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n Aimee's world a touch can reveal a cesspool of carefully guarded secrets. The last thing she wants to be caught up in is a quest to expose a murderer, let alone fall for the cute, popular guy that has the biggest, dirtiest secret of all - and it's a killer. Sixteen year old Aimee doesn't like to touch people. One touch and she sees their past. One graze over her skin and she can see all the good and bad deeds a person has ever done. It isn't until a bomb explodes during lunch that she realizes exactly how many dirty secrets the students in her school harbors-or exactly how far one of them would go to keep his secrets safe. In the aftermath of that fateful day of the bombing Aimee is brushed by a fellow student as they are caught in the mob running for their lives. Images of tortured and murdered young girls rise up to choke her. The problem is Aimee doesn't know who touched her. Somewhere in this school a fellow student is a killer, and Aimee is the only one that can find him before he murders again. Though Aimee loathes human contact, she embarks on a mission to find the killer. She enlists the help of her friends to aid in sifting through her stolen memories to determine clues. The quest to find a killer unravels the very fabric of her carefully woven life and puts her in even more danger as one of her classmates is murdered and dumped in the woods behind the school. The killer leaves a note for Aimee -"you are next." He won't stop until he silences her- for only she knows all his secrets. She will have to summon all of her inner strength to decide what she must do: hunt or be hunted. Are some secrets worth dying for?
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
In Haunting Biology Emma Kowal recounts the troubled history of Western biological studies of Indigenous Australians and asks how we now might see contemporary genomics, especially that conducted by Aboriginal and Torres Strait Islander scientists. Kowal illustrates how the material persistence of samples over decades and centuries folds together the fates of different scientific methodologies. Blood, bones, hair, comparative anatomy, human biology, physiology, and anthropological genetics all haunt each other across time and space, together with the many racial theories they produced and sustained. The stories Kowal tells feature a variety of ghostly presences: a dead anatomist, a fetishized piece of hair hidden away in a war trunk, and an elusive white Indigenous person. By linking this history to contemporary genomics and twenty-first-century Indigeneity, Kowal outlines the fraught complexities, perils, and potentials of studying Indigenous biological difference in the twenty-first century.
Bringing his book up to date with reflections since its first publication a decade ago, Charles S. Maier writes that the historians’ controversy gave Germany a chance to air the issues immediately before unification and, in effect, the controversy substituted for the constitutional debate that a united Germany never got around to holding. The premises of national community, whether formulated in terms of legal culture, inherited collective responsibilities, or patriotic habits of the heart, had already been subjects for vigorous discussion.
London, 1926: Henry Twist's heavily pregnant wife leaves home to meet a friend. On the way, she is hit by a bus and killed, though miraculously the baby survives. Henry is left with nothing but his new daughter - a single father in a world without single fathers. He hurries the baby home, terrified that she'll be taken from him. Racked with guilt and fear, he stays away from prying eyes, walking her through the streets at night, under cover of darkness. But one evening, a strange man steps out of the shadows and addresses Henry by name. The man says that he has lost his memory, but that his name is Jack. Henry is both afraid of and drawn to Jack, and the more time they spend together, the more Henry sees that this man has echoes of his dead wife. His mannerisms, some things he says ... And so Henry wonders, has his wife returned to him? Has he conjured Jack himself from thin air? Or is he in the grip of a sophisticated con man? Who really sent him? Set in a postwar London where the Bright Young Things dance into dawn at garden parties hosted by generous old Monty, The Haunting of Henry Twist is a novel about the limits and potential of love and of grief. It is about the lengths we will go to hold on to what is precious to us, what we will forgive of those we love, and what we will sacrifice for the sake of our own happiness.
Spanning one thousand years, three continents and several countries the writer’s soul experiences a dozen lives. Some are short and brutal, some long and fruitful. Always her soul is presented with lessons to be learned. These lives encompass many of the emotions, situations and tragedies that define the human condition. Love and hate, compassion and empathy, murder, rape, suicide, abandonment, war, betrayal, unrequited and lost love, drowning, suffocation, depression, plague – it’s all there. By embracing hypnotic past life regression, the writer has learned to forgive many past wrongs and also allow others the opportunity to forgive her soul for wrongs committed. She has been able to fix karma with a number of other souls who have incarnated with her again in this lifetime. By enlarging upon the nugget of “truth” gleaned during regression, she provides the reader with a series of vignettes that are evocative of the time and place in which she was living. These short stories are followed with frank examinations of how the information she has been shown has helped her, allowing her a compassionate understanding of many of the more difficult and challenging relationships she has experienced in this lifetime. Part fiction but largely autobiographical, this is a very personal reflection on the experience of hypnotic past life regression and the healing that it can provide. It has a universality that will be accepted by those who believe in reincarnation and just enjoyed by those who do not.
The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton First published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Success is your birthright. Progress is your natural way of being. Expansion is how you were designed. If life has beaten you down and you, like me, have some inner demons, this book will help you slay the Dragons of Sabotage and get on with creating your best life. When you can identify and slay the 5 Dragons of Self-Sabotage, you release an inner power that will excite and delight you. There is harmony within. You feel a divine guidance over your life. You have a profound sense of clarity and just know what to do to achieve your goals. My intention with this message is to teach you a simple, yet profound process to break through self-sabotage. Through the disciplines of psychology, neurology, and theology, you’ll learn how to: Re-create your Self-View and discover new levels of confidence and contributionTransform your circumstances into the driving force that fuels youBreak through fear of failure and success to become a blessing to others Create clarity to stop procrastination and make you unstoppableRelease control and tap into unrealized and unlimited potentialManage your emotions and learn how to discipline your thoughts. Experiencing the life you really want is that simple. But make no mistake; it isn’t easy. You’ll work harder on yourself than you ever have. You‘ve got to be willing to do the inner work to BECOME what you want before you can experience it. Through this process, you will become a Dragon Slayer.