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Abigail Friedman was an American diplomat in Tokyo, not a writer. A chance encounter leads her to a haiku group, where she discovers poetry that anyone can enjoy writing. Her teacher and fellow haiku group members instruct her in seasonal flora and fauna, and gradually she learns to describe the world in plain words, becoming one of the millions in Japan who lead a haiku life. This is the author's story of her literary and cultural voyage, and more: it is an invitation to readers to form their own neighborhood haiku groups and, like her, learn to see the world anew.
The first work in English devoted to this modern haiku master, with 100 poems plus commentary on form and technique
In a wickedly funny first novel, Weinstein writes about an aspiring young poet and the celebrated mentor who tries to hold her back.
A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.
Original, contemporary haiku celebrating the sports and athletes of the Olympics - from an acclaimed poet and an international gallery of guests. Award-winning haiku poet Kit Pancoast Nagamura offers a collection of original poems that explore the beauty, physical effort, and essence of all the sports of the summer Olympics. At first glance, haiku and sports may seem like an odd pairing. But actually, there's a strong similarity between the two. The grace, balance, and focus that are required of an athlete are exactly what the haiku poet seeks in order to capture an emotion, a mood, an action in just a few, carefully chosen words. Anticipation of the 2020 Tokyo Olympics is building -- and what better way to share in the experience of the games than through Japan's beloved poetic form, haiku, which has been rediscovered and embraced in recent years by a new generation. From the elegance of a gymnast's leap and the fluid motion of a runner's body, to the thwump of the soccer ball hitting the net, poetry lovers and sports fans alike will feel the thrill and intensity as the world's best go for the gold. In this volume, the first to cover such a wide range of athletics, each Olympic sport is represented by three haiku written by Nagamura, plus one or two by a guest poet. Each poem is presented in both English and Japanese. Evocative photographs and illustrations complement the text.
“A brilliant and engaging book on haiku, and on the state of the body and mind required in the million to one shot against producing a good one” —Jim Harrison First published in 1997, Seeds From a Birch Tree introduced readers to the only form of poetry in all of world literature that makes nature into a spiritual path. Its message was simple: Haiku teaches us to return to nature by following the seasons—seventeen syllables at a time. With its mix of poetry and memoir, fallen leaves and birdsong, Seeds From a Birch Tree awakens us to what Bashō called “the life of each thing.” Simple instructions guide us to the possibilities for creativity and joy hidden in plain sight in the natural world around us, giving us hope and resilience in the face of life’s challenges. This Revised & Expanded 25th Anniversary Edition includes the complete text of the original classic, plus dozens of new haiku and an Afterword by the author discussing haiku for the 21st century.
A respected Zen Buddhist presents haiku--a seventeen-line poem arranged in three lines of five, seven, and five syllables--as a writing meditation and spiritual path which opens the reader to the experience of nature. Divided into three parts, the book follows the author's passage from haiku novice to a place of understanding haiku and himself.
A New York Times Book Review Editors’ Choice “Wide-ranging and thoroughly winning.” —Jordan Ellenberg, The New York Times Book Review “An absolute joy to read!" —Steven Levitt, New York Times bestselling author of Freakonomics For fans of Seven Brief Lessons in Physics, an exploration of the many ways mathematics can transform our understanding of literature and vice versa, by the first woman to hold England's oldest mathematical chair. We often think of mathematics and literature as polar opposites. But what if, instead, they were fundamentally linked? In her clear, insightful, laugh-out-loud funny debut, Once Upon a Prime, Professor Sarah Hart shows us the myriad connections between math and literature, and how understanding those connections can enhance our enjoyment of both. Did you know, for instance, that Moby-Dick is full of sophisticated geometry? That James Joyce’s stream-of-consciousness novels are deliberately checkered with mathematical references? That George Eliot was obsessed with statistics? That Jurassic Park is undergirded by fractal patterns? That Sir Arthur Conan Doyle and Chimamanda Ngozi Adichie wrote mathematician characters? From sonnets to fairytales to experimental French literature, Professor Hart shows how math and literature are complementary parts of the same quest, to understand human life and our place in the universe. As the first woman to hold England’s oldest mathematical chair, Professor Hart is the ideal tour guide, taking us on an unforgettable journey through the books we thought we knew, revealing new layers of beauty and wonder. As she promises, you’re going to need a bigger bookcase.
Japan, France is the first comprehensive history of the idea of Japan in France, as tracked through close readings of canonical French writers and thinkers from the 1860s to the present. The focus is literary and intellectual, the context cultural. The discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. French writers also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of literary Modernism. Japonisme (the practice of adapting Japanese aesthetics to creative work in the West) became a sustained French tradition, in texts by such writers as Zola and Proust through Barthes and Bonnefoy. Each generation discovered new Japanese arts and genres, commented on the work of their predecessors in this vein, and broke still more ground in East-West aesthetics to innovate in the forms of Western literature and thought. To read literary history in this way unsettles Eurocentric assumptions about many of the French writers who are commonly considered the
The use of cognitive science in creating stories, languages, visuals, and characters is known as narrative generation, and it has become a trending area of study. Applying artificial intelligence (AI) techniques to story development has caught the attention of professionals and researchers; however, few studies have inherited techniques used in previous literary methods and related research in social sciences. Implementing previous narratology theories to current narrative generation systems is a research area that remains unexplored. Bridging the Gap Between AI, Cognitive Science, and Narratology With Narrative Generation is a collection of innovative research on the analysis of current practices in narrative generation systems by combining previous theories in narratology and literature with current methods of AI. The book bridges the gap between AI, cognitive science, and narratology with narrative generation in a broad sense, including other content generation, such as a novels, poems, movies, computer games, and advertisements. The book emphasizes that an important method for bridging the gap is based on designing and implementing computer programs using knowledge and methods of narratology and literary theories. In order to present an organic, systematic, and integrated combination of both the fields to develop a new research area, namely post-narratology, this book has an important place in the creation of a new research area and has an impact on both narrative generation studies, including AI and cognitive science, and narrative studies, including narratology and literary theories. It is ideally designed for academicians, researchers, and students, as well as enterprise practitioners, engineers, and creators of diverse content generation fields such as advertising production, computer game creation, comic and manga writing, and movie production.