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During the seventeenth century Hungary's diverse population of peasants, townsmen, soldiers, and county nobles rose up against the violent imposition of the Counter-Reformation, the Habsburg military occupation, and exhorbitant war taxes. In The Habsburg Empire under Siege Georg Michels explores the little-known grassroots revolts that threatened the Habsburgs' hold over the Hungarian borderlands. Based on extensive research in Hungarian, Austrian, and Dutch archives, this revisionist study shifts attention away from high politics, diplomacy, and military confrontation to the popular revolts that took place during the two decades before the 1683 siege of Vienna. Michels reveals a complex environment in which Calvinist Hungarians, Lutheran Slovaks, Lutheran Germans, and Orthodox Ukrainians worked to defend their religion against brutal Habsburg Counter-Reformation campaigns. Challenging preconceived notions of European, Middle Eastern, and East European history, this book tells a dramatic story of Reformation and Counter-Reformation violence, covering proxy wars, guerrilla warfare, refugee flight, migration from Hungary into Ottoman territory, and largely unknown Christian-Muslim encounters. Offering a trans-imperial perspective that reassesses the complex relationship between Hungarians, Habsburgs, and Ottomans, The Habsburg Empire under Siege portrays the resistance of ordinary men and women and their hopes for liberation from Habsburg oppression, reclaiming their place in history.
During the seventeenth century Hungary's diverse population of peasants, townsmen, soldiers, and county nobles rose up against the violent imposition of the Counter-Reformation, the Habsburg military occupation, and exhorbitant war taxes. In The Habsburg Empire under Siege Georg Michels explores the little-known grassroots revolts that threatened the Habsburgs' hold over the Hungarian borderlands. Based on extensive research in Hungarian, Austrian, and Dutch archives, this revisionist study shifts attention away from high politics, diplomacy, and military confrontation to the popular revolts that took place during the two decades before the 1683 siege of Vienna. Michels reveals a complex environment in which Calvinist Hungarians, Lutheran Slovaks, Lutheran Germans, and Orthodox Ukrainians worked to defend their religion against brutal Habsburg Counter-Reformation campaigns. Challenging preconceived notions of European, Middle Eastern, and East European history, this book tells a dramatic story of Reformation and Counter-Reformation violence, covering proxy wars, guerrilla warfare, refugee flight, migration from Hungary into Ottoman territory, and largely unknown Christian-Muslim encounters. Offering a trans-imperial perspective that reassesses the complex relationship between Hungarians, Habsburgs, and Ottomans, The Habsburg Empire under Siege portrays the resistance of ordinary men and women and their hopes for liberation from Habsburg oppression, reclaiming their place in history.
Introduction: Austria and modernity -- 1815-1835: restoration and procrastination -- 1835-1851: revolution and reaction -- 1852-1867: transformation -- 1867-1879: liberalization -- 1879-1897: nationalization -- 1897-1914: modernization -- 1914-1918: self-destruction -- Conclusion: Central Europe and the paths not taken
The Siege of Vienna in 1683 was one of the turning points in European history. It was the last serious threat to Western Christendom and so great was its impact that countries normally jealous and hostile sank their differences to throw back the armies of Islam and their savage Tartar allies. The consequences of defeat were momentous: the Ottomans lost half their European territories and began the long decline which led to the final collapse of the Empire, and the Hapsburgs turned their attention from France and the Rhine frontier to the rich pickings of the Balkans. The hot September day that witnesses the last great trial of strength between Cross and Crescent opened an epoch in European history that lasted until the cataclysm of the First World War in 1914.
The Ottoman Empire had reached the peak of its power, presenting a very real threat to Western Christendom when in 1683 it suffered its first major defeat, at the Siege of Vienna. Tracing the empire’s conflicts of the next two centuries, The Ottoman Wars: An Empire Besieged examines the social transformation of the Ottoman military system in an era of global imperialism Spanning more than a century of conflict, the book considers challenges the Ottoman government faced from both neighbouring Catholic Habsburg Austria and Orthodox Romanov Russia, as well as - arguably more importantly – from military, intellectual and religious groups within the empire. Using close analysis of select campaigns, Virginia Aksan first discusses the Ottoman Empire’s changing internal military context, before addressing the modernized regimental organisation under Sultan Mahmud II after 1826. Featuring illustrations and maps, many of which have never been published before, The Ottoman Wars draws on previously untapped source material to provide an original and compelling account of an empire near financial and societal collapse, and the successes and failures of a military system under siege. The book is a fascinating study of the decline of an international power, raising questions about the influence of culture on warfare.
In 1683, two empires - the Ottoman, based in Constantinople, and the Habsburg dynasty in Vienna - came face to face in the culmination of a 250-year power struggle: the Great Siege of Vienna. Within the city walls the choice of resistance over surrender to the largest army ever assembled by the Turks created an all-or-nothing scenario: every last survivor would be enslaved or ruthlessly slaughtered. The Turks had set their sights on taking Vienna, the city they had long called 'The Golden Apple' since their first siege of the city in 1529. Both sides remained resolute, sustained by hatred of their age-old enemy, certain that their victory would be won by the grace of God. Eastern invaders had always threatened the West: Huns, Mongols, Goths, Visigoths, Vandals and many others. The Western fears of the East were vivid and powerful and, in their new eyes, the Turks always appeared the sole aggressors. Andrew Wheatcroft's extraordinary book shows that this belief is a grievous oversimplification: during the 400 year struggle for domination, the West took the offensive just as often as the East. As modern Turkey seeks to re-orient its relationship with Europe, a new generation of politicians is exploiting the residual fears and tensions between East and West to hamper this change. The Enemy at the Gate provides a timely and masterful account of this most complex and epic of conflicts.
The Habsburg Monarchy has received much historiographical attention since 1945. Yet the military aspects of Austria’s emergence as a European great power in the seventeenth and eighteenth centuries have remained obscure. This book shows that force of arms and the instruments of the early modern state were just as important as its marriage policy in creating and holding together the Habsburg Monarchy. Drawing on an impressive up-to-date bibliography as well as on original archival research, this survey is the first to put Vienna’s military back at the centre stage of early modern Austrian history.
In The Battle for Central Europe the best specialists of the respective fields give a comprehensive overview of the Ottoman-Habsburg imperial rivalry in Central Europe in the age of Süleyman the Magnificent.
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Orientalism as self-critique rather than hegemonic discourse in works by Hofmannsthal, Musil, and Kafka. In recent years a debate has arisen on the applicability of postcolonial theory to the Austro-Hungarian Empire. Some have argued that Austria-Hungary's lack of overseas territories renders the concepts of colonialism and postcolonialism irrelevant, while others have cited the quasi-colonial attitudes of the Viennese elite towards the various "subject peoples" of the empire as a point of comparison. Imperial Messages applies postcolonial theory to works of orientalist fiction by Hugo von Hofmannsthal, Robert Musil, and Franz Kafka, all subjects of the empire, challenging Edward Said's notion that orientalism invariably acts in the ideological service of European colonialism.It argues that these Habsburg authors employ oriental motifs not to promulgate Western hegemony, but to engage in self-reflection and self-critique, including critique of the foundational concepts of orientalist discourse itself.By providing detailed textual analyses of canonical works of Austrian Modernism, including Hofmannsthal's "Tale of the 672nd Night," Musil's Young Törless, and Kafka's "In the Penal Colony," the book not only offers new postcolonial readings of these Austrian works, but also shows how they question the conventional postcolonial and post-Saidian view of orientalism as a purely hegemonic discourse. Robert Lemon is Associate Professor of German at the University of Oklahoma.