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The Hagia Photia Cemetery takes its name from the nearby village on the northeast coast of Crete, 5 km east of modern Siteia. This large Early Minoan burial ground with over fifteen hundred Cycladic imports was discovered in 1971. A total of 263 tombs were excavated as a rescue excavation in 1971 and 1984. Among the 1800 artefacts are some of the earliest known Cretan discoveries of several types: the grave goods come mostly from the Kampos Group, an assemblage of artefacts known mainly from the Cyclades. Similarly, the tombs represent an architectural style and a series of burial customs that are foreign to Crete but familiar from elsewhere within the Aegean. In fact, the cemetery has such close parallels from the Cyclades that it has often been regarded as a Cycladic colony. The burial contents are an extremely interesting body of evidence for the study of the formative phases of Minoan Crete.
The publication of the Hagia Photia Cemetery is planned in three volumes. The first volume, which has already been published (Davaras and Betancourt 2004), presented the tomb groups and the architecture. The second volume about the excavation of the Hagia Photia cemetery focuses on the pottery. The third volume will present the obsidian, stone finds, metal objects, and other discoveries. The Early Minoan I tombs at Hagia Photia included the largest assemblage of vessels in Cycladic style known from Crete as well as vases from production workshops in Crete. The pottery is extremely important for several reasons, including the definition of the EM I ceramic styles that were being used as funerary offerings in this part of Crete, the establishment of the chronological synchronisms between Crete and the Cyclades, and information on the history of the Minoan pottery industry. When compared with other deposits from EM I Crete, the pottery helps to establish a better understanding of the ceramic development within the first Minoan time period.
An Early Bronze Age cemetery with 37 tombs shows strong relations with the Cyclades during the time of the Kampos Cultural Group, as exemplified by distinctive pottery, obsidian, and metal items. A dense social network included the Cycladic islands and contacts with distant areas of Crete.
The 27 papers in this volume harken to the themes that Jeffrey Soles has influenced during his illustrious career in Aegean Bronze Age archaeology: ancestry, burial customs, religion, trade, jewelry, the development of the Minoan settlement of Mochlos in eastern Crete, and the rise and fall of the Minoan civilization.
The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis' own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle, and Late Bronze Ages (Betancourt, Ferrence, and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights.
Contributions by 37 scholars are brought together here to create a volume in honor of the long and fruitful career of Costis Davaras, former Ephor of Crete and Professor Emeritus of Minoan Archaeology at the University of Athens. Articles pertain to Bronze Age Crete and include mortuary studies, experimental archaeology, numerous artifactual studies, and discussions on the greater Minoan civilization.
This second volume on Early Cycladic (and Cycladicising) sculptures found in the Aegean, examines finds from mainland Greece, along with the rarer items from the north and east Aegean, with the exception of those discovered in the Cyclades (covered in the preceding volume), and of those found in Crete. The significance of these finds is that these are the principal testimonies of the influence of the Early Bronze Age Cycladic cultures in the wider Aegean. This influence is shown both by the export of sculptures produced in the Cyclades (and made of Cycladic marble), and of their imitations, produced elsewhere in the Aegean, usually of local marble. They hold the key, therefore, to the cultural interactions developing at this time, the so-called ‘international spirit’ manifest particularly during the Aegean Early Bronze II period.This was the time when the foundations of early Aegean civilisation were being laid, and the material documented is thus of considerable significance. The volume is divided into sections wherein contributions examine finds and their archaeological, social, and economic contexts from specific regions. It concludes with an overview of the significance and role of these objects in Early Bronze Age societies of the Aegean and eastern Mediterranean region. This will be the first time that this material has been systematically gathered together. Highly illustrated, it follows and builds on the successful preceding volume, Early Cycladic Sculpture in Context (Oxbow 2016).
This book is the first of a two-volume final report on the excavation of the Minoan cemetery and associated finds at Livari Skiadi in the southeastern end of Crete. This volume deals with the excavation of the site and its architecture, pottery, and other small finds, dating to the Prepalatial, Neopalatial, and Late Hellenistic/Early Roman periods.
This is the first of five planned volumes to present the primary archaeological report about the excavation of the cave of Hagios Charalambos in eastern Crete. The Minoans used this small cavern as an ossuary for the secondary burial of human remains and grave goods, primarily during the Early and Middle Bronze Age. The geography and geology surrounding the cave is discussed along with the methodology of the excavation. A portion of the pottery and all of the small finds are presented with many illustrations.
Prof. James D. Muhly has enjoyed a distinguished career in the study of ancient history, archaeology, and metallurgy that includes an emeritus professorship at the University of Pennsylvania and a term as director of the American School of Classical Studies at Athens as well as receiving the Archaeological Institute of America's Pomerance Award for Scientific Contributions to Archaeology. In Muhly's honor, a total of 38 eminent scholars have contributed 30 articles that include topics on Bronze and Iron Age metallurgy around the Eastern Mediterranean in such places as Crete, the Cyclades, Cyprus, and Turkey.