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Formerly known as Lord Acton, John E.E. Dalberg Acton was one of the great historians of the Victorian period and one of the greatest classical historians of all time. His life's work was advancing the history of liberty though he was never able to complete his magnum opus. THE HISTORY OF FREEDOM AND OTHER ESSAYS consists of articles reprinted from various journals of his time. Acton's other works include Lectures on Modern History (1906) and Historical Essays and Studies (1907), which were brought to light after his death. JOHN E.E. DALBERG ACTON (1834-1902), English scholar and historian, was denied entrance into Cambridge University because of his Roman Catholicism; he traveled to Munich, where he studied with Fr. Johann Joseph Ignaz von Dllinger. In 1895, Acton was appointed Professor of Modern History at Cambridge where he was known for his lectures, his writings for periodicals, and his personal contacts with the leading historians of the era. His impressive personal library - consisting of more than 59,000 volumes - was acquired by financier Andrew Carnegie and donated to Cambridge University.
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This book consists of articles reprinted from various journals of Acton, who was one of the great historians of the Victorian period and one of the greatest classical historians of all time. This work includes his other works include Lectures on Modern History and Historical Essays and Studies, which were brought to light after his death.
This volume must be regarded not as the support of an existing reputation, or as a bid for the establishment of posthumous renown, but as the record and memorial of a rare and attractive personality. The accurate, insatiable, and broad-minded student is revealed ; the generous champion of a noble cause which has suffered temporary defeat is seen on the field of his eager endeavour in controversy with Popes and Cardinals for the sake of freedom and truth ; and the principles which he brought to the study of history or elicited from his observation of men and affairs throughout the centuries are set forth for all to read. This is the annotated edition including several hundred footnotes. From the Contents: The History Of Freedom In Antiquity The History Of Freedom In Christianity Sir Erskine May's Democracy In Europe The Massacre Of St. Bartholomew The Protestant Theory Of Persecution Mr. Goldwin Smith's Irish History ... and many more ...
Excerpt from The English-Speaking Brotherhood and the League of Nations I should again1 like to publish here two letters from per sonal friends whom. I consider to have been at that time the most representative of the two broadly differing, if not Opposed, conceptions of America's position in the foreign affairs of the world, John Hay and Charles Eliot Norton. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity-for pleasure-is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.
A collection of penetrating essays on political thought - past, present and future - by a major commentator.
Softbound - New, softbound print book.
We is a dystopian novel written by Russian writer Yevgeny Zamyatin. Originally drafted in Russian, the book could be published only abroad. It was translated into English in 1924. Even as the book won a wide readership overseas, the author's satiric depiction led to his banishment under Joseph Stalin's regime in the then USSR. The book's depiction of life under a totalitarian state influenced the other novels of the 20th century. Like Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-four, We describes a future socialist society that has turned out to be not perfect but inhuman. Orwell claimed that Brave New World must be partly derived from We, but Huxley denied this. The novel is set in the future. D-503, a spacecraft engineer, lives in the One State which assists mass surveillance. Here life is scientifically managed. There is no way of referring to people except by their given numbers. The society is run strictly by reason as the primary justification for the construct of the society. By way of formulae and equations outlined by the One State, the individual's behaviour is based on logic.
Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction Shortlisted for the 2021 Costa Biography Award The Sunday Times Best Book of the Year in Biography and Memoir A Financial Times Best Book of 2021 (Critics' Picks) The New Yorker, Best Books We Read in 2021 Times Literary Supplement Book of the Year 2021 A Guardian Best Book of the Year A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans. For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.