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The "summer of love" is a time of idealistic freedom and experimentation for Emma, her cousin Megan, and the young people of Pike Creek. While her brother Eric's band practices in what Uncle Pat has dubbed the Hippie House, the girls suntan on their small lake and hitchhike into town to hang around the Drop-In Center. They find the growing crowd of long-haired musicians and hangers-on that begin to show up at the farm both enticing and a bit scary. The beginning of the school year brings excitement and change for Emma. But when eighteen-year-old Katie Russell disappears, her teenage sense of immortality is suddenly shattered. A month later, when Eric discovers Katie's body in the Hippie House, the entire community is thrown into turmoil. There are plenty of suspects in the brutal murder, but for months the case remains unsolved. And while others speculate, Eric agonizes that the killer may have been one of the many drifters who passed through the Hippie House during the summer.
It's 1967 and fifteen-year-old Joanne's San Francisco neighborhood of Haight-Ashbury has become inundated with hippies for the "Summer of Love," which thrills her but appalls the rest of her family. In the midst of preparations for her sister's wedding, Joanne meets Martin, an enigmatic and irresistible hippie, and begins to see him secretly. Over the course of the next year, Joanne discovers a world of drugs, antiwar demonstrations, and psychedelic dances that both fascinates and frightens her. As this world collides with her family's values, Joanne must decide whether to stay with her middle-class family and pursue her love of classical music or follow free-spirited Martin into a new kind of life.
The 1968 burning of the Lazy B Stables in Charlotte, North Carolina, attracted little notice beyond coverage in local media. By the mid-1970s, however, the fire had become the center of a contentious and dubious arson case against a trio of Black civil rights activists, who became known as the “Charlotte Three.” The charges against the men garnered interest from federal law enforcement agents, investigative journalists— including one who later earned a Pulitzer Prize for coverage of the trials—numerous New Left and Black Power activists, and Amnesty International, which declared the defendants “political prisoners.” In Going to Hell to Get the Devil, J. Christopher Schutz offers the first comprehensive examination of this controversial case and its outcome. In the 1960s and 1970s, Charlotte’s leaders sought to portray their home as a placid, business-friendly, and racially moderate community. When New Left and Black Power activists threatened that stability, city leaders employed a variety of means to silence them, including the use of law enforcement against African Americans they deemed too zealous. In the Charlotte Three case, prosecutors paid prisoners for testimony against the Black activists on trial, resulting in their convictions with lengthy prison sentences. The unwanted publicity surrounding the case of the Charlotte Three became a critical pivot point in the Queen City’s post–World War II trajectory. Going to Hell to Get the Devil tells more than the story of an arson case; it also tells the story of the South’s future, as the fate of the Charlotte Three became emblematic of the decline of the African American freedom struggle and the causes it championed.
Forced to go with her father to a house on Cape Cod where divorced parents spend "Together Time" with their kids, teenaged Tracy finds the experience bearable after meeting a local boy named Kevin.
A home of one’s own has always been a cornerstone of the American dream, fulfilling like nothing else the desire for comfort, financial security, independence, and with a little luck, even a touch of distinctive character, or even beauty. But what we have come to regard as almost a national birthright has recently begun to elude more and more prospective homebuyers. Where housing is concerned, affordable and well-crafted rarely exist together. Or do they? For years, founding editor-in-chief of Dwell magazine and noted architecture and design critic Karrie Jacobs had been confronting this question both professionally and personally. Finally, she decided to see for herself whether it was possible to build the home of her own dreams for a reasonable sum. The Perfect $100,000 House is the story of that quest, a search that takes her from a two-week crash course in housebuilding in Vermont to a road trip of some 14,000 miles. In the course of her journey Jacobs encounters a group of intrepid and visionary architects and builders working to revolutionize the way Americans thinks about homes, about construction techniques, and about the very idea of community. By her trip’s end Jacobs, has not only had a practical and sobering education in the economics, aesthetics, and politics of homebuilding, but has been spurred to challenge her own deeply held beliefs about what constitutes an ideal home. The Perfect $100,000 House is a compelling and inspiring demonstration that we can live in homes that are sensible, modest, and beautiful.
"People out of Place reshapes our understanding of the 1960s by telling a previously unknown story about often overlooked criminal laws prohibiting vagrancy. As Beats, hippies, war protesters, Communists, racial minorities, civil rights activists, prostitutes, single women, poor people, and sexual minorities challenged vagrancy laws, the laws became a shared constitutional target for clashes over radically different visions of the nation's future"--