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Harmony is a concept essential to Confucianism and to the way of life of past and present people in East Asia. Integrating methods of textual exegesis, historical investigation, comparative analysis, and philosophical argumentation, this book presents a comprehensive treatment of the Confucian philosophy of harmony. The book traces the roots of the concept to antiquity, examines its subsequent development, and explicates its theoretical and practical significance for the contemporary world. It argues that, contrary to a common view in the West, Confucian harmony is not mere agreement but has to be achieved and maintained with creative tension. Under the influence of a Weberian reading of Confucianism as "adjustment" to a world with an underlying fixed cosmic order, Confucian harmony has been systematically misinterpreted in the West as presupposing an invariable grand scheme of things that pre-exists in the world to which humanity has to conform. The book shows that Confucian harmony is a dynamic, generative process, which seeks to balance and reconcile differences and conflicts through creativity. Illuminating one of the most important concepts in Chinese philosophy and intellectual history, this book is of interest to students of Chinese studies, history and philosophy in general and eastern philosophy in particular.
Aquinas on Beauty explores the nature and role of beauty in the thought of Thomas Aquinas. Beginning with a standard definition of beauty provided by Aquinas, it explores each of the components of that definition. The result is a comprehensive account of Aquinas’s formal view on the subject, supplemented by an exploration into Aquinas’s commentary on Dionysius’s Divine Names, including a comparison of his views with those of both Dionysius and those of Aquinas’s mentor, Albert the Great. The book also highlights the tight connection in Aquinas’s thought between aesthetics and ethics, and illustrates how Aquinas preserves what is best about aesthetic traditions preceding him, and anticipates what is best about aesthetic traditions that would follow, marrying objective and subjective aesthetic intuitions and charting a kind of via media between the common extremes.
"This volume is intended to meet a widely felt need for an up-to-date and concise source book on the principal teachings of the Catholic Church. Since the close of the Second Vatican Council, there has been such an accumulation of ecclesiastical constitutions and decrees and so many changes they introduced in Catholic practice that few people have been able to keep up with all that has happened... A parallel purpose of this volume is to offer those who use it a handy guidebook of the Catholic tradition, whether formally documented in ecclesiastical sources or implicitly accepted by the faithful under the aegis of the Church's hierarchial leaders. "The method followed in presenting the Church's doctrine is a combination of history and logic. Doctrines are placed into a historical framework by tracing their origins to the Old and New Testaments and placing their development within the context of persons, places, and times. The doctrine thus becomes more intelligible because it is viewed in the setting of its vital growth over the centuries. "The intended reading audience of this Catholic catechism are all those priests, religious and laity, and above all parents and teachers, who are looking for a concise statement of the faith they profess, the conduct they practice, and the worship they give to the Lord." --From The Catholic Catechism by John A. Hardon, S.J.
Do human beings have a special and distinguished place in reality? In Idealism and the Harmony of Thought and Reality Thomas Hofweber contends that they do. We are special since there is an intimate connection between our human minds and reality itself. This book defends a form of idealism which holds that our human minds constrain, but do not construct, reality as the totality of facts. Reality as the totality of facts is thus not independent of our minds, and our minds play a metaphysically special role in all of reality. But reality as the totality of things is taken to be completely independent of us. Hofweber's proposed form of conceptual idealism is formulated via the notion of a harmony between our minds and reality. This harmony is defended through considerations in the philosophy of language. How can one possibly defend a metaphysical thesis like idealism from considerations about our own representation? A key step in the book's argument is to consider a special class of concepts--inescapable concepts--which we cannot rationally replace with different ones. This leads to a new approach for making progress in metaphysics--immanent metaphysics--which is broadly neo-Kantian in spirit.
This book sets out a thematic presentation of human action, especially as it relates to morality, in the three most significant figures in Medieval Scholastic thought: Thomas Aquinas, John Duns Scotus, and William of Ockham
Extract from Augustine's Retractions (Book II, Chapter 42): At that time also there came into my hands a certain book of Pelagius', in which he defends, with all the argumentative skill he could muster, the nature of man, in opposition to the grace of God whereby the unrighteous is justified and we become Christians. The treatise which contains my reply to him, and in which I defend grace, not indeed as in opposition to nature, but as that which liberates and controls nature, I have entitled On Nature and Grace. In this work sundry short passages, which were quoted by Pelagius as the words of the Roman bishop and martyr, Xystus, were vindicated by myself as if they really were the words of this Sixtus. For this I thought them at the time; but I afterwards discovered, that Sextus the heathen philosopher, and not Xystus the Christian bishop, was their author. This treatise of mine begins with the words: 'The book which you sent me.'"