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"Father Leo then paused with a deep breath before going on. 'There are many problems here, and some very strange things happen late at night that I just can't explain.' "Poverty. Crime. Politics. Scandal. Revenge. . . . And a Ghost.These are the untold stories of the last days of a forgotten Chicago parish by the last person able to tell them: Fresh out of the seminary in 1956, Father Rocco Facchini was appointed to his first assignment, the parish of Saint Charles Borromeo on the city's Near West Side. Adapting to rectory life with an unorthodox, dispirited pastor and attending to the needs of the rough, impoverished neighborhood were challenges in themselves. Little did Rocco know that the rectory was being haunted by a bishop's ghost!Muldoon: A True Chicago Ghost Story dives into Father Rocco's four-year saga at Saint Charles, where his spiritual undertaking becomes a worldly adventure. His supporting cast includes a housekeeper inappropriately involved in her pastor's affairs, and a genius-priest who carries a gun, thwarts neighborhood crime, and teaches Rocco about "loving the poor." And there's the pastor himself. He padlocks the refrigerator, guides young priests only in the weekly ritual of Bingo, and entangles Rocco in the dirty work of a fraudulent shrine.As a backdrop to this chaos, the rectory experiences a host of supernatural manifestations, and Rocco discovers the legend of Bishop Peter J. Muldoon. Are there clues in this story of early stardom and great achievement, clerical competition and revenge, accusations and scandal, a missing ring, excommunication, and possibly murder that explain why the unexplainable is happening all around him?Upon delving into the church history, clerical politics, local folklore, neighborhood sociology, and paranormal activity of Muldoon, you, like Rocco, may be left wondering: Has he been kept alive to tell the story of Muldoon, clear the man's name, and memorialize the bishop's beloved and forgotten parish of St. Charles?
For Irish Americans as well as for Chicago's other ethnic groups, the local parish once formed the nucleus of daily life. Focusing on the parish of St. Sabina's in the southwest Chicago neighborhood of Auburn-Gresham, Eileen McMahon takes a penetrating look at the response of Catholic ethnics to life in twentieth-century America. She reveals the role the parish church played in achieving a cohesive and vital ethnic neighborhood and shows how ethno-religious distinctions gave way to racial differences as a central point of identity and conflict. For most of this century the parish served as an important mechanism for helping Irish Catholics cope with a dominant Protestant-American culture. Anti-Catholicism in the society at large contributed to dependency on parishes and to a desire for separateness from the American mainstream. As much as Catholics may have wanted to insulate themselves in their parish communities, however, Chicago demographics and the fluid nature of the larger society made this ultimately impossible. Despite efforts at integration attempted by St. Sabina's liberal clergy, white parishioners viewed black migration into their neighborhood as a threat to their way of life and resisted it even as they relocated to the suburbs. The transition from white to black neighborhoods and parishes is a major theme of twentieth-century urban history. The experience of St. Sabina's, which changed from a predominantly Irish parish to a vibrant African-American Catholic community, provides insights into this social trend and suggests how the interplay between faith and ethnicity contributes to a resistance to change.