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A new archive featuring select stories from FLASH COMICS #1-22, introducingHawkman! Gardner Fox's stories took the reincarnated Egyptian prince and pittedhim against common criminals and uncommon masked felons. Plus, an introductionby Sheldon Moldoff.
From writer Scott Lobdell (Flash, Uncanny X-Men) and artist Anthony Marques (Vampirella, Red Sonja) comes the return of the Green Hornet! The Green Hornet and Kato have met their fair share of villains over the years, but when an alien infant crashes to Earth, the two heroes must keep him safe from a whole new type of nemesis. Are they prepared to take on a series of dark and deadly enemies willing to stop at nothing and do whatever it takes to save the child?
The first batch of his adventures are chronicled in this volume reprintingstories from ADVENTURE COMICS #40-57, NEW YORK WORLD'S FAIR 1939, and NEW YORKWORLD'S FAIR 1940 (circa 1940-41).
Bestseller Michael Uslan (Archie Marries, Batman: Black and White) unites two classic pulp heroes in a meticulously-researched historical fiction! An unstoppable power will plunge the world into darkness... unless the crime-fighting icons known as The Shadow, The Green Hornet, and Kato can stop it! When an invention capable of harnessing elemental forces falls into the hands of the maniacal Shiwan Khan, The Shadow races against time to prevent the utter destruction of all America's vital industries and financial institutions. To that end, he enlists The Green Hornet, a crusader masquerading as a crimelord, to infiltrate Shiwan's organization of saboteurs. Will the masked heroes prevent Khan's deadly plot to shatter a nation? This 144 page collection reprints isues 1-5 of the hit series written by MICHAEL USLAN and drawn by KEITH BURNS. It features footnotes for every issue and a complete cover gallery by ALEX?ROSS, JOHN CASSADAY and CHRIS ELIOPOULOS. "Uslan offers up a fast-paced and intense story that pulls you in from the first page." - COMIC BOOK THERAPY "Great premise, great story and great art." - SCI FI PULSE
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
In 1967, television history was made when two masked crime fighters met in a historic crossover. Now, superstar filmmaker Kevin Smith and actor/comedian Ralph Garman join forces with artist Ty Templeton (BATMAN '66) to bring these two iconic characters and their famous partners together again. Set in the continuity of that earlier team-up, Batman, The Green Hornet, Robin and Kato must go up against a very different General (formerly Colonel) Gumm. What crime could be so deadly as to force these rivals to put aside their differences and join forces again? And what surprise does Gumm have up his sticky sleeve? Collects Batman '66/Green Hornet #1-6
The 'Golden Age of Illustration' refers to a period customarily defined as lasting from the latter quarter of the nineteenth century, until just after the First World War. In this period of no more than fifty years the popularity, abundance and most importantly the unprecedented upsurge in the quality of illustrated books marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form.
"A tale of super-heroics and family that has taken eighty years to be told, uncovering The Lone Ranger's familial link to the emergence of The Green Hornet! What is the blood connection that unites two masked heroes, separated by generations? What intense rift tears a family apart just when America desperately needs a great champion of justice?"--Publisher's description.
Artist Luc Jacamon and writer Matz (The Black Dahlia) deliver the definitive collection of the Eisner Award-nominated crime saga, The Killer, a hardboiled, noir series following a hitman lost in a world without a moral compass. Get inside the mind of a professional assassin, a man of few scruples, nerves of steel, and a steady trigger finger. A man whose crimes might be catching up with him. A man on the verge of cracking... After misadventures in Central and South America and having earned enough money to retire comfortably, the Killer retires to Mexico, but his colleagues are still in need of his irreplaceable skills... and before long he’s drawn back into the great geopolitical game between Cuba, Venezuela, and the United States.
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.