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Published between the end of the nineteenth century and the Second World War "Highways and Byways" took readers on a guided tour of the country, county by county. This volume presents a selection of those highways and byways, which affords contemporary readers both a charming period piece and a glimpse of the very best of Britain.
There have been many books on Britain's Roman roads, but none have considered in any depth their long-term strategic impact. Mike Bishop shows how the road network was vital not only in the Roman strategy of conquest and occupation, but influenced the course of British military history during subsequent ages. The author starts with the pre-Roman origins of the network (many Roman roads being built over prehistoric routes) before describing how the Roman army built, developed, maintained and used it. Then, uniquely, he moves on to the post-Roman history of the roads. He shows how they were crucial to medieval military history (try to find a medieval battle that is not near one) and the governance of the realm, fixing the itinerary of the royal progresses. Their legacy is still clear in the building of 18th century military roads and even in the development of the modern road network. Why have some parts of the network remained in use throughout?The text is supported with clear maps and photographs. Most books on Roman roads are concerned with cataloguing or tracing them, or just dealing with aspects like surveying. This one makes them part of military landscape archaeology.
"British Highways and Byways from a Motor Car" by Thomas Dowler Murphy is a captivating travelogue that takes readers on a scenic journey across the picturesque landscapes of Britain. Murphy, an avid explorer, chronicles his adventures from the unique perspective of a motor car. Immerse yourself in the beauty of the British countryside as Murphy skillfully narrates his encounters with charming villages, historic landmarks, and the enchanting allure of nature. This travel narrative not only serves as a practical guide for fellow road-trippers but also paints a vivid portrait of the cultural richness woven into the fabric of Britain. Experience the thrill of discovery, seamlessly blended with Murphy's insightful commentary, making this literary expedition a must-read for travel enthusiasts and history buffs alike. Join the author on an unforgettable road trip through the heart of Britain, where each turn of the page unveils a new chapter in the nation's diverse tapestry. Explore the past and present with Murphy as your guide, unlocking the secrets hidden along the British highways and byways.
"Embark on a nostalgic journey through the historic highways of the Old World with Thomas Dowler Murphy in 'On Old World Highways.' Penned in the early 20th century, this travel narrative offers readers a charming and informative account of Murphy's experiences as he explores the ancient roads, landmarks, and cultural treasures of Europe. As Murphy meanders through picturesque landscapes, visits historical sites, and shares anecdotes of his travels, 'On Old World Highways' is more than a travelogue—it's a literary expedition that captures the essence of the Old World's rich heritage. Join Murphy on this literary journey where each page reveals a new chapter of discovery, making 'On Old World Highways' an essential read for those captivated by tales of travel and the enduring allure of Europe's timeless pathways."
Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins (born 1949), best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in Southwest England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, while also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.