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Making it up the aisle was the easy part: Rebecca "Bex" Porter must survive her own scandals and adjust to royal British life in this "positively delicious" follow-up to The Royal We that's "just as fun, charming, and delightful as the first" (Taylor Jenkins Reid). After a scandalous secret turns their fairy-tale wedding into a nightmare, Rebecca "Bex" Porter and her husband Prince Nicholas are in self-imposed exile. The public is angry. The Queen is even angrier. And the press is salivating. Cutting themselves off from friends and family, and escaping the world's judgmental eyes, feels like the best way to protect their fragile, all-consuming romance. But when a crisis forces the new Duke and Duchess back to London, the Band-Aid they'd placed over their problems starts to peel at the edges. Now, as old family secrets and new ones threaten to derail her new royal life, Bex has to face the emotional wreckage she and Nick left behind: with the Queen, with the world, and with Nick's brother Freddie, whose sins may not be so easily forgotten—nor forgiven.
This stand-alone novel in the Valdemar series continues the story of prickly weapons-master Alberich. Once a heroic Captain in the army of Karse, a kingdom at war with Valdemar, Alberich becomes one of Valdemar's Heralds. Despite prejudice against him, he becomes the personal protector of young Queen Selenay. But can he protect her from the dangers of her own heart?
"Has all the lush world-building and intoxicating magic of the Harry Potter universe" — Entertainment Weekly "Lush and sweeping swords-and-sorcery romance" — The New York Times Assassin's Creed meets Fantastic Beasts and Where to Find Them in this gripping, epic fantasy romance trilogy. My heart wasn't part of the deal when I bargained for my life, But assassins so rarely keep their word. Exiled Charmer Leena Edenfrell is running out of time. Empty pockets forced her to sell her beloved magical beasts—an offense punishable by death—and now there's a price on her head. With the realm's most talented murderer-for-hire nipping at her heels, Leena makes Noc an offer he can't refuse: powerful mythical creatures in exchange for her life. Plagued by a curse that kills everyone he loves, Noc agrees to Leena's terms in hopes of finding a cure. Never mind that the dark magic binding the assassin's oath will eventually force him to choose between Leena's continued survival...and his own. The Beast Charmer Series: Kingdom of Exiles The Frozen Prince (coming early 2020) The Shattered Crown (coming late 2020)
Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.
A shackled Earth, ruled by an unstoppable tyrant An exiled son, and a one-way trip across the galaxy A perfect world, their last hope for survival Vice Admiral Isaac Gallant is the heir apparent to the First Admiral, the dictator of the Confederacy of Humanity. Unwilling to let his mother’s tyranny stand, he joins the rebellion and leads his ships into war against the might of his own nation. Betrayal and failure, however, see Isaac Gallant and his allies captured. Rather than execute her only son, the First Admiral instead decides to exile them, flinging four million dissidents and rebels through a one-shot wormhole to the other end of the galaxy. There, Isaac finds himself forced to keep order and peace as they seek out a new home without becoming the very dictator he fought against—and when that new home turns out to be too perfect to be true, he and his fellow exiles must decide how hard they are prepared to fight for paradise…against the very people who built it.
Crown princess Aurelia is a survivor. She survived attempted assassination. She survived the king's rejection. She survived her mother's abandonment. And now, in exile, she must survive her kingdom-from hostile crowds to raw frontier to desert sands. But even as unknown assailants track Aurelia and expedition guide Robert, she knows what her greatest risk is: falling love...
Rumors of war hang over Princess Jeniah's peaceful country of Arden, a land that shuns both magic and warfare. Following a lifelong dream, Jeniah forms a telepathic bond with a revered creature called a chayim, who is prophesied to save her kingdom. But when a Darborian knight comes upon Jeniah with her chayim, he sees only a vicious monster about to devour a maiden, and he slays the beast. Devastated by the loss of her chayim, and fearing that her own magic is evil, Jeniah doubts her destiny. When and enemy invades Arden City, they slaughter the people, storm the castle, and execute the entire royal family except the princess. Rescued by the knight who slew her chayim, Jeniah is now heir to the throne of Arden and the only hope for freeing the people from tyranny..
Facing persecution in early modern England, some Catholics chose exile over conformity. Some even cast their lot with foreign monarchs rather than wait for their own rulers to have a change of heart. This book studies the relationship forged by English exiles and Philip II of Spain. It shows how these expatriates, known as the “Spanish Elizabethans,” used the most powerful tools at their disposal—paper, pens, and presses—to incite war against England during the “messianic” phase of Philip’s reign, from the years leading up to the Grand Armada until the king’s death in 1598. Freddy Cristóbal Domínguez looks at English Catholic propaganda within its international and transnational contexts. He examines a range of long-neglected polemical texts, demonstrating their prominence during an important moment of early modern politico-religious strife and exploring the transnational dynamic of early modern polemics and the flexible rhetorical approaches required by exile. He concludes that while these exiles may have lived on the margins, their books were central to early modern Spanish politics and are key to understanding the broader narrative of the Counter-Reformation. Deeply researched and highly original, Radicals in Exile makes an important contribution to the study of religious exile in early modern Europe. It will be welcomed by historians of early modern Iberian and English politics and religion as well as scholars of book history.
With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.
An extraordinary talent bursts on the fantasy scene with a remarkably engaging novel. Lady Angarred Hashan was raised in exile far from Pergodi, the capital city. Angarred never knew what had caused her father's exile; she only knew that at the age of four, she was brought to Hashan House, an isolated and crumbling manor, and raised by servants. Her mother, she was told, had died. Angarred spent hours in her mother's rooms, handling the fine dresses of Emindal cloth---when she wasn't running wild through the forests and fields. Her father was distant and obsessed with regaining his place at court. The only visitors they ever saw were secretive men and women who brought news of the events at court---news of wars and alliances, of the queen's failure to conceive an heir, of the Princess Roharren's madness and Prince Norue's growing power, and of the disappearance of the magicians. The visitors came and went, plotting revenge for mysterious slights, eating and drinking their way through the storerooms while Hashan House fell down around them. But one day, while hunting in the forest, Lord Hashan was murdered. And Angarred, in her outrage, determined to go to the capital and seek justice from the king---for, surely, the murderer of a lord, even an exiled lord, should be punished! But the naïve young woman finds a swirling world of palace intrigue, a dying queen, and an ensorcelled king. With the help of Mathewar, a handsome but very troubled, magician, she journeys from the crowded streets of Pergodi to the Enchanted Forest, from the deadly land of the Others to the arches of the Giant's Bridge, as she begins to unravel the secrets of the kingdom and her own history.