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Excerpt from Hawaiian Portion of the Polynesian Collections in the Peabody Museum of Salem: Special Exhibition August November, 1920 The Polynesian collections of the Peabody Museum of Salem are of great ethnological value representing as they do many specimens brought home in the early days of the East India Marine Society. It is impracticable to exhibit these collections all at once but in order to bring them before the public it seemed well to treat one group of islands at a time by means of a special exhibition. At the same time a few other objects loaned by friends of the Museum are temporarily exhibited adding to the popular interest in the collection. With this end in view it was decided to make the first of these special exhibitions one of objects relating to the Hawaiian Islands. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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The first comprehensive study of Hawaiian sculptural tradition, Hawaiian Sculpture documents most known extant indigenous carvings of the human figure and identifies their location in public and private collections. More than 164 illustrations illuminate the wooden sculpture of artists whose names are unknown but who were brilliant by any standard. The revised (1988) edition adds recently discovered pieces and a new introduction. The first edition discussed 147 pieces; the revised edition presents 17 previously uncatalogued works, making the volume a valuable addition to the field of Oceanic art.
Writing Material Culture History examines the methodologies currently used in the historical study of material culture. Touching on archaeology, anthropology, art history and literary studies, the book provides history students with a fundamental understanding of the relationship between artefacts and historical narratives. The role of museums, the impact of the digital age and the representations of objects in public history are just some of the issues addressed in a book that brings together distinguished scholars from around the world. This new edition includes: * A new wide-ranging introduction highlighting the role of material culture in the modern period and presenting recent contributions to the field. * A more balanced and easy-to-use structure, including 9 methodological chapters and 20 'object in focus' chapters consisting of case studies for classroom discussion. * 5 fresh 'object in focus' chapters showing greater engagement with 20th-century material culture, non-European artefacts (particularly in relation to issues of power, indigenity and repatriation of objects), architecture (with pieces on industrial heritage in Europe and on heritage destruction in China) and the definitions and limits of material culture as a discipline. * Expanded online resources to help students navigate the museums/institutions holding key artefacts. * Historiographical updates and revisions throughout the text. Focusing on the global dimension of material culture and bridging the gap between the early modern and modern periods, Writing Material Culture History is an essential tool for helping students understand the potential of objects to re-cast established historical narratives in new and exciting ways.