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This work represents a distinctive school of alchemy -- it belonged to a period that had inherited a bitter experience of the failures, impostures, and misery surrounding the "Magnum Opus" and its mystical quest. The treatises contained in this volume are by the authors of historical legend: John de Mehung, Nicholas Flamel, Basil Valentine, Eirenaeus Philalethes, Helvetius, Michael Maier, Michael Sendivogius, Nicholas Barnaud Delphinas, and Basilius Valentinus. Illustrated.
A classic, prize-winning novel about an epic migration and a lone woman haunted by the past in frontier Waipu. In the 1850s, a group of settlers established a community at Waipu in the northern part of New Zealand. They were led there by a stern preacher, Norman McLeod. The community had followed him from Scotland in 1817 to found a settlement in Nova Scotia, then subsequently to New Zealand via Australia. Their incredible journeys actually happened, and in this winner of the New Zealand Book Awards, Fiona Kidman breathes life and contemporary relevance into the facts by creating a remarkable fictional story of three women entangled in the migrations - Isabella, her daughter Annie and granddaughter Maria. McLeod's harsh leadership meant that anyone who ran counter to him had to live a life of secrets. The 'secrets' encapsulated the spirit of these women in their varied reactions to McLeod's strict edicts and connect the past to the present and future.
Is Masonry merely a club created to collect dues and offer light entertainment or is it something far more inspired? Are the Rosicrucians a mythical, nonexistent group or very real seekers of wisdom on a mystical path? Manly Palmer Hall, one of the most enlightened esoteric authors of the 20th century, offers his sage thoughts on the Freemasons and Rosicrucians in this collection of thought-provoking essays. Includes "The Lost Keys of Freemasonry"; "Freemasonic Symbolism"; "Rosicrucian and Masonic Origins" and more.
The Hermetic Museum was published in Latin at Frankfort, in the year 1678, and, as its title implies, it was an enlarged form of an anterior work which, appearing in 1625, is more scarce, but, intrinsically, of less value. Its design was apparently to supply in a compact form a representative collection of the more brief and less ancient alchemical writers; in this respect, it may be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, and that scarcely less colossal of Mangetus, the Bibliotheca Chemica Curiosa, which are largely concerned with the cream of the archaic literature, with the works of Geber and the adepts of the school of Arabia, with the writings attributed to Hermes, with those of Raymond Lully, Arnold de Villa Nova, Bernard Trevisan, and others. This is volume 2 out of 2. Contents: The Golden Tripod, Second Tract. The Chemical Treatise Of Thomas Norton, The Englishman, Called Believe-Me, Or The Ordinal Of Alchemy. The Testament Of Cremer The New Chemical Light A Preface To The Riddle Of The Sages. A Parable, Or Enigma Of The Sages. A Dialogue Between Mercury, The Alchemist, And Nature. New Chemical Light. Second Part. Concerning Sulphur. Concerning Sulphur. An Open Entrance To The Closed Palace Of The King. A Subtle Allegory Concerning The Secrets Of Alchemy The Three Treatises Of Philalethes. A Brief Guide To The Celestial Ruby. The Fount Of Chemical Truth. John Frederick Helvetius’ Golden Calf, The All-Wise Doorkeeper, Or A Fourfold Figure, Addendum.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A concise guide to the history, theory, and practice of alchemy (the “great work”)—the art of working with the energies of nature for spiritual development, healing, and transformation. Alchemy is a means of understanding and working in concert with the energies of nature for spiritual development, healing, and transformation. In this book, Brian Cotnoir offers a step-by-step introduction that explores alchemy’s mysteries while illustrating its use as a modern spiritual system of attainment. He provides an overview of the history of alchemy, from the first meldings of Egyptian technology to the Middle Ages—the golden age of alchemy—to contemporary techniques. He demystifies the relationship between alchemy and chemistry, and provides evidence that alchemy is much more than a medieval form of psychotherapy. The guide also includes practical laboratory experiments that safely and intelligently lead readers to an understanding of this ancient art and spiritual practice. Provides step-by-step instruction for beginning a practice in alchemy Explains the theory underlying the art and science of alchemy and how it works Demystifies the relationship between alchemy and chemistry, while going well beyond the “psychological interpretation” advanced by nonscientists Introduces the practice of alchemy to students of the Western magical arts This book was previously published as The Weiser Concise Guide to Alchemy. This new edition includes a foreword by Robert Allen Bartlett, author of Real Alchemy.
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.