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This work had a large hand in shaping modern Biblical criticism. Using the German form of criticism in his own day Renan goes through the Gospels and examines the miracles and other aspects of the life of Jesus. Although the work denies the divinity of Christ, this documents role in shaping how we work with the Bible is significant.
Describing the creation of the Gospel accounts, the author outlines the Gospels from top to bottom to construct the thought of a now lost template that was used to write the accounts of the Christ. Renan also uses the influence of the persecution of Christians as an influencing factor in the writing of the Christ in a critical form.
Continuing in his method of higher criticism, Renan uses this work to continue to story of Christ as his apostles undertake the task of spreading his word to the farthest reaches of the world. This work tracks the spread of Christianity from the Pentecost to the tribes of Europe and the polytheistic faiths of the Near East.
Following the years of the Crucifixion to the fall of Jerusalem, Renan details the deaths and persecutions of the newly formed Christian church by the Roman Emperor Nero. This work refers to Nero as the feared "Antichrist" following traditions and beliefs from the early church and interpretations of Revelations.
The dawn of the new century brought lots of growth to the Christian community as persecution slowed down and the community was allowed to flourish like never before. This volume details out the reigns of two Roman emperors and how their influence impacted the ever growing Christian community in the Roman Empire.
In this last and final volume of this series, Renan argues that the Roman emperor's acceptance of Stoic philosophy had great influence on the Christian church as he pushed these beliefs onto others in his empire. Although Aurelius was known as an even handed and fair ruler he influence all those around him in his philosophical thinking.
How do we know what we know about the origins of the Christian religion? Neither its founder, nor the Apostles, nor Paul left any written accounts of their movement. The witnesses' testimonies were transmitted via successive generations of copyists and historians, with the oldest surviving fragments dating to the second and third centuries - that is, to well after Jesus' death. In this innovative and important book, Markus Vinzent interrogates standard interpretations of Christian origins handed down over the centuries. He scrutinizes - in reverse order - the earliest recorded sources from the sixth to the second century, showing how the works of Greek and Latin writers reveal a good deal more about their own times and preoccupations than they do about early Christianity. In so doing, the author boldly challenges understandings of one of the most momentous social and religious movements in history, as well as its reception over time and place.
Looking at the life of Paul as outlined in the book of Acts, this work compares what the claims of the Bible are compared with other ancient sources. Although the claims of Acts are undisputed within the Church Renan still applies the higher criticism of other works.
From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.
Since the dawn of Christianity, artists have been fascinated and stirred by the figure of Christ. His likeness appears in frescoes on the walls of catacombs that date from Roman times; he is featured in the stained glass windows of Gothic churches; and he can be found in various forms in today’s pop culture. The Biblical Saviour is not a static, immaterial deity: Christ’s mortal birth, unusual life and dramatic death make him an accessible subject for religious and secular artists alike.Whether they show the spirituality of God Incarnate or the earthly characteristics of a flesh-and-blood man, artistic depictions of Christ are the most controversial, moving or inspirational examples of religious art. This richly illustrated book explores the various ways that Christ is rendered in art, from Cimabue’s Nativity scenes and Fra Angelico’s paintings of the Crucifixion to the provocative portraits of Salvador Dalí and Andres Serrano. Author Joseph Lewis French guides the reader through the most iconic representations of Christ in art - tender or graphic, classical or bizarre, these images of the Messiah reveal the diverse roles of the Son of God in the social milieus and personal lives of the artists.