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A major contribution to ecumenical reflection on the doctrine of God. The past century has seen renewed interest in the doctrine of God. While theological traditions disagree, their shared commitment to Nicene orthodoxy provides a common language for thinking and speaking about God. This dialogue has deepened our understanding of this shared way of thinking about God, but little has been done across ecumenical lines to explore God's hiddenness in revelation. In Hidden and Revealed, Dmytro Bintsarovskyi explores the hiddenness and revelation of God in two separate theological streams—Reformed and Orthodox. Bintsarovskyi shows that an understanding of both traditions reflects a deep structure of shared language, history, and commitments, while nevertheless reflecting real differences. With Herman Bavinck and John Meyendorff as his guides, Bintsarovskyi advances ecumenical dialogue on a doctrine central to our knowledge of God.
Exploring the biblical conception of mystery as an initial, partially hidden revelation that is subsequently more fully revealed, this book sheds light not only on the richness of the concept itself, but also on the broader relationship between the Old and New Testaments. As such, it is a model for attentive and faithful biblical theology.
Eyewitness accounts of the tornadoes of May 6, 1965, which devastated areas of Lake Minnetonka, Fridley, Blaine, Spring Lake Park and Mounds View Minnesota. Continuing where the last book ended, this collection has new, revealing data that shows how historic and strange these storms were. Taylor and the witnesses found the presence of God--not in the tornadoes, or destruction, or pain and death--but in His protection and love, the kindness of neighbors, and the miracles of that night.
In Western religious traditions, God is conventionally conceived as a humanlike creator, lawgiver, and king, a being both accessible and actively present in history. Yet there is a concurrent and strong tradition of a God who actively hides. The two traditions have led to a tension between a God who is simultaneously accessible to humanity and yet inaccessible, a God who is both immanent and transcendent, present and absent. Western Gnostic, esoteric, and mystical thinking capitalizes on the hidden and hiding God. He becomes the hallmark of the mystics, Gnostics, sages, and artists who attempt to make accessible to humans the God who is secreted away. 'Histories of the Hidden God' explores this tradition from antiquity to today. The essays focus on three essential themes: the concealment of the hidden God; the human quest for the hidden God, and revelations of the hidden God.
A stunning art book, but far more. In addition to glittering reproductions, details and working drawings of the ten mammoth pieces in this award-winning series about Esther of the Bible, the book features the artist's own story, illuminating her journey from war-torn Romania to Israel to Canada, what drew her to Esther and mosaics as a medium, and how she employed ancient techniques with a contemporary sensibility. An art historian provides a chapter comparing Broca's interpretation of Esther to that of such past artists as Rembrandt and Artemisia Gentileschi. The book finishes with a provocative, lyrical prose-poem written in the imagined voice of Esther by a prominent rabbi and scholar. An appendix provides the full text of Esther in beautiful calligraphed Hebrew with an accompanying English translation.
This work focuses on a reality central to each human life and basic to every branch of theology; namely, the immanent transcendence of God. This study begins by exploring that theme of mystery hidden yet revealed from the perspective of the interrelationship of transcendence, self-actualization and creative expression. The book goes on to describe the interplay of those three elements in the lives and the works of,Thomas Merton, monk and writer, and Georgia O'Keeffe, artist. People from a wide variety of backgrounds and traditions will find this study a stimulating source of insight for their spiritual quest.
Four old friends confront their darkest secrets in this fantasy steeped in nostalgia, folklore, religion, and the seductive landscape of Southern Italy—by the Italian Neil Gaiman. “A tale of adventure, mystery, friendship and heart-wrenching beauty that will make you re-examine what is holy, what is true, and what is beyond the realm of possibility.” —BookPage Four old school friends have a pact: to meet up every year in the small town in Puglia they grew up in. Art, the charismatic leader of the group and creator of the pact, insists that the agreement must remain unshakable and enduring. But this year, he never shows up. A visit to his house increases the friends’ worry: Art is farming marijuana. In Southern Italy doing that kind of thing can be very dangerous. They can’t go to the Carabinieri so must make enquiries of their own. This is how they come across the rumors about Art—bizarre and unbelievable rumors that he miraculously cured the local mafia boss’ daughter of terminal leukemia. And among the chaos of his house, they find a document written by Art, “The Book of Hidden Things”, that promises to reveal dark secrets and wonders beyond anything previously known. Set in the beguiling and seductive world of Southern Italy, Francesco Dimitri’s first novel in English is a story friendship, landscape, love, betrayal, and mystery that will entrance fans of Elena Ferrante, Neil Gaiman, and Donna Tartt.
"A celebration of the hidden beauty & variety of microscopic imagery."--Back cover.
In this phenomenological reading of Luther, Marius Timmann Mjaaland shows that theological discourse is never philosophically neutral and always politically loaded. Raising questions concerning the conditions of modern philosophy, religion, and political ideas, Marius Timmann Mjaaland follows a dark thread of thought back to its origin in Martin Luther. Thorough analyses of the genealogy of secularization, the political role of the apocalypse, the topology of the self, and the destruction of metaphysics demonstrate the continuous relevance of this highly subtle thinker.rabbi
NEW YORK TIMES BESTSELLER • A “thrilling” (The New York Times), “dazzling” (The Wall Street Journal) tour of the radically different ways that animals perceive the world that will fill you with wonder and forever alter your perspective, by Pulitzer Prize–winning science journalist Ed Yong “One of this year’s finest works of narrative nonfiction.”—Oprah Daily ONE OF THE TEN BEST BOOKS OF THE YEAR: The Wall Street Journal, The New York Times, Time, People, The Philadelphia Inquirer, Slate, Reader’s Digest, Chicago Public Library, Outside, Publishers Weekly, BookPage ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, The New Yorker, The Washington Post, The Guardian, The Economist, Smithsonian Magazine, Prospect (UK), Globe & Mail, Esquire, Mental Floss, Marginalian, She Reads, Kirkus Reviews, Library Journal The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every kind of animal, including humans, is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of our immense world. In An Immense World, Ed Yong coaxes us beyond the confines of our own senses, allowing us to perceive the skeins of scent, waves of electromagnetism, and pulses of pressure that surround us. We encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved. Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.” WINNER OF THE ANDREW CARNEGIE MEDAL • FINALIST FOR THE KIRKUS PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • LONGLISTED FOR THE PEN/E.O. WILSON AWARD