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An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.
From the esteemed New Yorker correspondent comes an incisive volume of essays and reportage that vividly illuminates Latin America’s recent history. Only Alma Guillermoprieto, the most highly regarded writer on the region, could unravel the complex threads of Colombia’s cocaine wars or assess the combination of despotism, charm, and political jiu-jitsu that has kept Fidel Castro in power for more than 40 years. And no one else can write with such acumen and sympathy about statesmen and campesinos, leftist revolutionaries and right-wing militias, and political figures from Evita Peron to Mexico’s irrepressible president, Vicente Fox. Whether she is following the historic papal visit to Havana or staying awake for a pre-dawn interview with an insomniac Subcomandante Marcos, Guillermoprieto displays both the passion and knowledge of an insider and the perspective of a seasoned analyst. Looking for History is journalism in the finest traditions of Joan Didion, V. S. Naipaul, and Ryszard Kapucinski: observant, empathetic, and beautifully written.
The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today's society the uneasy relations between Indians and white's is still fueled by mistrust, stereo-types and casual violence.
While working on a project translating letters from sixteenth-century Prague, high school senior Nora Kane discovers her best friend murdered with her boyfriend the apparent killer and is caught up in a dangerous web of secret societies and shadowy conspirators, all searching for a mysterious ancient device purported to allow direct communication with God.
In 1970 a young dancer named Alma Guillermoprieto left New York to take a job teaching at Cuba’s National School of Dance. For six months, she worked in mirrorless studios (it was considered more revolutionary); her poorly trained but ardent students worked without them but dreamt of greatness. Yet in the midst of chronic shortages and revolutionary upheaval, Guillermoprieto found in Cuba a people whose sense of purpose touched her forever. In this electrifying memoir, Guillermoprieto–now an award-winning journalist and arguably one of our finest writers on Latin America– resurrects a time when dancers and revolutionaries seemed to occupy the same historical stage and even a floor exercise could be a profoundly political act. Exuberant and elegiac, tender and unsparing, Dancing with Cuba is a triumph of memory and feeling.
Over the course of a single summer day, ten teenagers in Salem, Massachusetts, will discover important truths about themselves and each other. There is Nicole, whose decision to betray her best friend will shock everyone, most of all herself; Kelly, who meets the convicted felon she has been writing to for years; Maria, whose definition of a true friend is someone who will cut her. Then there is Sadie, a chubby eleven-year-old whose mother forces her to wear a "please don't feed me" sign stapled to her shirt; while Joy, a fifteen-year-old waitress hoping for true intimacy narrowly escapes a very dark fate. Derik discovers that his usual good looks and charm won't help him hold onto the girl he wants, while nineteen-year-old drifter, Mearl, is desperately looking for a place to call home. Sean is torn between his loyalty to his girlfriend and the possibility of finding something more with her friend, while Ginger's single-minded pursuit to bring down her nemesis only proves that they may be more alike than she thought. Seamlessly woven together, this incredibly powerful and compelling collection of stories chronicles the very real trials of today's teen experience.
The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe). Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.
"It is not possible to read this collection of poems without being simultaneously touched by the authenticity of the experiences they recount... many of the poems in the collection deliver a stinging critique of America..." ~Dr. Timothy Chin, Ph. D., University of Michigan "Open-minded readers will see that the author's poems uncover inequities while also communicating encouragement of tolerance between the haves and the have-nots... we might have different challenges, backgrounds and life experiences but we can all relate to the rhythmic, heartfelt poems..." ~Dr. Iris Baxter, Ph. D., University of Southern California
A generation past, the western realms were embroiled in endless war. Then the Destroyer came. From the blood and ashes he left behind, a tenuous alliance rose between the barbarian riders of Parsathe and the walled kingdoms of the south. That alliance is all that stands against the return of an ancient evil—until the barbarian king and queen are slain in an act of bloody betrayal. Though forbidden by the alliance council to kill the corrupt king responsible for his parents’ murders, Maddek vows to avenge them, even if it costs him the Parsathean crown. But when he learns it was the king’s daughter who lured his parents to their deaths, the barbarian warrior is determined to make her pay. Yet the woman Maddek captures is not what he expected. Though the last in a line of legendary warrior-queens, Yvenne is small and weak, and the sharpest weapons she wields are her mind and her tongue. Even more surprising is the marriage she proposes to unite them in their goals and to claim their thrones—because her desire for vengeance against her father burns even hotter than his own…