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A compelling debut novel and deft exploration of the delicate dynamic between First Nations communities and non-native outsiders from writer Jennifer Manuel.
Jennifer Manuel skilfully depicts the lonely world of Bernadette, a woman who has spent the last forty years living alone on the periphery of a remote West Coast First Nations reserve, serving as a nurse for the community. This is a place where truth and myth are deeply intertwined and stories are “like organisms all their own, life upon life, the way moss grows around poplar trunks and barnacles atop crab shells, the way golden chanterelles spring from hemlock needles. They spread in the cove with the kelp and the eelgrass, and in the rainforest with the lichen, the cedars, the swordferns. They pelt down inside raindrops, erode thick slabs of driftwood, puddle the old logging road that these days led to nowhere.” Only weeks from retirement, Bernadette finds herself unsettled, with no immediate family of her own—how does she fit into the world? Her fears are complicated by the role she has played within their community: a keeper of secrets in a place “too small for secrets.” And then a shocking announcement crackles over the VHF radio of the remote medical outpost: Chase Charlie, the young man that Bernadette loves like a son, is missing. The community is thrown into upheaval, and with the surface broken, raw dysfunction, pain and truths float to the light.
From the gifted author of A Little Piece of Sky: The poignant tale of a young woman who must come to terms with her biracial identity. Shana Washington is the product of two very different worlds. Her white mother is a socialite with an Ivy League education; Shana’s black father has a weakness for whiskey and can’t stay faithful to any woman, but when his daughter is in peril, he always finds a way to rescue her. Hauntingly evoking the worlds represented by these three characters, Floating follows the life of Shana as she seeks acceptance—and wholeness—from white and black communities that both turn her away. When she begins a college romance with Lionel, a handsome track star with bronze-colored skin, her dreams of finding a soulmate seem tantalizingly close to coming true. Yet Lionel’s childhood demons are even more vicious than Shana’s, threatening the fragile love they can’t admit to needing. Tracing the themes of identity, healing, and self-acceptance that won such acclaim for her debut novel, Nicole Bailey-Williams now shares a provocative new storyline for anyone who has faith in the power of self-discovery.
It all starts with an impossibly large set of tracks, footprints for a creature that could not possibly exist. The words sasquatch, bigfoot and yeti never occur in this novel, but that is what most people would call the hairy, nine-foot creature that would become a lifelong obsession for Aidan Fitzpatrick, and in turn, his granddaughter Sandy Langley. The novel spans the course of single winter day, interspersed with memories from Sandy’s life—childhood days spent with her distracted, scholarly grandfather in a remote cabin in British Columbia’s interior mountains; later recollections of new motherhood; and then the tragic disappearance that would irrevocably shape the rest of her life, a day when all signs of the mysterious creature would disappear for thirty years. When the enigmatic tracks finally reappear, Sandy sets out on the trail alone, determined to find out the truth about the mystery that has shaped her life. The Wild Heavens is an impressive and evocative debut, containing beauty, tragedy and wonder in equal parts.
In this extraordinary Caldecott Medal winner and New York Times bestseller by David Wiesner, a beach day is the springboard to a wildly imaginative exploration of fantastical mysteries of the deep—and of human connections through time. A young boy comes to the beach eager to collect and examine flotsam—anything floating that has been washed ashore. But nothing among his usual finds compares with the discovery of a barnacle-encrusted underwater camera with its own secrets to share...and to keep. Meet unexpected underseas denizens and enter fascinating worlds within worlds in this entrancing celebration of imagination, creativity, and the impulse to share that which delights and amazes us. A beautiful picture book by a master of the form, David Wiesner, who has been awarded the Caldecott Medal three times and the Caldecott Honor twice.
From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.
A single mother. An abandoned farmhouse. An epic battle with the northern wilderness. Broke and desperate, Molly Bannister accepts the ironclad condition laid down in her great-aunt’s will: to receive her inheritance, Molly must spend one year in an abandoned, off-the-grid farmhouse in the remote backwoods of northern Alberta. If she does, she will be able to sell the farm and fund her four-year-old daughter’s badly needed medical treatment. With grim determination, Molly teaches herself basic homesteading skills. But her greatest perils come from the brutal wilderness itself, from blizzards to grizzly bears. Will she and her child survive the savage winter? Will she outsmart the idealist young farmer who would thwart her plan to sell the farm? Not only their financial future, but their very lives are at stake. Only the journal written by Molly's courageous great-aunt, the land’s original homesteader, inspires her to struggle on.
In early 2000 the bottom dropped out of the life of writer David Denby when his wife decided to leave him. Propelled to make some money quickly, and seized by the 'irrational exuberance' of the stock market, then approaching its peak, Denby enthusiastically joined the investment frenzy. Over the next few months he listened raptly to bullish stock analysts, dreamy hi-tech gurus and boastful heads of companies. He plunged into a season of mania and was swept forward on currents of hope, greed and hucksterism - with cataclysmic results. American Sucker is a mesmerising account of those years of madness. What begins as a money chase and an engagement with rampant capitalism soon becomes an encounter with such timeless issues as love, envy, true value - and life and death itself. This is a classic tale of the bubble related not by a market guru or an investment professional but by a witty, perceptive and eloquent outsider.
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost. Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot. He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help cheer him up.) He feels sad and left out when his friends are zooming around and he can't keep up. But one Halloween, everything changes. The little ghost who was a quilt has an experience that no other ghost could have, an experience that only happens because he's a quilt . . . and he realizes that it's OK to be different.