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The wedding revenge Everything had been perfect. India Marchant had planned her fairy-tale wedding and all that had remained was for the groom, Aidan Wolfe, to say "I do." But he hadn't! Instead, he accused India of being a gold digger and had walked away from the altar and out of her life. A year later Aidan was back and India was determined not to be such easy game this time around. But it seemed Aidan was still out for revenge. He'd only help her family with their difficulties for a price—India as his mistress….
His plan was to make her his mistress... When Constantine Kiriazis reappeared after two years, Grace thought he'd finally forgiven her for her lack of trust in him - and for canceling their wedding. Certainly Constantine's desire for her had not waned. But neither had his desire for revenge... He fully intended to seduce Grace, but vowed she'd only be his mistress - never his wife. It was only when she melted in his arms that Constantine began to wonder who was exacting the revenge and who was paying the price!
Tea shop owner and bridesmaid Theodosia Browning investigates when the groom is literally late on the couples' big day in the latest novel in the series following Agony of the Leaves. 75,000 first printing.
The second book in the “superbly entertaining” (Booklist) Regency historical series from New York Times bestselling author Julia London. Tobin Scott, otherwise known as Count Eberlin of Denmark, has returned to Hadley Green, the site of his father’s hanging for thievery fifteen years ago. He has but one goal in mind, and that is to avenge his father, who he believes was innocent of stealing the Countess of Ashwood jewels. Now a wealthy man, Tobin intends to exact his revenge by destroying the Ashwood estate and the Countess of Ashwood, who as a young girl testified against his father. Lily Boudine has become the Countess of Ashwood through a very surprising twist of fate. She is even more surprised when a vaguely familiar looking man calls and tells her he is Tobin Scott, whom she knew as a boy, and that he intends to destroy her or Ashwood. He leaves the choice to her. Because so many people depend on Ashwood, Lily chooses herself, thinking that she can hold him at bay long enough to remove Ashwood from his clutches. But as they play the game of seduction, and she slowly discovers that he is not the cold, heartless man he would like to present to her, she also believes that Tobin is right—his father did not steal the jewels. And if she can find them, she can help restore his family’s honor—but not before she discovers another shocking secret.
Fortune's Children: The Brides: Meet the Fortune brides—six special women who perpetuate a family legacy that is more than mere riches! THE BEST REVENGE IS…FALLING IN LOVE Sweet Mollie Shaw's life began when Gray McGuire swept her off to his mansion as his bride. This powerful tycoon seemed to fulfill her every wish—but all was not as it seemed…. Gray had one objective: to destroy Stuart Fortune. A man Mollie had equal reason to hate—if her Minnesota-sized heart was capable of hate. But when she learned of her groom's motive and means of revenge, would she remain his bride?
The hero cycles of Arabic belong to the literary tradition of The Arabian Nights and can be seen as the popular epics of their civilisation. The Arabian epic covers ten of the main representatives of this genre. Each of these has been developed through the processes of accretive oral story-telling by means of an accumulation of narrative and folklore motifs, many of which belong to what can be seen as a universal tradition. The work is published in three volumes. The first volume introduces the background and the dimensions in which the cycles are set, while the second volume analyses their contents and the literary formulae used in their construction, as well as listing analogues found in other literatures. The epitomes surveyed in the final volume provide non-Arabists with a more immediate insight into the contents of the cycles, drawing attention to their narrative colouring and texture.
Aeschylus' 'Suppliants' dramatises the myth of the fifty daughters of Danaos, who flee Egypt and come to Argos as suppliants, trying to escape forced marriage to their Egyptian cousins. It was long considered to be the earliest surviving tragedy. Even after the mid-20th century, when new evidence established a later date for the play, critics tended to condemn it for its alleged 'archaic' features. As a result it has long been underestimated, although a careful examination reveals it to be one of the most exciting tragedies. This companion employs a variety of critical approaches to set the play in its literary, dramatic, social and historical contexts, and also offers a thorough examination of the performance of the tragedy, investigating topics such as stage, action, music, song and dance.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Mags and Julie are partners at Dream Weddings, catering for the over-the-top and sometimes bizarre requirements of Belfast's brides and grooms to be. They rub along well but are a different as chalk and cheese. When Julie embarks on a life crisis, it is Mags who is left to pick up the pieces.
“A real-life racially motivated mass killing from 1946 is boldly and deeply reimagined [in this] incisive, gripping and empathetic novel” (Kirkus, starred review). Inspired by true events, The Vain Conversation reflects on the 1946 lynching of two black couples in Georgia from the perspectives of three characters—Bertrand Johnson, one of the victims; Noland Jacks, a presumed perpetrator; and Lonnie Henson, a witness to the murders as a ten-year-old boy. Lonnie’s inexplicable feelings of culpability drive him in a search for meaning that takes him around the world, and ultimately back to Georgia, where he must confront both Jacks and his own demons. In this stirring and incisive narrative, Anthony Grooms seeks to advance the national dialogue on race relations. With complexity, satire, and surprising moments of levity, he explores what it means to redeem and be redeemed. Deeply probing the issues of American race violence, The Vain Conversation also speaks to the broader issues of oppression and violence everywhere. Foreword by poet, painter, and novelist Clarence Major. Afterward by bestselling author T. Geronimo Johnson.