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Learn to ask better, more helpful questions of your work so that you can create stronger and more powerful photographs.

Photographers often look at an image—one they’ve either already created or are in the process of making—and ask themselves a simple question: “Is this a good photograph?” It’s an understandable question, but it’s really not very helpful. How are you supposed to answer that? What does “good” even mean? Is it the same for everyone?

What if you were equipped to ask better, more constructive questions of your work so that you could think more intentionally and creatively, and in doing so, bring more specific action and vision to the act of creating photographs? What if asking stronger questions allowed you to establish a more effective approach to your image-making? In The Heart of the Photograph: 100 Questions for Making Stronger, More Expressive Photographs, photographer and author David duChemin helps you learn to ask better questions of your work in order to craft more successful photographs—photographs that express and connect, photographs that are strong and, above all, photographs that are truly yours.

From the big-picture questions—What do I want this image to accomplish?—to the more detail-oriented questions that help you get there—What is the light doing? Where do the lines lead? What can I do about it?—David walks you through his thought process so that you can establish your own. Along the way, he discusses the building blocks from which compelling photographs are made, such as gesture, balance, scale, contrast, perspective, story, memory, symbolism, and much more. The Heart of the Photograph is not a theoretical book. It is a practical and useful book that equips you to think more intentionally as a photographer and empowers you to ask more helpful questions of you and your work, so that you can produce images that are not only better than “good,” but as powerful and authentic as you hope them to be.

TABLE OF CONTENTS
Better Questions

PART ONE: A GOOD PHOTOGRAPH?
Is It Good?
The Audience's Good
The Photographer's Good

PART TWO: BETTER THAN GOOD
Better Subjects

PART THREE: BETTER EXPRESSION
Exploration and Expression
What Is the Light Doing?
What Does Colour Contribute?
What Role Do the Lines and Shapes Play?
What's Your Point of View?
What Is the Quality of the Moment?
Where Is the Story?
Where Is the Contrast?
What About Balance and Tension?
What Is the Energy?
How Can I Use Space and Scale?
Can I Go Deeper?
What About the Frame?
Do the Elements Repeat?
Harmony
Can I Exclude More?
Where Does the Eye Go?
How Does It Feel?
Where's the Mystery?
Remember When?
Can I Use Symbols?
Am I Being Too Literal?

PART FOUR: BETTER PHOTOGRAPHS
The Heart of the Photograph
Index

Co-published with Art Museum of South Texas, Catalog of the Sondra Gilman collection.
"Shooting Back caught my attention. Way to go, Jim Hubbard." --Oprah Winfrey "Shooting Back is wonderful and should be supported in every way possible." --Hillary Rodham Clinton "There is the photojournalism that is objective, and then there is the photojournalism that is purposefully provocative. Jim hubbard has found time to practice both." --The Washington Post "Jim and Shooting Back gives ... us all hope." --Maria Shriver, NBC news "His photos are powerful. His theme is strong and honest. Jim's faith story is compelling, enabled by the grace and love of God. There is a human joy. Jim Hubbard is a very special person, and I am proud to know him. --Martin Sheen "Jim Hubbard's photos are a worthy continuation of the tradition of American documentary photography that has tried to give voice to the voiceless. Through his sensitivity we feel that these are people and not just a problem. --Peter Howe, director of photography, LIFE magazine "Jim Hubbard reached a position which any photographer would envy. He has embarked on a task which is difficult and rarely lucrative. Jim spends his time in our ghettos, our poverty-filled streets. He is an artist photographing the poor, impoverished to heighten the public's awareness. Jim should serve as an example to us all." --US House of Representatives Majority Whip Tony Coelho, D-CA "I was very moved and touched by your book. God has redeemed, is redeeming, the searing pain of your loss. Your story greatly encourages me." --Rankin Wilbourne, senior pastor, Pacific Crossroads Church, Santa Monica, California
An unforgettable photo captured Sue Massey's anguish as she watched her family's farm – their beloved home, their livelihood, their life's blood – sold off to the highest bidder. Grabbing the heart of the world, that iconic photo catapulted Sue and her family into the limelight – for better and for worse. In this tightly-paced page-turner of a memoir, she describes life after losing everything and – ultimately, in an unexpected twist – finding herself.
A detailed study of the ekphrasis of photography in poetry since the 19th century. Unlike other critical studies of ekphrasis, Miller's study concentrates solely on the lyrical ekphrasis of photographs, setting out to define how the photographic image provides a unique form of poetic ekphrasis.
Gorilla Pathology and Health: With a Catalogue of Preserved Materials consists of two cross-referenced parts. The first, the book itself, is a review of pathological changes and tissue responses in gorillas (Gorilla gorilla and G. beringei), with an emphasis on free-living animals, but also with reference to those in captivity. The comparative aspects are discussed, stressing the relevance of research to both gorillas and humans. What makes the publication truly unique, however, is the second part, a comprehensive descriptive catalogue of the location and nature of gorilla material in museums and scientific institutions throughout the world. This is of great consequence because free-living gorillas are strictly conserved with restricted access, so the location of a wealth of preserved tissues and other material that has been collected over the decades is a great benefit for research and study. This book can, and should, be used to gain cardinal knowledge regarding the biology and pathology of this genus. The combination of book and catalogue in this extensive compilation makes it an invaluable tool for all those concerned with the health, welfare, and conservation of gorillas, one of our nearest living relatives. Brings together studies, data, and clinical practice from difficult-to-access or obscure journals and NGO reports, in different languages, for all interested parties and practitioners Provides perspectives on existing research in gorilla pathology, both for those studying conservation practices and those seeking an understanding of comparable diseases in humans Includes illustrative figures on gross and microscopic pathological changes, museum specimens, photos of field necropsy and techniques, and examples of laboratory tests Features an extensive list of references and further reading, in different languages Incorporates a comprehensive, descriptive catalogue of gorilla material from around the world
BONUS: This edition contains an excerpt from Dean Koontz's The City. A man and a woman meet by chance in a bar. Suddenly they are fleeing the long arm of a clandestine and increasingly powerful renegade government agency -- the woman hunted for the information she possesses, the man mistaken as her comrade in a burgeoning resistance movement. The architect of the chase is a man of uncommon madness and cruelty -- ruthless, possibly psychotic, and equipped with a vast technological arsenal. He is the brazen face of an insidiously fascistic future. And he is virtually unstoppable. But he has never before come up against the likes of his current quarry. Both of them are survivors of singularly horrific pasts. Both have long been emboldened by their experiences to fight with reckless courage for their own freedom. Now they are plunged into a struggle for the freedom of their country, and for the sanctity of their own lives. Dark Rivers of the Heart is an electrifying thriller that steers us along the razor edge of a familiar, terrifying reality.
Through a wide spectrum of horror sub-genres, this book examines how the current state of horror reflects the anxieties in Western culture. Horror films bring them to a mass audience and offer new figures for the nameless faceless 'antagonist' that plagues us and provides material with which to build a different understanding of ourselves.