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“One of the most satisfying biographies of an English king: it is ample, convincing and well written”—from the acclaimed author of The House of Medici (The Times Literary Supplement). Christopher Hibbert delivers a superbly detailed picture of the life and times of George IV including his exorbitant spending on his homes, his clothes, and his women; his patronage of the arts; his “illegal” marriage to Catholic Mrs. Fitzherbert, and lesser known facts such as his generous charity donations and his witty one-liners, including one he uttered when he met his bride-to-be (Caroline of Brunswick) for the first time: “Harris, I am not well, fetch me a brandy.” George IV was the son of George III (who went insane and inspired The Madness of King George) and was the founder of the prestigious King’s College in London. “A delight to read . . . an enormously enjoyable and skillful portrait.” —Philip Ziegler, The Spectator “Christopher Hibbert’s George IV is at once soundly based on research in the Royal Archives at Windsor and a rollicking good read. I found it invaluable when I was researching The Unruly Queen, my life of George IV’s wife, Queen Caroline, and I recommend it to anyone interested by George IV’s flamboyant and outrageous personality.” —Flora Fraser, author of Flora Macdonald: “Pretty Young Rebel”
Described by the Duke of Wellington as 'the most extraordinary compound of talent, wit, buffoonery, obstinacy and good feeling that I ever saw in one character in my life', George Augustus Frederick, Prince of Wales, later George IV, was a highly controversial figure. He courted both Whigs and Tories in his attempts to establish the Regency during the 'madness' of his father, George III. Scandalous liaisons with prostitutes and duchesses, and his 'secret' marriage to the Catholic Mrs Fitzherbert, tested his duty - to nation and to family. Yet his support for overseas campaigns against Napoleon, culminating in such historic victories as Trafalgar and Waterloo, consolidated Britain's status as the pre-eminent world power amid the great social and economic upheavals of the Industrial Revolution. Drawing on a wealth of original accounts of life in Georgian Britain, Saul David has created a masterly portrait - of a flamboyant, opportunistic and influential figure, and of a nation in a time of great change.
“A scholarly guide to etiquette as entertaining and amusing as a work of fiction” (Jane Austen’s Regency World Magazine). Have you ever wondered what it would have been like to live in the nineteenth century? How would you have gotten a partner in a ballroom? What would you have done with a letter of introduction? And where would you have sat in a carriage? Covering all these nineteenth-century dilemmas and more, this book is your must-have guide to the etiquette of our well-heeled forebears. As it takes you through the intricacies of rank, the niceties of the street, the good conduct that was desired in the ballroom, and the awkward blunders that a lady or gentleman would have wanted to avoid, you will discover an abundance of etiquette advice from across the century, and a lively, occasionally tongue-in-cheek, and thoroughly detailed history of nineteenth-century manners and conduct. This well-researched book is enjoyable, compelling reading for anyone with an interest in this period. In exploring the expectations of behavior and etiquette, it brings the world of the nineteenth century to life.
From the New York Times bestselling author of Churchill and Napoleon The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. The truth is much more nuanced and fascinating--and will completely change the way readers and historians view his reign and legacy. Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck. In The Last King of America, Roberts paints a deft and nuanced portrait of the much-maligned monarch and outlines his accomplishments, which have been almost universally forgotten. Two hundred and forty-five years after the end of George III's American rule, it is time for Americans to look back on their last king with greater understanding: to see him as he was and to come to terms with the last time they were ruled by a monarch.
In George III: A Personal History, British historian Christopher Hibbert reassesses the royal monarch George III (1738–1820). Rather than reaffirm George III's reputation as “Mad King George,” Hibbert portrays him as not only a competent ruler during most of his reign, but also as a patron of the arts and sciences, as a man of wit and intelligence, indeed, as a man who “greatly enhanced the reputation of the British monarchy” until he was finally stricken by a rare hereditary disease.Teeming with court machinations, sexual intrigues, and familial conflicts, George III opens a window on the tumultuous, rambunctious, revolutionary eighteenth century. It is sure to alter our understanding of this fascinating, complex, and very human king who so strongly shaped England's —and America's—destiny.
"Originally published as The strangest family in the U.K. in 2014 by William Collins"--Title page verso.
From the first biography of George IV in 1831 to the last in 2001, Mad King George’s son has commonly been held up to ridicule as a weak, selfish, and incompetent spendthrift, barely tolerated by his ministers, loathed by most of his family, and dependent on the emotional support of grasping mistresses. However, acclaimed historian Tom Ambrose--author of Godfather of the Revolution: The Life of Phillipe Egalit�, Duc D’Orl�ans--has uncovered new details on "Prinny" that suggests that, for all his faults, George IV just may have been the most humane and amusing of all British monarchs, notwithstanding his love of the high life. Central to the story is the vast array of friends that populate a remarkable reign as Prince Regent and King. If Prinny, as they knew him, was so grotesquely foolish, how did he amass such a fascinating (and loyal) group of friends? Could any other British ruler count among his friends the country’s most brilliant playwright (Richard Sheridan), or the wiliest statesman (Charles Fox), or the greatest political philosopher (Edmund Burke), not to mention perhaps the biggest loveable rogues’ gallery London ever saw? The truth was that Prinny’s occasional buffoonery and imposing girth made him the perfect target for political satirists and cartoonists--at their zenith during his reign--and his high qualities have been consistently overlooked. This warm, funny, and affectionate portrait displays George at his very best: delighting some of the finest minds of his generation, easily winning over his subjects and his family as well as treating his lovers with care and concern--and roistering with all his pals.
This engrossing biography of George IV, king of England from 1820 to 1830, gives a full and objective reassessment of the monarch’s character, reputation, and achievement. Previous writers have tended to accept the unfavorable verdicts of the king’s contemporaries that he was a dissolute, pleasure-loving dilettante and a feeble and ineffective ruler who was responsible for the decline of the power and reputation of the monarchy in the early nineteenth century. Now E.A. Smith offers a new view of George IV, one that does not minimize the king’s faults but focuses on the positive qualities of his achievement in politics and in the patronage of the arts. Smith explores the roots of the king’s character and personality, stressing the importance of his relationship with his parents and twelve surviving siblings. He examines the king’s important contributions to the cultural enhancement of his capital and his encouragement of the major artistic, literary, and scholarly figures of his time. He reassesses the king’s role as constitutional monarch, contending that it was he, rather than Victoria and Albert, who created the constitutional monarchy of nineteenth-century Britain and began the revival of its popularity. Smith’s biography not only illuminates the character of one of the most colorful of Britain’s rulers but also contributes to the history of the British monarchy and its role in the nation’s life.