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THUS runs the tale: -- In former days the Holy One, the Most High, enthroned in his own sphere was reclining on his full-blown lotus couch surrounded by Indra and the other gods; and on a certain occasion he was holding a session, framing questions on the lore of Brahma and enjoying other blameless discussions. As he so sate, adored of the three worlds, the Prajapatis headed by Manu, Daksa, and Caksusa, and all the great sages with the seven Risis worshipped him. Some in chorus chanted the Rik hymns apt for psalmody; some recited the Yajus sentences of worship; some sang aloud the Samanstrains of praise. Others rehearsed the Mantras that reveal the ritual of the sacrifice. And there, arising from the differences of their studies, quarrels one with another we heard among them
The Harshacharita Is A Monu-Mental Historical Romantic Fiction In Akhyayika Form Written By Banabatta In Eight Chapters. The Story In The Harshacharita Is Not A Full Biography But Covers The Reign Of Harsha Upto The Recovery Of His Lost Elder Sister Rajyashri, And The Royal And Military Activities Of Some Years. Though Some Persons, Happenings, Events And Places Described Here Are Verified By History, It Must Be Remembered That Bana Is Not Writing This Fictional Biography As A Historian But As A Poet Or An Epic Bard, Decorating His Tale With Fancy, Fantasy, The Marvel Of Romance And Adventure, And With All The Literary Devices Of A Determined Poet. The Harshacharita Occupies An Important Place In Sanskrit Literature Because It Furnishes Historical And Sociological Details During His Time
The Harshacarita of Banabhatta is a historical prose romance in Sanskrit, describing the events of king Harsa's (7th century A.D.) accession to the throne, his conquests and his relations with the contemporary monarchs. The work is valuable both from the literary and historical point of view. The present book comprises the complete Sanskrit text and elaborate notes in English. The notes explain the text literally and exegetically and thus, in fact, are better substitutes for translation. The introduction, prefixed to the text, deals, among other topics, with the personal history of Bana, his date and his works, the biography of Harsa, the political conditions and the religious beliefs prevailing in that age. The appendices contain the abstract of the Harshacarita and the index.
The Kadambari Is One Of The Best Romantic Fictions Of 7Th Century By Banabhatta. An Imaginative Romantic Story Of Love, Technically In The Katha From, The Novel Transcends The Bounds Of Mortal Existence And Moves Through Three Lives Till The Deep And Passionate Love Finally Attains Its Desired Fulfillment. In This Marvelous Texture The World Of Human Beings, Animals And Birds All Merge Together, As Do Human Beings, Animals And Birds All Merge Together, As Do Human, Semidivine And Divine Characters; And The Earth And The Heavens Combine In The Universal Bond Of Love That Defies Death And Continue In The Next Birth, Thus Holding The Entire Creation Together. It Is These Unique Qualities Of The Heart And Of Faith That Distinguishes This Classic Of Bana From The Usual Love Romances In Other Languages And Bestow On It An Universality That No Age An Dim It.
Young Harsha wants only to be a scholar – but when the crown falls to him, can the reluctant prince rise to the occasion? India, seventh century CE. Harsha, the youngest prince of the northern kingdom of Sthaniswara, is immersed in his studies at Nalanda. As far as he is concerned, the future of his realm is secure in the hands of his brother, the strait-laced crown prince Rajyavardhana. But when the time comes for his sister’s swayamvar, Harsha is compelled to tear himself away from his books – for only a little while, he hopes. Things, however, take an ugly turn at the swayamvar, as Devagupta, king of neighbouring Malava, makes no secret of his ire at not being chosen by the princess. And when their father, King Prabhakaravardhana, dies under mysterious circumstances soon after, the princes fear something sinister is afoot. While Rajyavardhana takes the throne, Harsha sets out to unravel a web of intrigue he suspects spans kingdoms. But his mission is cut short, as war rocks the land and treachery lays low his brother. Burdened with the crown, the scholar prince now has to battle enemies who follow no dharma, exact vengeance upon the devious Devagupta and hunt down the even more dangerous foe pulling all the strings. And as a new force rises to the south, Harsha realizes he must ready himself to face his greatest challenge yet.
Banarasidas charms us with his transparency and frankness, revealing as much of himself as possible. And he punctuates the fast-flowing narrative of his life every now and then to muse on the nature of human existence.