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Greene County has long been a magnet for settlers, artists, writers, and travelers; it all began with Henry Hudson's exploration of the Hudson River and was followed by the arrival of Dutch settlers. Its geographic location between the "Rhine of America" and the scenic northern Catskill Mountains contributes to Greene County's allure, as do the Great Algonquin Flint Mines, fascinating remnants of the area's prehistoric inhabitants, the Mohegans. Much of the content in Around Greene County and the Catskills reflects "everyday living," a sampling of its architecture, people, and activities which reflect a sense of history and changing lifestyles. The inclusion of the Dutch Bronck houses of 1663 and 1738, a National Historic Landmark homestead complex, sets the tone of this visual history. From colonial times through the nineteenth and twentieth centuries, Greene County (like other New York counties) has been affected by national conditions; its economic base has changed and adjusted accordingly. Different ethnic groups who have chosen Greene County as their home have enhanced the area's rich cultural heritage.
A man who sleeps for twenty years in the Catskill Mountains wakes to a much-changed world.
A significant resource volume, richly illustrated with over 300 color and b&w photos, chronicling the personal history of Greene County, New York. 'Historic Places' provides a previously unseen view of the architectural and historical sites on the Greene County Register the people, events, ideas, experiences, and accomplishments that have shaped the region's history over the past four centuries.
At one time, according to the Catskill Institute, there were more than a thousand hotels spread across the mountains of Greene, Ulster, Delaware, and Sullivan Counties. The Catskills were an exciting world full of pleasures to be enjoyed, with summer and winter activities characterized by entertainment, food, sports, card playing, and food again. Catskill Hotels, with a collection of some two hundred images, tells the story of this world, which began with America's first resort hotel, the Catskill Mountain House, continued with places such as the world-famous Grossinger's, and can still be found today at Kutsher's Country Club, the Mountain House at Lake Mohonk, and a few other hardy resorts.
Thomas Cole (1801-1848) is widely acknowledged as the founder of American landscape painting. Born in England, Cole emigrated in 1818 to the United States, where he transformed British and continental European traditions to create a distinctive American idiom. He embraced the picturesque, which emphasized touristic pleasures, and the sublime, an aesthetic category rooted in notions of fear and danger. Including striking paintings and a broad range of works on paper, from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, this book explores the trans-Atlantic context for Cole's oeuvre. These works chart a history of landscape aesthetics and demonstrate the essential role of prints as agents of artistic transmission. The authors offer new interpretations of work by Cole and the British artists who influenced him, including J.M.W. Turner and John Constable, revealing Cole's debt to artistic traditions as he formulated a profound new category in art. the American sublime.