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Corbin argues that with few exceptions people living before the eighteenth century knew nothing of the attractions of the coast, the visual delight of the sea, the desire to brave the force of the waves or to feel the coolness of sand against the skin. The image of the ocean in the popular consciousness was coloured by Biblical and mythical recollections of sea monsters, voracious whales, and catastrophic floods. It was perceived as sinister and unchanging, a dark, unfathomable force inspiring horror rather than attraction. These associations of catastrophe and fear in the minds of Europeans intensified the repulsion they felt towards deserted and dismal shores.
This book, produced in collaboration with the Lewis Cohen Urban Studies Centre, is all about memories of Brighton during the First World War. Through an examination of ephemera such as posters, photographs, pictures, songs and personal recollections, it portrays a collective memory of the city. Photographs are central to this work; for example Brighton Museum, Preston Manor and Brighton Reference Library are all featured pictorially. This book provides a valuable and important source of local history - a must for all those passionate about the city and its historical roots!
Phyllis Hembry, author of The English Spa 1560 to 1815, wrote about the origins and development of the spas and their flowering in the eighteenth century. Her book deals not only with their healing and recreational aspects, but also with their status as political, religious, social, and economic gathering places. Hembry had intended to produce a second volume, taking the story further, but died before being able to do so. She had gathered a considerable amount of material and written several draft chapters for this volume. Dr. and Mrs. Cowie have made use of this, revising and supplementing Hembry's text to create a study that continues to the present time and is extended to include Welsh, Scottish, and Irish spas as well.
Winner of the 2016 Antoinette Forrester Downing Award presented by the Society of Architectural Historians. In many cities across the world, particularly in Europe, old buildings form a prominent part of the built environment, and we often take it for granted that their contribution is intrinsically positive. How has that widely-shared belief come about, and is its continued general acceptance inevitable? Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a ‘Conservation Movement’, infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. The close inter-relationship between conservation and modern civilisation was most dramatically heightened in periods of war or social upheaval, beginning with the French Revolution, and rising to a tragic climax in the 20th-century age of totalitarian extremism; more recently the troubled relationship of ‘heritage’ and global commercialism has become dominant. Miles Glendinning’s new book authoritatively presents, for the first time, the entire history of this architectural Conservation Movement, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.
Romantik: Journal for the Study of Romanticisms includes new research articles on Byron's The Giaour, on spatial memory in Wordsworth and Rousseau, on how the city of Brighton was represented in the early nineteenth century as a centre of fashion, polite sociability, and consumerism, on the construction of a romantic canon in the Faroe Islands, and on Rome as the incubator for romantic artists forming friendships and cultivating artistic communities. Moreover,the issue features reviews of new books published in Scandinavia on the romantic era. Romantik is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. Romantik is interested in all European and Nordic romanticisms, and not least the connections and disconnections between them - hence, the use of the plural in the subtitle.
Brilliantly researched and written, this is the definitive history of the city of Brighton. Divided into five sections – Fishermen and Farmers, Princes and Palaces, Late Georgian, Victorian Marvels and Mysteries, Battle Scene and Transformation – it shows how Brighton grew from a small fishing village. For almost thirty years Clifford Musgrave was the director of the Royal Pavilion, the Brighton Library, Art Gallery and Museum. In 1962 Faber and Faber commissioned him to write a comprehensive history of the town. It was published in 1970 to much acclaim.This new edition, published forty years after the original publication, includes a double introduction by the late Clifford Musgrave’s son, Stephen Musgrave, and the editor of Victoria County History for Brighton and author of Georgian Brighton, Sue Berry. Two letters from Graham Greene to the author are also featured.