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The publication proposes to investigate the arts from the inside, namely, their common foundations: the rules for artistic creation, the processes that involve artists in their activities, the forms that they can achieve. An inquiry about art-making and artistic practices.
The instant #1 New York Times bestseller. In time for the twentieth anniversary of 9/11, master storyteller Alan Gratz (Refugee) delivers a pulse-pounding and unforgettable take on history and hope, revenge and fear -- and the stunning links between the past and present. September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive -- and escape? September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz -- and put herself and her family in mortal danger? Two kids. One devastating day. Nothing will ever be the same.
One photojournalist's decade-long commitment, a gripping collection of portraits and interviews of those whose lives were crossed by radioactive fallout.
The destruction of the World Trade Center complex on 9/11 set in motion a chain of events that fundamentally transformed both the United States and the wider world. In Power at Ground Zero, Lynne Sagalyn offers the definitive account of one of the greatest reconstruction projects in modern world history: the rebuilding of lower Manhattan after 9/11.
Ground Zero collects a range of classic black-and-white comic strip tales featuring four different Doctors, all digitally remastered! All stories have been taken from the official Doctor Who Magazine, now in its 40th year of publication!
This publication, styled as a magazine, presents a new body of work, architectural proposals for Ground Zero, the twenty first centurys most historically significant site. These proposals take the form of architecturally induced sculptures produced in consultation with a specialist team of engineers so that each model can be realised its true architectural scale. Running contrary to official designs, Genzken envisages buildings with a social purpose a church, hospital, car park, disco, memorial and shopping centre. Her proposals draw upon the artists long-standing love affair with Americas breathtaking cityscapes and all pervasive culture. With its glitzy, seductive surfaces, slim rectangular forms and frenetic energy, the work betrays a fascination with the skyscraper. New York represents a vital source of energy that Genzken returns to again and again and which is intrinsically related to what she does: To me New York has a direct link with sculpture. Consisting of brightly coloured fabrics, outdoor parasols, sheet steel, mirror tile, saccharine photographs of animals and a plethora of household chintz, Genzkens output is ultimately precarious: a hedonistic concoction in which clashing elements congregate and collide. For over thirty years she has developed a radically variegated career that refuses to let the viewer know what to expect.
Set in contemporary Nagasaki, the six short stories in this collection draw a chilling portrait of the ongoing trauma of the detonation of the atomic bomb. Whether they experienced the destruction of the city directly or heard about it from survivors, the characters in these tales filter their pain and alienation through their Catholic faith, illuminating a side of Japanese culture little known in the West. Many of them are descended from the "hidden Christians" who continued to practice their religion in secret during the centuries when it was outlawed in Japan. Urakami Cathedral, the center of Japanese Christian life, stood at ground zero when the bomb fell. In "Birds," a man in his sixties reflects on his life as a husband and father. Just a baby when he was found crying in the rubble near ground zero, he does not know who his parents were. His birthday is set as the day the bomb was dropped. In other stories, a woman is haunted by her brief affair with a married man, and the parents of a schizophrenic man struggle to come to terms with the murder their son committed. These characters battle with guilt, shame, loss, love, and the limits of human understanding. Ground Zero, Nagasaki vividly depicts a city and people still scarred by the memory of August 9, 1945.
The tragic events of September 11, 2001, forever altered the American landscape, both figuratively and literally. Immediately after the jets struck the twin towers of the World Trade Center, Dennis Smith, a former firefighter, reported to Manhattan’s Ladder Co. 16 to volunteer in the rescue efforts. In the weeks that followed, Smith was present on the front lines, attending to the wounded, sifting through the wreckage, and mourning with New York’s devastated fire and police departments. This is Smith’s vivid account of the rescue efforts by the fire and police departments and emergency medical teams as they rushed to face a disaster that would claim thousands of lives. Smith takes readers inside the minds and lives of the rescuers at Ground Zero as he shares stories about these heroic individuals and the effect their loss had on their families and their companies. “It is,” says Smith, “the real and living history of the worst day in America since Pearl Harbor.” Written with drama and urgency, Report from Ground Zero honors the men and women who—in America’s darkest hours—redefined our understanding of courage.
The publication proposes to investigate the arts from the inside, namely, their common foundations: the rules for artistic creation, the processes that involve artists in their activities, the forms that they can achieve. An inquiry about art-making and artistic practices.