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The Heart of Hyacinth, originally published in 1903, tells the coming-of-age story of Hyacinth Lorrimer, a child of white parents who was raised from infancy in Japan by a Japanese foster mother and assumed to be Eurasian. A crisis occurs when, 18 years after her birth, her American father returns to Japan to reclaim her just as Hyacinth has become engaged to a Japanese aristocrat, and she forcefully asserts her Japanese ties only to find that her prospective father-in-law will not tolerate a white wife for his son. Onoto Watanna creates in her protagonist a young white woman who not only claims a Japanese identity but shifts between her Japaneseness and her whiteness as expediency dictates. In this novel Watanna is on the cutting edge of what we now call race theory, using that theory—of racial constructions and fluidity—in the service of an avant-garde feminism.
The City of Sendai, on the north-eastern coast of Japan, raises its head queenly-wise towards the sun, as though conscious of its own matchless beauty and that which envelops it on all sides. Here, where the waters flow into the Pacific, the surges are never heard. Neptune seems to have forgotten his anger in the presence of such peerless beauty. Near to Sendai there is a bay called Matsushima. Here Nature has flung out her favors with more than lavish hand; for throughout the bay she has scattered jewel-like rocks, whose white sides rise above the waters, and whose surface gives nutrition to the graceful pine trees which find their roots within the stone. Near to a thousand rocks they are said to number, and save for the one called Hadakajima, or Naked Island, all are crowned with pine trees. Then came a second visitation from an English vessel. Sailors and officers lolled about the town by day and rioted by night. Some of them wooed the dark-eyed daughters of the town but to leave them. One there was, however, who brought a girl, a shrinking, yet trustful girl, to the old missionary on the hill, and there, in the shabby old mission house, the solemn and beautiful ceremony of the Christian marriage service was performed over their heads. That was ten years before. At first, the Englishman had seemingly settled in his adopted land, as he loved to call it. The place appealed to his artistic perceptions. The Mecca of all his hopes, he called it. Why should he return to the world of cold and strife? Here were peace, rest, and love unbounded. But before the close of the second year of their union, an event occurred which shook the stranger suddenly into life's vivid reality. A great duty thrust itself in his track. Not for himself, but for another, must he turn his back upon the land of love. A son had been born to him in the season of Little Heat. So the Englishman crushed to his breast his foreign wife and child, and with reiterated promises of a speedy return, he left them.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Talented actor. Charismatic celebrity. Woman magnet. Author. A free thinker and an independent soul. That’s the shorthand when it comes to the worldwide perception of Keanu Reeves. But there’s more to the real Keanu than pop culture talking points and, in Keanu Reeves’ Excellent Adventure: An Unauthorized Biography by New York Times bestselling author Marc Shapiro, the star of Speed, John Wick, Point Break and countless big and small films proves to be a lot more contrary and anti-establishment than most Hollywood cookie cutter celebrities. Equal parts biography and character study, Keanu Reeves’ Excellent Adventure: An Unauthorized Biography is an ink blot/rat in a maze journey as the actor deals with his life and times in straightforward, often philosophical and spiritual manner. He can be shy, self -effacing, an introvert and somebody who has been a pain in the side of the Hollywood establishment. He’s also found time to be an all around good guy as he deals with life’s ups and downs. But at the end of the day, Keanu Reeves is nothing less than human. He’s dealt with the deaths of those he’s loved the most. He makes no bones about the fact that he comes from a dysfunctional upbringing. He’s walked away from big-budget studio films in favor of doing Hamlet for peanuts. And, early on, he didn’t think twice about starring in the overtly gay-themed way out of the mainstream theater production Wolfboy. He’s readily admits to having done drugs and has had his run ins with the law. And along the way his risen to that rarified air of international star.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The hilarious first book in a middle-grade fantasy trilogy about the magical rivers that run through the sewers of London and shape history in ways you'd never learn in school. Magic is real. History is a big, fat lie. Before Hyacinth Hayward moves from Illinois to London, she reads up on the city’s history. Too bad for her. Because the books are wrong. The truth is, London was built on magical rivers, and all the major events in its past have been about people trying to control the magic. Hyacinth discovers this when her mom is kidnapped. In the chase to get her back, Hyacinth encounters a giant intelligent pig in a bathing suit, a boy with amnesia, an adorable tosher (whatever that is), a sarcastic old lady, and a very sketchy unicorn. Somehow Hyacinth has to figure out who to trust, so she can save her mom and, oh yeah, not cause a second Great Fire of London.