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An illustrated quarterly.
"A fantastical journey through the pictorial world of alchemy and mysticism, the Cabbala and magic, freemasons and Rosicrucians. This unique selection of illustrations with commentaries and source texts guides us on a fascinating journey through the representations of the secret arts."--Back cover.
Table of contents
William Blake's series of illustrations for Dante's Divine Comedy was his last major project and a summation of his religious and artistic beliefs. Blake intended to engrave this series, but it was unfinished at his death. The series includes seven partially complete engravings and 102 works in various stages of completion--some of the most beautiful pictures of his career. These pictures are not simple illustrations, but constitute a thorough reinterpretation and--in Blake's view--correction of Dante's poem. This book compares the two men's theological and artistic views and analyzes in detail the meaning of Blake's illustrations, for the first time introducing their theological and aesthetic exuberance to a modern audience.
Musaeum Hermeticum ("Hermetic library") is a compendium of alchemical texts first published in German, in Frankfurt, 1625 by Lucas Jennis. Additional material was added for the 1678 Latin edition, which in turn was reprinted in 1749.Its purpose was apparently to supply in a compact form a representative collection of relatively brief and less ancient alchemical writings; it could be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, or Jean-Jacques Manget's Bibliotheca Chemica Curiosa. It seemed to represent a distinctive school in Alchemy, less committed to the past and less obscure than the works of older and more traditional alchemical masters. The full Latin title is: "Musæum Hermeticum, omnes sopho-spagyricæ artis discipulos fidelissime erudiens, quo pacto summa illa veraque Medicina, qua res omne, qualemcumque defectum patientes, instaurari possunt (quæ alias Benedictus Lapis Sapientum appellatur) inveniri ac haberi queat inveniri ac haberi queat. Continens tractatus chymicos novem præatantissimos, quorum nomina et seriem versa pagella indicabit. In gratiam filiorum doctrinæ, quibus Germanicum Idioma ignotum, in Latinum conversum ac juris publici factum. Jennis"
"To All Ingeniously Elaborate Students, In the most Divine Mysteries of Hermetique Learning." Or so British politician and Freemason ELIAS ASHMOLE (1617-1692) dedicated this curious artifact of the esoteric and spiritual philosophy of alchemy. An avid collector of antiquaries and other oddities (they were, upon his death, bequeathed to Oxford University, which used them to found the Ashmolean Museum), Ashmole counted among his treasures volumes of metaphysical poems available only in private, and fiercely guarded, manuscripts. In 1652, though, he collected many of these writings in this hefty tome, annotated with his own comments. Included are: . "The Ordinall of Alchimy" by Thomas Norton . "The Compound of Alchymie" by Sir George Ripley . "Liber Patris Sapientiae" . "The Tale of the Chanons Yeoman" by Geoffry Chaucer . "The Worke of John Dastin" . "The Hunting of the Greene Lyon" by the Viccar of Malden . "Bloomsfields Blossoms: Or, The Campe of Philosophy" . "Sir Ed Kelley Concerning the Philosopher's Stone" . and much more. Once a resource for such natural philosophers as Isaac Newton, the Theatrum Chemicum Brittannicum remains an astonishing album of arcania.
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.