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Three satires of academia by the beloved British critic, teacher, and novelist—including his “outstanding” comic masterpiece, The History Man (The Guardian). “A satirist of great assurance and accomplishment,” Malcolm Bradbury remains one of the sharpest comic novelists of the twentieth century (The Observer). In Rates of Exchange and Stepping Westward, as “in almost all of Bradbury’s novels, the most frequently recurring theme is that of the slightly naïve, liberal innocent, usually an academic, hilariously abroad in an unfamiliar, and occasionally slightly threatening, context” (The Guardian). In The History Man, the tables are turned, and the professor himself is the threat, resulting in “grim wit, chill comedy and a fictional energy which is as imaginative as the tale is shocking” (A. S. Byatt). Rates of Exchange: University lecturer and seasoned international traveler Angus Petworth is unprepared for the oddities of culture and circumstance that await him on the other side of the iron curtain—in the eastern European nation of Slaka. In two eventful weeks, the professor gives an incendiary interview, is seduced by a femme fatale, and becomes embroiled in a plot of international intrigue. Satirizing everything from critics and diplomats to Marxism and academia, Rates of Exchange is a witty and lighthearted novel of cultural interchange at the height of the Cold War, shortlisted for the Man Booker Prize. “Explosively funny.” —The Daily Telegraph The History Man: Bradbury’s classic skewering of 1970s academia and ideological hypocrisy centers around Professor Howard Kirk, who prides himself on being the most highly evolved teacher on campus. But beneath Kirk’s scholarly bohemianism and studied cool is a ruthless, self-serving Machiavellian streak. Kirk is vain and bigoted, dismissing female students and colleagues while releasing vitriol against those who contradict him, particularly his clever, wayward wife, Barbara, the long-suffering mother of his two children. Someone needs to teach him a lesson . . . “[A] genuinely comic novel.” —The New York Times Stepping Westward: At the height of the swinging sixties, mediocre British writer James Walker accepts an academic post in America for a year he’ll never forget. As Benedict Arnold University’s writer in residence, he finds himself something of a celebrity—his work, though met with shrugs at home, is the subject of vibrant scholarly criticism among American academics. But the buttoned-up professor is about to take a crash course in culture shock taught by spirited advocates of free love and aggressively ambitious colleagues. “Highly entertaining.” —Margaret Drabble, The Sunday Times
[Frank Ebersole is a philosopher] whose contribution to philosophy . . . is the greatest of anyone this [the 20th] century, especially in the areas of philosophy of language, theory of knowledge, and perception.from Wittgenstein, Empiricism, and Language by John W. Cook (Oxford University Press, 1999). Meaning and Saying has five chapters that address philosophical problems about language and knowledge, and one essay (chapter 6: "Postscript") that provides insights into some of Frank Ebersoles basic ideas about philosophy. The five essays let you participate in his unique struggles to come to terms with such questions as: Is the meaning of a word central to the philosophy of language? Is the meaning of a word the part the word plays in speech acts? How does the action of making sounds fit into speech? Are conditions for knowing something the same as conditions required for saying one knows something? Should philosophers still be doing conceptual analysis? Can G. E. Moore really refute the philosophical skeptic by displaying his hand and saying "I know this is my hand"? This and its companion volume, Language and Perception, are not just other philosophy books about the philosophy of language. In both books Ebersole, by carefully using examples, convincingly shows that the problems are products of philosophical pictures. The examples also make the pictures less compelling. How the Second Edition Differs from the First Edition This edition differs from the first edition (University Press of America, 1979) in several ways. Two more essays are included: "Saying and Meaning" (chapter 4) is a revised version of an essay originally published in Ludwig Wittgenstein: Philosophy and Language, eds. Alice Ambrose and Morris Lazerowitz (George Allen and Unwin, London and Humanities Press, New York, 1972), pp. 186221. "Saying What You Know" (chapter 5) was first read as a paper in Coos Bay, Oregon on May 26, 1996 at the conference, "Where the Action Is." A modified version of the paper was then published in Philosophical Investigations, vol. 23, no. 3, July 2000. Now it has been expanded and revised. Material that was formerly part of the preface is now revised and placed as chapter 6 at the end, entitled Postscript. The text is improved. Throughout the book, Ebersole has made corrections, stylistic improvements, and changed wording to remove ambiguities. Summary Language and logic provide philosophers with a dual problem: (1) How is language connected to the world and (2) how can philosophers use language and logic with care so as not to contaminate their own thinking? Speech acts and the use of sentences are thought to be better ways for philosophers to understand language and logic. But do they do the job? Preface In the early 1920s philosophers argued that philosophy should be philosophy of language; but this was just old wine in new bottles; then the Wittgensteinian revolution occurred, which identified meaning as the use of words and thereafter identified the meaning of a word with the use of a word. The book addresses some problems with this revolution. Chapter 1: Meaning and Use
In 1952 a shopkeeper named Lily Volpert was murdered in the docks district of Cardiff, known as Tiger Bay. A Somali former merchant seaman, Mahmood Hussein Mattan, was charged with the murder, convicted and hanged. But 46 years later he became the first person in British history to have a murder conviction overturned after being executed. "Hanged for the Word If" is the first book in English about this historic case. Drawing on all the available documentary evidence, including the surviving records held by the police, it tells the story of the crime, the investigation, the trial and the execution. It traces the later history of some of the people involved, and relates how another murder and an attempted murder raised doubts about Mattan's guilt. It describes the campaign to reopen the case in the 1990s and the appeal that overturned his conviction. And finally it tries to answer the question of who really killed Lily Volpert in 1952.
Fred and Lorraine Stone met at the famous Woodstock music festival in upstate New York. And as all couples must, they grew up– just not in the same direction. Now in their forties, Fred has become Frederick, a sell-out accountant whose last vestige of his free-wheeling years is a vegetarian diet. Meanwhile, Lorraine, who now goes by the name Chandra (Sanskrit for changeable), has morphed into a psychology teacher and animal rights activist. When Chandra suddenly moves out, Frederick turns back to Woodstock, that magical time, for answers. Can he discover what went wrong and reclaim their summer of love? Or has marital harmony left them behind for good? In A Marriage Made at Woodstock, Cathie Pelletier takes an honest and hilarious look at a marriage on the verge of dissolution—and how hard it can be to reconcile who we once were with who we have become.
Welcome aboard the adventurous journey of "Men, Women, and Boats" by Stephen Crane, where the tempestuous seas mirror the turbulent passions of the human heart. Prepare to set sail on a thrilling odyssey filled with danger, desire, and the raw essence of life on the open water. Join a diverse cast of characters as they navigate the treacherous waters of the sea and the complexities of human relationships. From seasoned sailors to star-crossed lovers, Crane's vivid storytelling brings each individual to life with remarkable depth and authenticity. As the waves crash against the hull and the wind whips through the sails, themes of courage, resilience, and the quest for freedom resonate throughout the narrative. Crane masterfully explores the interplay between man and nature, weaving a tapestry of adventure that will leave readers breathless with anticipation. With its blend of action, romance, and existential introspection, "Men, Women, and Boats" captivates from the very first page. Whether you're drawn to the thrill of the high seas or the complexities of the human psyche, Crane's timeless tale offers something for everyone. Since its publication, "Men, Women, and Boats" has garnered widespread acclaim for its evocative prose and richly drawn characters. Its exploration of the human condition transcends time and place, offering a window into the universal truths that bind us all together. As you immerse yourself in the world of "Men, Women, and Boats," you'll be swept away by the drama, romance, and sheer excitement of life at sea. Crane's keen observations and profound insights will keep you enthralled until the very last page, leaving you longing for more. In conclusion, "Men, Women, and Boats" is a literary voyage unlike any other—a thrilling odyssey that will leave an indelible mark on your soul. Whether you're a seasoned sailor or a landlubber at heart, this gripping tale is sure to ignite your imagination and set your spirit adrift on the boundless sea. Don't miss your chance to embark on this unforgettable adventure. Let "Men, Women, and Boats" transport you to a world of excitement, passion, and discovery. Grab your copy now and prepare to set sail on the journey of a lifetime.