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In the enchanting world of 'The Haunting Melody,' prepare to be swept away on a journey that transcends the boundaries of time and mortality. In a tale where music becomes the vessel for redemption and love defies the confines of life and death, readers are invited to step into a realm where the strings of fate are plucked by the ethereal notes of a haunting melody. Set against the backdrop of the picturesque town of Harmonyville, we meet Averie Kenzie, a virtuoso violinist grappling with the profound loss of her husband, Amos, himself a gifted musician. Seeking refuge from the tempest of her grief, Averie finds herself drawn to a mysterious and historic mansion on the outskirts of town, a place where history's whispers seem to harmonize with the present. Unbeknownst to Averie, the mansion carries within its timeworn walls the lingering spirit of Case Benson, a renowned composer whose existence is bound to the mansion by a tapestry of unfinished melodies and unspoken regrets. As Averie and Case's worlds collide, united by their shared passion for music, they unearth the mansion's hidden secrets and embark on a path neither could have foreseen. The ethereal connection between Averie and Case deepens as they explore the profound power of music to bridge the realms of the living and the departed. In one another, they discover solace, understanding, and a chance to navigate the complexities of their own histories. Their journey reveals that the resonance of true love can echo through time, defying the very constraints of mortality. In the pages of 'The Haunting Melody,' readers are invited to witness the poignant evolution of two souls entwined by melodies that traverse the corridors of time. Averie and Case's exploration of their pasts, their shared present, and the timeless enchantment of music unveils a tale of human connection, forgiveness, and the enduring essence of love. Prepare to lose yourself in a world where the melodies of the heart intertwine with the spirits of the past, and where the haunting beauty of music illuminates the most intimate secrets of the soul.
Alfred Busi lives alone in his villa overlooking the waves. Famed in his tiny Mediterranean town for his music, he is mourning the recent death of his wife and quietly living out his days. Then one night, Busi is viciously attacked by an intruder in his own courtyard—bitten and scratched. He insists his assailant was neither man nor animal. Soon, Busi’s account of what happened is being embellished to fan the flames of old rumor—of an ancient race of people living in the surrounding forest. It is also used to spark new controversy, inspiring claims that something must finally be done about the town’s poor, whose numbers have been growing. In trademark crystalline prose, Jim Crace portrays a man taking stock of his life and looking into an uncertain future, while bearing witness to a community in the throes of great change.
A mysterious music box from the Haunted Museum follows a young girl home in this spooky read by the author of The Titanic Locket. Don’t touch anything in the Haunted Museum! Emma would rather be at her ballet class than at the Haunted Museum, but she can’t miss her best friend’s birthday party. In a spooky exhibit of music boxes, she’s drawn to a particular one, in which a pair of dancers spin slowly to a haunting melody. But that very night, the music box shows up at her door—like it’s following her. Emma dances better than she ever imagined when the music box is playing. But that’s not all. Sometimes the music speeds up, and the dancers seem to move on their own. Emma finds the lid open, music playing, even when she knows she’d shut it before. And then an eye appears in the mirror inside the lid—someone is watching Emma! The more Emma learns about the history of the music box, the more she realizes she needs to break the hold it has over her before it’s too late. But the better she dances when the music plays, the less she wants to! Praise for The Titanic Locket “Hair-raising. . . . Weyn keeps unexpected chills coming. . . . A quick, jittery read.” —Publishers Weekly “Weyn ratchets up the eeriness . . . and quickly builds to a stormy climax.” —Kirkus Reviews
A young journalist prompts a reclusive piano superstar to open up, resulting in this stunning graphic sonata exploring a lifetime of rivalry, regret, and redemption. 1933. In the small French village of Cressy-la-Valoise, a local piano contest brings together two brilliant young players: Julien Dubois, the privileged heir of a wealthy family, and François Samson, the janitor’s son. One wins, one loses, and both are changed forever. 1997. In a huge mansion stained with cigarette smoke and memories, a bitter old man is shaken by the unexpected visit of an interviewer. Somewhere between reality and fantasy, Julien composes, like in a musical score, a complex and moving story about the cost of success, rivalry, redemption, and flying pianos. When all is said and done, did anyone ever truly win? And is there any music left to play?
Paris, 1989: Alone in her luminous apartment on Île Saint-Louis, Sylvie discovers a mysterious letter among her late lover Julien’s possessions, launching her into a decades-old search for a child who vanished in the turbulence of the Second World War. She is unaware that she is watched over by Julien’s ghost, his love for her powerful enough to draw him back to this world, though doomed now to remain a silent observer. Sylvie’s quest leads her deep into the secrets of Julien’s past, shedding new light on the dark days of Nazi-occupied Paris. A timeless story of love and loss, Haunting Paris matches emotional intensity with lyrical storytelling to explore grief, family secrets, and the undeniable power of memory.
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."