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With The Greek Girl’s Story, Alan Singerman presents the first reliable, stand-alone translation and critical edition of Abbé Prévost’s 1740 literary masterpiece Histoire d’une Grecque moderne. The text of this new English translation is based on Singerman’s 1990 French edition, which Jonathan Walsh called “arguably the most valuable critical edition” of Prévost’s novel to date. This new edition also includes a complete critical apparatus comprising a substantial introduction, notes, appendixes, and bibliography, all significantly updated from the 1990 French edition, taking into account recent scholarship on this work and providing some additional reflection on the question of Orientalism. Prévost’s roman à clef is based on a true story involving the French ambassador to the Ottoman Porte from 1699 to 1711. It is narrated from the ambassador’s viewpoint and is a model of subjective, unreliable narration (long before Henry James). It is remarkably modern in its presentation of an enigmatic, ambiguous character, as the truth about the heroine can never be established with certainty. It is the story of the tormented relationship between the diplomat and a beautiful young Greek concubine, Théophé, whom he frees from a pasha’s harem. While her benefactor becomes increasingly infatuated with her and bent on becoming her lover, the Greek girl becomes obsessed with the idea of becoming a virtuous and respected woman. Viewing the ambassador as a father figure, she condemns his quasi-incestuous passion and firmly rejects his repeated seduction attempts. Unable to possess the young woman or tolerate the thought that she might grant to someone else what she has refused him, the narrator subjects her behavior to minute scrutiny in an effort to catch her in an indiscretion. His investigations are fruitless, however, and Théophé, the victim of incessant persecution, simply dies, leaving all the questions about her behavior unanswered.
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Medea betrayed her father and left her homeland for the love of Jason. Then when he abandoned her, she murdered her children. But did she? And what of Clytemnestra, the conniving adulteress? For ten years she plotted the murder of her husband Agamemnon, King of Mycenae and Conqueror of Troy. How would she have told her story? The Greek myths as we know them were told for men by men. Yet they were the culmination of a long oral tradition in which both men and women shared. Using extant ancient literary sources as her guide, including the works of Homer, Aeschylus, Euripides and Apollodorus, Jane Cahill reconstructs the stories as they might have been told to women by women. These are stories of wronged women, inspired women, determined women, tender women. Medusa tells how it is to know that one look at her face will turn a man to stone, to be hated and feared all the time. Jocasta, Queen of Thebes, confesses her love for the young man who came to save her city from the Sphinx—her son, Oedipus. Each story is accompanied by extensive notes which discuss the ancient sources, explain relevant Greek concepts and customs, and serve as a guide to further reading.
Rachel is finding it increasingly difficult to ignore her sister's derision, society's silent wagging finger and her father's advancing years. She's travelled the world, but now finds herself at a crossroads at an age where most people would stop globetrotting and settle. She's never been one to conform to the nine-to-five lifestyle, so why should she start now? Was it wrong to love the freedom and independence a single life provided, to put off the search for Mr Right and the children? Perhaps she could find the time for one last adventure... So with sunshine in mind, Rachel takes a TEFL course and heads to Greece after securing a job teaching English in a remote village. She wasn't looking for love, but she found it in the lifestyle and history of the country, its culture and the enduring volatility of its people. Girl Gone Greek is a contemporary women's fiction novel. When Rachel moved to Greece to escape a life of social conformity, she found a country of unconventional characters and economic turmoil. The last thing she expected was to fall in love with the chaos that reigned about her.
Did you hear the one about the good Greek girl who walked into a tattoo parlour to celebrate the anniversary of her discharge from a psych hospital? No? Well that’s not surprising because it’s not a joke, there is no punch line. It’s a true story about Maria Katsonis, the good Greek girl who grew up above her parents’ milk bar and shared a bedroom with her yiayia. That is until university when she discovered her rebellious side and her true sexuality. Summoning the courage to come out as a lesbian to her Greek Orthodox family and community, Maria was not met with love and support, but was ostracised. Embracing her imposed independence, Maria became your typical type A over-achiever. Furthering her studies later in life, Maria graduated from Harvard University with a Masters degree. Little did she know, in five years time, Maria would be alone on a bed in a white psych ward fighting for her life. Maria had experienced a complete mental breakdown, shattering her professional and personal identity. The Good Greek Girl will make you laugh, cry, gasp and smile, written with the honesty Maria’s story deserves, and the elegance and craft expected from such an inspiring public intellectual. Now a senior executive in the Victorian Department of Premier and Cabinet, an ambassador for beyondblue and advocate with the Australia Council for Mental Health, Maria has more than conquered the forces that held her back, she owns them. While she now lives with a chronic mental illness, Maria leads an active, meaningful and extraordinary life. Her story of triumph over adversity is nothing short of inspiring.
Can a girl from Queens find happily ever after with an honest-to-goodness Greek god? When Angie's big fat Greek wedding goes bust, her grandmother sends her on a trip to Greece with the instruction to set sail on a mysterious fishing boat. Waiting for her at the dock is Milos, who's charming and handsome and confesses he&'s been crushing on her for years, even though he's never met her. He also tells her he's a descendant of the original Gods of Olympus, who are plotting their return to power. Before she can say "Oh my God," Angie is flying a winged horse alongside Milos and finding love in his arms. But there's one little hitch: Milos's elders are forcing him to marry the malevolent goddess Electra. If Angie is to have any hope of hanging onto Milos, she'll have to go toe-to-toe with Zeus, whose recipe for world domination doesn't call for a sassy girl from the outer boroughs. Praise: "This is a great story with mystery and a whole lot of fun. It's also highly informative and entertaining if you're looking for your very own Greek God. (Aren't we all?) 5-Stars!"—Suspense Magazine
A Washington Post Notable Book One of the Best Books of the Year: NPR, The Economist, Financial Times Shortlisted for the Costa Novel Award Finalist for the Women’s Prize for Fiction Here is the story of the Iliad as we’ve never heard it before: in the words of Briseis, Trojan queen and captive of Achilles. Given only a few words in Homer’s epic and largely erased by history, she is nonetheless a pivotal figure in the Trojan War. In these pages she comes fully to life: wry, watchful, forging connections among her fellow female prisoners even as she is caught between Greece’s two most powerful warriors. Her story pulls back the veil on the thousands of women who lived behind the scenes of the Greek army camp—concubines, nurses, prostitutes, the women who lay out the dead—as gods and mortals spar, and as a legendary war hurtles toward its inevitable conclusion. Brilliantly written, filled with moments of terror and beauty, The Silence of the Girls gives voice to an extraordinary woman—and makes an ancient story new again.
Spanning from WWII to the Cold War and beyond, this is the “magnificent . . . triumphant” biography of the investigative journalist, resistance fighter, and whistle blower who helped expose the Watergate scandal (Doris Kearns Goodwin, author of Leadership) He was one of the most fascinating figures in 20th-century political history. Yet today, Elias Demetracopoulos is strangely overlooked—even though his life reads like an epic adventure story . . . As a precocious twelve-year-old in occupied Athens, he engaged in heroic resistance efforts against the Nazis, for which he was imprisoned and tortured. After his life was miraculously spared, he became an investigative journalist, covering Greece’s tumultuous politics and America’s increasing influence in the region. A clever and scoop-hungry reporter, Elias soon gained access to powerful figures in both governments—and attracted many enemies. When the Greek military dictatorship took power in 1967, he narrowly escaped to Washington DC, where he would lead the fight to restore democracy in his homeland—while running afoul of the American government, too. Now, after a decade of research and original reporting, James H. Barron uncovers the story of a man whose tireless pursuit of uncomfortable truths would put him at odds with not only his own government, but that of the Truman, Eisenhower, Kennedy, Johnson, Nixon, Ford, Carter and Reagan administrations, making him a target of CIA, FBI, and State Department surveillance and harassment—and Greek kidnapping and assassination plots American authorities may have purposefully overlooked. A stunning feat of biographic storytelling, sweeping from World War II to the Cold War, Watergate and beyond, The Greek Connection is about a lifetime of standing up for democracy and a free press against powerful special interests. It has much to teach us about our own era’s abuses of power, dark money, journalist intimidation, and foreign interference in elections.
The Oxford Handbook of Greek Drama in the Americas is the first edited collection to discuss the performance of Greek drama across the continents and archipelagos of the Americas from the beginning of the nineteenth century to the present. The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the performance arts in the Americas have routinely defied national boundaries. With contributions from classicists, Latin American specialists, theatre and performance theorists, and historians, the Handbook also includes interviews with key writers, including Nobel Laureate Derek Walcott, Charles Mee, and Anne Carson, and leading theatre directors such as Peter Sellars, Carey Perloff, H?ctor Daniel-Levy, and Heron Coelho. This richly illustrated volume seeks to define the complex contours of the reception of Greek drama in the Americas, and to articulate how these different engagements - at local, national, or trans-continental levels, as well as across borders - have been distinct both from each other, and from those of Europe and Asia.
The magic of mythology meets the grit of history in a blazing blockbuster retelling of the Persian Wars from award-winning author Tom Holland, lavishly illustrated by Jason Cockcroft. I come to tell you a story. A story unlike any that has been told before. The Trojan War is ancient history. The gods of Olympus are silent and have not appeared to mortals for generations. In the city-state of Sparta, young Gorgo’s mother gives a warning with her dying breath: the Persians are coming. The princess Gorgo, weaned on her nurse’s stories of gods and shapeshifters, never forgets her mother’s last words. When at last the drums of war begin to sound, she is swept up in a dangerous game of politics, treachery, and vengeance. With the blood of Herakles and Zeus himself running through her veins and the awakening of a dormant supernatural power, Gorgo, now queen of Sparta, must help lead her city-state against a mighty empire. Unraveling like prophecy and featuring stunning art from acclaimed illustrator Jason Cockcroft, Tom Holland’s dramatic reimagining of one of history’s most formidable wars will echo through the mind of the reader long after they have reached the final page.