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At the May Day dancing at Glasgow Cross, Gil Cunningham sees not only the woman who is going to be murdered, but her murderer as well. Gil is a recently qualified lawyer whose family still expect him to enter the priesthood. When he finds the body of a young woman in the new building at Glasgow Cathedral he is asked to investigate, and identifies the corpse as the runaway wife of cruel, unpleasant nobleman John Semphill. With the help of Maistre Pierre, the French master-mason, Gil must ask questions and seek a murderer in the heart of the city.
Gil Cunningham is the Archbishop’s questioner—his investigator. Nanty and Danny were rivals for the affection of Agnes, the apothecary’s daughter. Danny dies, apparently of poisoning, after drinking from his friend’s flask. But what was the poison? Is Nanty guilty? Then more murders ensue, and Gil’s wife, Alys, joins the investigation. From the Hardcover edition.
This volume of essays has a unity and bears throughout the imprint of Quine's powerful and original mind. It is written with the felicity in the choice of words which makes everything that Quine writes a pleasure to read, and which ranks him among the best contemporary writers on abstract subjects.
The first in a series of riveting behind-the-scenes mysteries, Renee Patrick's Design for Dying is a delightful romp through Hollywood's Golden Age. Los Angeles, 1937. Lillian Frost has traded dreams of stardom for security as a department store salesgirl . . . until she discovers she's a suspect in the murder of her former roommate, Ruby Carroll. Party girl Ruby died wearing a gown she stole from the wardrobe department at Paramount Pictures, domain of Edith Head. Edith has yet to win the first of her eight Academy Awards; right now she's barely hanging on to her job, and a scandal is the last thing she needs. To clear Lillian's name and save Edith's career, the two women join forces. Unraveling the mystery pits them against a Hungarian princess on the lam, a hotshot director on the make, and a private investigator who's not on the level. All they have going for them are dogged determination, assists from the likes of Bob Hope and Barbara Stanwyck, and a killer sense of style. In show business, that just might be enough. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Glasgow 1492. Gil Cunningham remarked later that if he had known he would find a corpse in the university coalhouse, he would never have gone to the Arts Faculty feast. In this mysterious adventure Gil Cunningham returns to his old university for the Nicholas Feast, where he and his colleagues are entertained by a play presented by some of the students. One of the actors, William Irvine, is later found murdered and Gil assisted by Alys, begins to disentangle a complex web of espionage and blackmail involving William's tutors and fellow students. Matters are further complicated by the arrival of Gil's formidable mother who is determined to inspect his betrothed. Little do Alys and Gil realise that it will be she who provides the final, vital key to unmask the murderer and lay his motives clear.
The Harper’s Quine At the May Day dancing at Glasgow Cross, Gil Cunningham sees not only the woman who is going to be murdered, but her murderer as well. Gil is a recently qualified lawyer whose family still expect him to enter the priesthood. When he finds the body of a young woman in the new building at Glasgow Cathedral he is asked to investigate, and identifies the corpse as the runaway wife of cruel, unpleasant nobleman John Semphill. With the help of Maistre Pierre, the French master-mason, Gil must ask questions and seek a murderer in the heart of the city. The Nicholas Feast Glasgow 1492. Gil Cunningham remarked later that if he had known he would find a corpse in the university coalhouse, he would never have gone to the Arts Faculty feast. In this mysterious adventure Gil Cunningham returns to his old university for the Nicholas Feast, where he and his colleagues are entertained by a play presented by some of the students. One of the actors, William Irvine, is later found murdered and Gil assisted by Alys, begins to disentangle a complex web of espionage and blackmail involving William's tutors and fellow students. Matters are further complicated by the arrival of Gil's formidable mother who is determined to inspect his betrothed. Little do Alys and Gil realise that it will be she who provides the final, vital key to unmask the murderer and lay his motives clear. The Merchant’s Mark The barrel should have contained books - instead it held treasure and a severed head... Gil Cunningham and his old acquaintance, Glasgow merchant Augie Morison, expecting a delivery of books from the Low Countries, report the gruesome substitute to the Provost, and at the inquest the next morning Morison is accused of the murder and imprisoned. He appeals to Gil, who sets out with his friend and future father in law Maistre Pierre, the French master-mason, to find the treasure's owner, trace the barrel and identify the dead man. The trail they follow leads them from the court of James IV at Stirling via a cooper's yard in Linlithgow, to another death on the bare slopes of the Pentland Hills. St Mungo’s Robin The warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider. Tracing the dead man's last movements between the Cathedral precinct and the shores of the Clyde, Gil Cunningham is both helped and hindered by his two sisters who have come to Glasgow for his wedding to Alys. An uncanny event followed by the arrival of Gil's godfather, precipitates the crisis. Finally, it is Alys who helps Gil identify the warden's killer.
Gil Cunningham had hoped that the first time he set foot in the brothel on the Drygate it would also be his last, but by the time all was settled he felt quite at home within its artfully painted chambers. The bawdy house, along with the neighboring property, is offered to Gil and his wife Alys by the forceful Dame Isabella. But matters are confused by an outbreak of counterfeit coins in Glasgow, which Gil has been ordered to investigate. Then Dame Isabella is found dead in strange circumstances, and the more Gil pursues the cause of her death, the more false coins he finds. Rumors circulate that the Devil is abroad in Strathblane. By the time Gil and Alys have untangled matters, some very surprising—and sinister—things have come to light.
The warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider. Tracing the dead man's last movements between the Cathedral precinct and the shores of the Clyde, Gil Cunningham is both helped and hindered by his two sisters who have come to Glasgow for his wedding to Alys. An uncanny event followed by the arrival of Gil's godfather, precipitates the crisis. Finally, it is Alys who helps Gil identify the warden's killer. PRAISE FOR PAT MCINTOSH 'McInotosh's characterisations and period detail are first rate and bode well for future entries in this series.' Publishers Weekly 'The next Cunningham adventure is to be welcomed.' Historical Novels Review
Combining elements of medievalism, the historical novel and the detective narrative, medieval crime fiction capitalizes upon the appeal of all three--the most famous examples being Umberto Eco's The Name of the Rose (one of the best-selling books ever published) and Ellis Peters' endearing Brother Cadfael series. Hundreds of other novels and series fill out the genre, in settings ranging from the so-called Celtic Enlightenment in seventh-century Ireland to the ruthless Inquisition in fourteenth-century France to the mean streets of medieval London. The detectives are an eclectic group, including weary ex-crusaders, former Knights Templar, enterprising monks and nuns, and historical poets such as Geoffrey Chaucer. This book investigates the enduring popularity of the largely unexamined genre and explores its social, cultural and political contexts.
The fourth Gil Cunningham medieval murder mystery.