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The best architects are often defined by a singular residential commission-for example, Fallingwater by Frank Lloyd Wright or the Farnsworth House by Mies van der Rohe. In Richard Meier's case, the Grotta House is the culmination of the styles and techniques that can be found in the best of his work. Designed and constructed in the second half of the 1980s, the house also exhibits the Grottas' exceptional collection of crafts and furniture. This book, which includes an extensive interview with the Grottas as well as detailed photography and text commenting on every facet of the residence, is essential reading for the modern architect or anyone who aspires to commission a house.
The Grotta House was designed by star architect Richard Meier Excellent private collection of ceramics, jewelry, wood and fiber An ambitious project fusing art and architecture A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewelry and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.
"A sequel and companion to Richard Meier, architect (Rizzoli, 1984), this substantial new volume resumes the documentation of the numerous and varied works created since 1984 by one of America's most important architects and a winner of the Pritzker Prize for Architecture. Meire's crisp, dynamic, and elegant designs stand forth in all their purity in this illustrated volume designed by Massimo Vegnelli. Included are his Museum for the Decorative Arts and the Museum of Ethnology, both in Frankfort: the Getty Center, Los Angeles; The Hauge City Hall and Central Library; the Canal+ Headquarters, Paris; and several private houses. Twenty-eight projects in all are presented, as well as a chapter devoted to Meier's object designs."--Back flap of cover.
This heavily illustrated volume showcases some of the most extraordinary examples of American houses completed within the last ten years, examining in particular the meanings of the abstract forms prevalent in architecture today. Extended captions and an introduction to each house accompany spectacular drawings, photos, and floor plans. 200 color illustrations.
The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.
No other place on earth is as full both of promise and of dread as the city; it is at once alienating and exciting. These concentrations of people have not, however, come about as the result of vast immutable, impersonal forces, but because of human choices. The worsening or betterment of urban life will also be the result of choices. Our choices. That cities display and represent the personal desires of their inhabitants is central to Joseph Rykwert’s argument in The Seduction of Place. Insisting that they are the physical constructs of communities, he travels through history to trace their roots in ancient times and outlines current attempts and future possibilities to improve the metropolis. Rykwert includes a broad range of urban landscapes: 18th-and 19th-century Paris and London, the current sprawl of Mexico City and Cairo, planned cities like Brasilia, and, finally, New York, the world capital. Always opinionated and often controversial, Rykwert assesses how and why urban projects from the past succeeded or failed and what lessons can be drawn from them for the future. Ultimately, The Seduction of Place is a deeply felt and powerfully reasoned call for a commitment by every citizen to the creation of a more humane place to live.
Wasser ist eine globale Ressource für heutige Gesellschaften – Wasser war eine globale Ressource vormoderner Gesellschaften. Die manigfaltigen unterschiedlicher Wassersysteme für Prozesse der Urbanisierung und das urbane Leben in der Antike und dem Mittelalter ist bislang kaum erforscht. Die zahlreichen Beiträge dieses Bandes fragen nach der grundlegenden kulturellen Bedeutung von Wasser ( bzw. power of water) in der Stadt und Wasser für die Stadt aus unterschiedlichen Perspektiven. Symbolische, ästhetische oder kultische Aspekte werden ebenso thematisiert wie die Rolle von Wasser in Politik, Gesellschaft oder Wirtschaft und dem alltäglichen Handeln, aber auch in Stadtplanungsprozessen oder städtischen Teilräumen. Nicht zuletzt stellen die Gefahren von verschmutzten Wasser oder Überschwemmungen die städtische Gesellschaft vor Herausforderungen. Die Beiträge diesen Band lenken den Blick auf die komplexen und vielfältigen Beziehungen zwischen Wasser und Menschen. Das Sammelwerk präsentiert die Ergebnisse einer internationalen Tagung in Kiel 2018. Es wendet sich gleichermaßen an Leser aus den altertumskundlichen wie mediävistischen Fächern und darüberhinaus an alle Interessierten, die sich über die Vielfalt von Wassersystemen im Stadtraum der Antike und des Mittelalters informieren möchten.
The claim by certain rulers to universal empire has a long history stretching as far back as the Assyrian and Achaemenid Empires. This book traces its various manifestations in classical antiquity, the Islamic world, Asia and Central America as well as considering seventeenth- and eighteenth-century European discussions of international order. As such it is an exercise in comparative world history combining a multiplicity of approaches, from ancient history, to literary and philosophical studies, to the history of art and international relations and historical sociology. The notion of universal, imperial rule is presented as an elusive and much coveted prize among monarchs in history, around which developed forms of kingship and political culture. Different facets of the phenomenon are explored under three, broadly conceived, headings: symbolism, ceremony and diplomatic relations; universal or cosmopolitan literary high-cultures; and, finally, the inclination to present universal imperial rule as an expression of cosmic order.
Fully revised throughout, the new edition of this concise textbook is aimed at doctors preparing to specialize in stroke care.