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Every child has heard of Guy Fawkes and will most likely have watched a 'guy' being burnt on a bonfire and fireworks lighting up the night sky on Bonfire Night. This book answers the questions of history that lie behind the celebrations of 5 November. Who was Guy Fawkes and how to did he come to be below the chamber of the House of Lords in the first hour of 5 November 1605? What desperation drove those involved to plan a horrific massacre of the Protestant royal family and government? Alan Hayne's probing analysis offers the clearest, most balanced view yet of often conflicting evidence, as he disentangles the threads of disharmony, intrigue, betrayal, terror and retribution. In this updated edition he gathers together startling evidence to uncover the depth and extent of the plot, and how close the plotters came to de-stabilising the government in one of the most notorious terrorist plots of British history. This enthralling book will grip the general reader, while the scope of its detailed research will require historians of the period to consider again the commanding importance of the plot throughout the seventeenth century.
Gebannt verbringt Guy Stunden vor seinem Computer: Dank seiner neuen CD-Rom ist er in das Jahr 1605 zurückversetzt und erfährt von den spannenden Ereignissen, die zu dem Tag führen, der heute noch in England als Guy Fawkes Day gefeiert wird. (Quelle: www.klett.de).
The launch of an exciting new series of parallel-world adventure from "the modern master of alternate history" (Publishers Weekly)
A suspenseful and uniquely literary look into Guy Fawkes and the English Gunpowder Plot of 1605, by one of America's most celebrated writers.
Bonfire Night, observed annually to memorialize the Gunpowder Plot, is one of England's most festive occasions. Why has the memory of this act of treason and terrorism persisted for 400 years? Sharpe unravels the web of religion and politics that gave rise to the plot, and wittily shows how celebration of that night has changed over the centuries.
Walsingham, Elizabeth's spymaster had established an extensive spy network the world had ever seen, placing secret agents throughout Europe, especially in the Catholic courts of Spain, Italy, and France, to ferret out Catholic plots against Elizabeth. Yet Elizabeth ignored her spymaster. Walsingham, distrusted for being too powerful.
The England of Elizabeth was a nation under threat, both from factions within and great powers without. Opposition to the Protestant establishment meant that the queen and her court constantly believe themselves menaces by subterfuge and plots. In this fragile climate, spies and spy networks were of cardinal importance. This is an unrivalled and impeccably detailed account of the 'secret services' operated by the great men of Elizabethan England. By stealthy efforts at home and abroad the Elizabethan spy clusters became forces to be feared. Kidnapping, surveillance, conspiracy, counter-espionage, theft and lying were just a few of the methods employed to defeat the ever-present threat of regicide. This book challenges many stale notions about espionage in Renaissance England and presents complex material in an absorbing way, so that the reign of Elizabeth I is shown in a compellingly new and bold light.
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.