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This lavishly illustrated book explores the life of Jesus Christ as depicted in art throughout history. Originally begun by Anna Brownell Jameson, one of the foremost art historians of the Victorian era, the book was completed after her death by her friend and collaborator Elizabeth Eastlake. The result is a stunning visual journey through the life of Christ, from the Nativity to the Resurrection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This year marks the bicentennial of the English writer, translator, critic and amateur artist Elizabeth Rigby, Lady Eastlake (1809–93). The Letters of Elizabeth Rigby, Lady Eastlake brings together a comprehensive collection of her surviving correspondence and reveals significant new material about this extraordinary Victorian figure. Rigby wrote on a variety of subjects, most notably reviews of works and authors such as Jane Eyre, Vanity Fair, Ruskin, Coleridge, and Madame de Staël, as well as art-related criticism, including one of the earliest critical texts on photography. Her lively correspondence here shows how this well-connected woman played such an important role in the Victorian art world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.