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Through firsthand accounts, interviews with survivors and a gripping collection of vintage photographs, author Michael Skidgell attempts to make sense of one of Hartford's worst tragedies. Almost 7,000 fans eagerly packed into the Ringling Brothers big top on July 6, 1944. With a single careless act, an afternoon at the "Greatest Show on Earth" quickly became one of terror and tragedy as the paraffin-coated circus tent caught fire. Panicked crowds rushed for the few exits, but in minutes, the tent collapsed on those still struggling to escape below. A total of 168 lives were lost, many of them children, with many more injured and forever scarred by the events. Hartford and the surrounding communities reeled in the aftermath as investigators searched for the source of the fire and the responsible parties.
The acclaimed author of Emily, Alone and Henry, Himself brings all his narrative gifts to bear on this gripping account of tragedy and heroism—the great Hartford circus fire of 1944. It was a midsummer afternoon, halfway through a Ringling Brothers Barnum and Bailey Circus performance, when the big top caught fire. The tent had been waterproofed with a mixture of paraffin and gasoline; in seconds it was burning out of control. More than 8,000 people were trapped inside, and the ensuing disaster would eventually take 167 lives. Steward O'Nan brings all his narrative gifts to bear on this gripping account of the great Hartford circus fire of 1944. Drawing on interviews with hundreds of survivors, O'Nan skillfully re-creates the horrific events and illuminates the psychological oddities of human behavior under stress: the mad scramble for the exits; the perilous effort to maneuver animals out of danger; the hero who tossed dozens of children to safety before being trampled to death. Brilliantly constructed and exceptionally moving, The Circus Fire is history at its most compelling.
A MATTER OF DEGREE, bound in a high-quality hardcover first edition, is a haunting tale of personal loss and public controversy, a superior work of narrative nonfiction filled with passion, purpose and poetic imagery. Don Massey humanizes history by placing a dedicated fireman's spiritual quest for an unknown and unclaimed child against the backdrop of a public tragedy.
International Literacy Association Award Winner for Intermediate Nonfiction 2016 Eureka Children's Book Honor 2016 On July 6, 1944, thousands of fans made their way to Barbour Street in Hartford, Connecticut, to see the Ringling Bros. and Barnum & Bailey Circus performance. Not long after the show's start, a fire broke out and spread rapidly as panicked circus-goers pushed and scrambled to escape. Within 10 minutes the entire big top had burned to the ground, and 167 people never went home. Big Top Burning recounts the true story of one of the worst fire disasters in US history. It follows the tragic stories of the Cook family—including children Donald, Eleanor, and Edward, who were in the audience that day—and 15-year-old Robert Segee, a circus employee with an incendiary past. Drawing on primary sources and interviews with survivors, author Laura Woollett guides readers through several decades of investigations and asks, Wasthe unidentified body of a little girl nicknamed"Little Miss 1565" Eleanor Cook?Was the fire itself an act of arson—anddid Robert Segee set it? Young readers are invited to evaluate the evidence and draw their own conclusions. Combining a gripping disaster story, an ongoing detective and forensics saga, and vivid details about life in World War II–era America, Big Top Burning is sure to intrigue any history or real-life mystery fan.
In a novel written as a collection of eyewitness poems, the excitement and anticipation of attending the circus on July 6, 1944 in Hartford, Connecticut, turns to horror when a fire engulfs the circus tent, killing nearly 170 people, mostly women and children. Reprint.
Fire sweeps along the wall of a circus tent while inside thousands of people enjoy a Ringling Brothers and Barnum and Bailey matinee. Within minutes, flames consume the canvas and vast sections collapse, killing 168 people and injuring hundreds more. Inspired by the 1944 Hartford Circus Fire, the interconnected stories in Michael Downs's The Greatest Show explore the aftermath of a disaster in a world of clowns, elephants, and childhood fantasies. In the opening story, Ania Liszak, a young Polish housemaid, steals circus tickets from her employer to take her three-year-old son, Teddy, to the matinee. The fire nearly kills both and leaves them scarred in different ways: Teddy's mother enjoys the beautiful strangeness of the scar on her face, but the patches across Teddy's body inspire cruel schoolmates to call him "Lizard Liszak." Over time, his mother transforms her pain into drama, while Teddy, having no memory of that day, seeks ways to return to it. These and other captivating characters appear throughout the book, creating a portrait of an American city and its people over five decades, raising questions about wounds and healing, memory and forgetting, and about the human capacity for kindness -- with all its futility and power -- in the midst of great loss.
The definitive book on The Station nightclub fire on the 10th anniversary of the disaster
Twenty-three days after the horrible Hartford circus fire, July 6, 1944, I was born in Hartford, Connecticut. My mother and aunt lived but 700 feet from the circus grounds. Growing up so close to the circus grounds caused me to be haunted by this fire, which no one spoke about much and no one adequately explained. In the 1980s, I began some research on the circus fire and eventually discovered a unique way of retelling this fire's long story. First and foremost, remember the personal characteristics of those who died, then read the documentary account of the fire over the years, and in the process consider this author's reflective commentary. Starting in the late 1980s, I began writing public policy dialogues, which turned into five books: Dialogues in American Politics, Public Policy Dialogues, Reuniting America: Eleven Multicultural Dialogues, The Dialogic Resurgence of Public Intellectuals, and State Governments: Institutions and Issues. My preferred way of writing is dialogic, since in politics there are always many different, compelling voices and perspectives to consider. In this circus fire book, there is a dialogue between the documentary evidence (the many voices) and my own commentary. Growing up a New Englander puts me in that tradition of seeking public accountability, thus the underlying, persistent theme of this book.
Inspired by the true life Connecticut circus fire of 1944, The Proper Order of Things is a coming-of-age novel set in the 1980s in Southwestern Ontario. Unsure why she is the only child (of 9) who gets to choose between moving with her dad to an apartment in the city and staying with her mother in her remote hometown, Caroline receives an answer that she will contemplate throughout her adolescent years: "You are the lucky one." With parents whose secret past haunts every limb of the family tree, and siblings who range from rats to copycats, Caroline is sure to face a difficult journey no matter which household she chooses. While her compulsive mother allows the family to multiply exponentially in hopes of replacing what was lost, her superstitious father is petrified of history repeating itself. Caroline's only hope is to move closer to Chester, the one person who truly understands the importance of a pinkie swear. In a family where a birthday is more sacred than life itself, only one member's death can reveal the truth about the others.