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This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel—a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young’s method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters—and the nature of reality. Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard—these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling. The novel touches on many aspects of life—drug addiction, woman’s suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism; but the profusion of this huge book serves always to intensify the force of the central question: “What shall we do when, fleeing from illusion, we are confronted by illusion?” What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know? In every aspect, Miss MacIntosh, My Darling stands by itself—in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. It is the work of a writer of genius.
This story tells about the life and experiences of a young man, our narrator, who grew up in a small-town in America. A biography of this townie (as we will call him) is not intended in this story. He will be treated by the author as a fictional character, Roger Williams, although this young man did experience most events in the story. The parts of the story which are fictional are interwoven with actual events in order to connect events within the sequence of the story and in the order that they occurred. Hopefully, the fictional parts will be indistinguishable from the other. The young man, his service associates and a few fictional cohorts, were the participants in this most remarkable story about conditions of battle within the course of the Cold War and the allied western nations intelligence services operations that were centered in Berlin, West Germany. In the small town home of this man, he was separated from U.S. national politics and most world events by distances, community-attitudes and his own immaturity. With education, travel and some happenstance he grew into a person of the world, zur Weit kommen (to the world he comes.) The first part of this story tells about his youth in small town America while World War II was ending and there was a realization, nationally, that a Cold War was raging. This story shows that small town America was not as far from the Cold War the front-line and world events as the town=s residents might have realized. In retrospect, the world actually came to small.
The classic guide to how computers work, updated with new chapters and interactive graphics "For me, Code was a revelation. It was the first book about programming that spoke to me. It started with a story, and it built up, layer by layer, analogy by analogy, until I understood not just the Code, but the System. Code is a book that is as much about Systems Thinking and abstractions as it is about code and programming. Code teaches us how many unseen layers there are between the computer systems that we as users look at every day and the magical silicon rocks that we infused with lightning and taught to think." - Scott Hanselman, Partner Program Director, Microsoft, and host of Hanselminutes Computers are everywhere, most obviously in our laptops and smartphones, but also our cars, televisions, microwave ovens, alarm clocks, robot vacuum cleaners, and other smart appliances. Have you ever wondered what goes on inside these devices to make our lives easier but occasionally more infuriating? For more than 20 years, readers have delighted in Charles Petzold's illuminating story of the secret inner life of computers, and now he has revised it for this new age of computing. Cleverly illustrated and easy to understand, this is the book that cracks the mystery. You'll discover what flashlights, black cats, seesaws, and the ride of Paul Revere can teach you about computing, and how human ingenuity and our compulsion to communicate have shaped every electronic device we use. This new expanded edition explores more deeply the bit-by-bit and gate-by-gate construction of the heart of every smart device, the central processing unit that combines the simplest of basic operations to perform the most complex of feats. Petzold's companion website, CodeHiddenLanguage.com, uses animated graphics of key circuits in the book to make computers even easier to comprehend. In addition to substantially revised and updated content, new chapters include: Chapter 18: Let's Build a Clock! Chapter 21: The Arithmetic Logic Unit Chapter 22: Registers and Busses Chapter 23: CPU Control Signals Chapter 24: Jumps, Loops, and Calls Chapter 28: The World Brain From the simple ticking of clocks to the worldwide hum of the internet, Code reveals the essence of the digital revolution.
A dazzling collection of essays on how the best poems work, from the master poet and popular essayist "Poetry," Jane Hirshfield has said, "is language that foments revolutions of being." In ten eloquent and highly original explorations, she unfolds some of the ways this is done--by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language's own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged.
A selection of counting rhyme stories featuring the infamous five little monkeys.
For many of us, the buzzing of a bee elicits panic. But the next time you hear that low droning sound, look closer: the bee has navigated to this particular spot for a reason using a fascinating set of tools. She may be using her sensitive olfactory organs, which provide a 3D scent map of her surroundings. She may be following visual landmarks or instructions relayed by a hive-mate. She may even be tracking electrostatic traces left on flowers by other bees. What a Bee Knows: Exploring the Thoughts, Memories, and Personalities of Bees invites us to follow bees’ mysterious paths and experience their alien world. Although their brains are incredibly small—just one million neurons compared to humans’ 100 billion—bees have remarkable abilities to navigate, learn, communicate, and remember. In What a Bee Knows, entomologist Stephen Buchmann explores a bee’s way of seeing the world and introduces the scientists who make the journey possible. We travel into the field and to the laboratories of noted bee biologists who have spent their careers digging into the questions most of us never thought to ask (for example: Do bees dream? And if so, why?). With each discovery, Buchmann’s insatiable curiosity and sense of wonder is infectious. What a Bee Knows will challenge your idea of a bee’s place in the world—and perhaps our own. This lively journey into a bee’s mind reminds us that the world is more complex than our senses can tell us.