state's poverty or the reality of a world in which class and race played major roles. For those who have studied and taught South Carolina history, the old Guide has been an indispensable reference work. Parts of it may be dated to some jaded modern eyes; some phrases may be jarring to the post-1954 generation. However, the original South Carolina: The WPA Guide to the Palmetto State was what its cover claimed it to be. It accurately described the state as it was—not as romantics wanted it to be.
Josephine Pinckney (1895--1957) was an award-winning, best-selling author whose work critics frequently compared to that of Jane Austen, Edith Wharton, and Isak Dinesen. Her flair for storytelling and trenchant social commentary found expression in poetry, five novels -- Three O'Clock Dinner was the most successful -- stories, essays, and reviews. Pinckney belonged to a distinguished South Carolina family and often used Charleston as her setting, writing in the tradition of Ellen Glasgow by blending social realism with irony, tragedy, and humor in chronicling the foibles of the South's declining upper class. Barbara L. Bellows has produced the first biography of this very private woman and emotionally complex writer, whose life story is also the history of a place and time -- Charleston in the first half of the twentieth century. In A Talent for Living, Pinckney's life unfolds like a novel as she struggles to escape aristocratic codes and the ensnaring bonds of southern ladyhood and to embrace modern freedoms. In 1920, with DuBose Heyward and Hervey Allen, she founded the Poetry Society of South Carolina, which helped spark the southern literary renaissance. Her home became a center of intellectual activity with visitors such as the poet Amy Lowell, the charismatic presidential candidate Wendell Willkie, and the founding editor of theSaturday Review of Literature Henry Seidel Canby. Sophisticated and cosmopolitan, she absorbed popular contemporary influences, particularly that of Freudian psychology, even as she retained an almost Gothic imagination shaped in her youth by the haunting, tragic beauty of the Low Country and its mystical Gullah culture. A skilled stylist, Pinckney excelled in creating memorable characters, but she never scripted an individual as engaging or intriguing as herself. Bellows offers a fascinating, exhaustively researched portrait of this onetime cultural icon and her well-concealed personal life.
Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.
From the award-winning author of The Road from Chapel Hill, a story of loyalty, duty, and love in the days following the Civil War. Returning to characters introduced in her previous novel, acclaimed author Joanna Catherine Scott explores the terrain of a devastated South, where the war is over-but conflict lives on. Having endured years of hardship, Eugenia Mae Spotswood returns to Wilmington to find out who her mother is, only to be faced with racism and hatred...until she is befriended by the most powerful Negro leader in the state Senate. Also driven forward are the strong-minded ex-slave Tom and his crippled former enemy Clyde Bricket. Tom spent the last years of the war working for the Union as a spy. Now, Clyde watches as his family farm slowly dies. Only if they work together can they survive...