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Dickens was known for his incredible imagination and fiery social protest. In Social Dreaming , Elaine Ostry examines how these two qualities are linked through Dickens's use of the fairy tale, a genre that infuses his work. To many Victorians, the fairy tale was not childish: it promoted the imagination and fancy in a materialistic, utilitarian world. It was a way of criticizing society so that everyone could understand. Like Charles Perrault and the Brothers Grimm, Dickens used the fairy tale to promote his ideology. In this first book length study of Dickens's use of the fairy tale as a social tool, Elaine Ostry applies exciting new criticism by Jack Zipes and Maria Tatar, among others, that examines the fairy tale in a socio-historical light to Dickens's major works but also his periodicals-the most popular middle-class publications in Victorian times.
Following on from the hilarious collection of typos, gaffes and howlers in Portico’s A Steroid Hit the Earth, comes Wrotten English – a fabulously funny collection of literary blunders from classic, and not-so classic, works of literature. This book is an anthology of side-splitting authors' errors, publishers' boobs, printers' devils, terrible titles, comical clangers and all manner of literary lunacy dating back since the invention of the printing press. Painstakingly researched and tapping in to the public's insatiable general interest with the written word, Wrotten English contains curious opening lines, fantastic fictions whose titles are too terrible to be true and some of the most suggestive double entendres committed by those who really should know better!
Paper dolls might seem the height of simplicity--quaint but simple toys, nothing more. But through the centuries paper figures have reflected religious and political beliefs, notions of womanhood, motherhood and family, the dictates of fashion, approaches to education, individual self-image and self-esteem, and ideas about death. This book examines paper dolls and their symbolism--from icons made by priests in ancient China to printable Kim Kardashians on the Internet--to show how these ephemeral objects have an enduring and sometimes surprising presence in history and culture.
Had B.G. MacCarthy's criticism been available, Showalter's A Literature of Their Own would have been a very different kind of book...In some ways, contemporary could be ten years ahead if we had started the climb from MacCarthy's groundwork." —Maggie Humm, University of East London Back in print for the first time since the 1940's, this classic work of pre-feminist literary criticism is a challenging and authoritative assessment of women's contributions to English literature. B. G. MacCarthy, widely praised for the originality of her scholarship, challenges the dominant picture of mascaline literary history created by T. S. Eliot and F. R. Leavis. Written with crisp humor and irony, her exploration of women's writing. Focusing on a wide range of authors including Lady Mary Wroath, Eliza Hayward, Aphra Behn, Maria Edgeworth, Mary Wollstonecraft, Elizabeth Inchbald, Margaret Cavendish and Jane Austen- illustrates that these women attempted almost every genre of fiction, enriched many, and initiated some of the most important. Often savagely witty, The Female Pen discusses a vast array of fictional forms, including picturesque, moralistic, oriental, domestic, and gothic novels.
'Fanny's First Novel' is a biographical fiction that follows the story of the English satirical novelist, diarist, and playwright Fanny Burney. It covers the wonderful phase in her life when she wrote and published her first novel, 'Evelina or the History of a Young Lady's Entrance into the World' anonymously. The novel was a critical success, with praise from influential personalities. It was celebrated for its comic view of wealthy English society and realistic portrayal of working-class London dialects.