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The Glass Artist's Studio Handbook offers readers a comprehensive and accessible guide to not only the nuts and bolts of this perennially popular craft but insight into the artisan crafter's lifestyle.
Nearly all glass makers (unless they are blowing glass) need moulds which can go in the kiln, as part of the process of creating their work. Currently glass students and makers get their expertise and recipes from lots of different sources, picking out the relevant bits and pieces which they need from other glass and ceramic books. This book aims to introduce all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. It helps the student to learn which methods are appropriate for different types of work, and covers all the basics of how to make your mould. It also includes practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. It also covers where to start with writing programmes for kiln firings including annealing and cooling. It also contains images from well-known artists working in cast glass throughout.
Table of Contents Making a Basic Bead Preparing Mandrels 27 Igniting the Torch 28 Forming a Bead 30 Extinguishing the Torch 34 Removing Your Bead from the Mandrel 34 Finishing Touches 36 Simple Variations Shaping Your Beads 38 Overwraps 43 Multicolored Beads 44 Spots, Dots & Eyes 45 Stripes & Trails 47 Pulling Stringer 49 Fun with Stringer 53 Raked Patterns 56 Taking the Next Step Mixing Colors 59 Ribbon Cane 60 Twisties 61 Making Your Own Filigrana & Cased Stringer 64 Combing, Feathering, Side-Shifting & Furrowing 68 Pinching, Poking, Snipping & Plunging 71 Adding Metals 74 Inclusions & Surface Treatments 77 Commercial Millefiori 78 Advanced Techniques Making Your Own Millefiori 82 Cased Beads 87 Dichroic Glass 90 Sculpted Beads 91 Hollow Beads 98 Buttons 99 Marbles 101 Core Vessels 102 Appendix A. Jewelry-Making Basics 105 Appendix B. The Nature of Glass 108 Appendix C. Troubleshooting 110 Contributing Artists 111 Acknowledgments 112 Index 112.
A guide to the popular craft offers beadmakers instructions for how to torch, wind, and cool beads; directions for creating various designs, including barrels, cones, and discs; and strategies for achieving a variety of colors and patterns.
The purpose of this book is to present new information about the late 19th & early 20th century cut glass industry in Corning, New York. The book focuses on T. G. Hawkes & Co because of the recent discovery of the latter's archival materials, 1880-1890.
This book provides a concise and inexpensive introduction for an undergraduate course in glass science and technology. The level of the book has deliberately been maintained at the introductory level to avoid confusion of the student by inclusion of more advanced material, and is unique in that its text is limited to the amount suitable for a one term course for students in materials science, ceramics or inorganic chemistry. The contents cover the fundamental topics of importance in glass science and technology, including glass formation, crystallization, phase separation and structure of glasses. Additional chapters discuss the most important properties of glasses, including discussion of physical, optical, electrical, chemical and mechanical properties. A final chapter provides an introduction to a number of methods used to form technical glasses, including glass sheet, bottles, insulation fibre, optical fibres and other common commercial products. In addition, the book contains discussion of the effects of phase separation and crystallization on the properties of glasses, which is neglected in other texts. Although intended primarily as a textbook, Introduction to Glass Science and Technology will also be invaluable to the engineer or scientist who desires more knowledge regarding the formation, properties and production of glass.