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The Great Yokai War Guardians reaches its epic conclusion in this third volume of the hit manga adaptation of the movie of the same name! Kei and his yokai allies are all that stands between Tokyo and complete annihilation… As the yokaiju rampages ever closer to the great city, the boys must learn the skills from their ancient ancestors to stop the threat once and for all!
The 3rd volume in the manga adaptation of the hit movie The Great Yokai War: Guardians, Kei and his friends reunite to face the threat of the evil spirits once more! Kei and his friends return from the realm of monsters to the human world, rejoining with the Yokai Corps! Can they work together to save all of Japan, by launching an all-out attack on their titanic enemies?
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity. Ê
The beloved mangaka adapts one of his country—and teh world's—great works of supernatural literature Shigeru Mizuki—Japan’s grand master of yokai comics—adapts one of the most important works of supernatural literature into comic book form. The cultural equivalent of Brothers Grimm’s fairy tales, Tono Monogatari is a defining text of Japanese folklore and one of the country’s most important works of literature. This graphic novel was created during the later stage of Mizuki’s career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art. Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan’s rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki’s path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and the two sit down to discuss their works. Translated with additional essays by Mizuki scholar and English-language translator Zack Davisson, Tono Monogatari displays Mizuki at his finest, exploring the world he most cherished. Tono Monogatari was translated by Zack Davisson, an award-winning translator, writer, and folklorist. He is the author of Yurei: the Japanese Ghost, Yokai Stories, Narrow Road, and Kaibyo: The Supernatural Cats of Japan and translator of Shigeru Mizuki's multiple Eisner Award-winning Showa: a History of Japan and famous folklore comic Kitaro. He also translated globally renowned entertainment properties such as Go Nagai's Devilman and Cutie Honey, Leiji Matsumoto's Space Battleship Yamato and Captain Harlock, and Satoshi Kon's Opus. In addition, he lectured on manga, folklore, and translation at colleges such as Duke University, UCLA, and the University of Washington and contributed to exhibitions at the Henry Art Gallery, The Museum of International Folkart, Wereldmuseum Rotterdan, and the Art Gallery of New South Wales.
Nyanko Sensei is recovering after being wounded in the last yokai incident, so Takashi is on his own when he accidentally releases a yokai right before the school festival. With new friends and his ever-strengthening relationship with the Fujiwaras, Takashi has more reasons than ever to keep the supernatural at bay. But does he stand a chance without Nyanko Sensei's power to back him up? -- VIZ Media
Significantly expanded and updated—a lively excursion into Japanese folklore and its increasing influence within global popular culture. Monsters, spirits, fantastic beings, and supernatural creatures haunt the folklore and popular culture of Japan. Broadly labeled yōkai, they appear in many forms, from tengu mountain goblins and kappa water sprites, to shape-shifting kitsune foxes and long-tongued ceiling-lickers. Popular today in anime, manga, film, and video games, many yōkai originated in local legends, folktales, and regional ghost stories. The Book of Yōkai invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. Revised and expanded, this second edition features fifty new illustrations, including an all-new yōkai gallery of stunning color images tracing the visual history of yōkai across centuries. In clear and accessible language, Michael Dylan Foster unpacks the cultural and historical contexts of yōkai, interpreting their varied meanings and introducing people who have pursued them through the ages.
This collection is the definitive analysis of the Emerald Archer, from his Golden Age origins to his small screen adventures and beyond. Exploring overlooked chapters of Green Arrow's life, and those of alter ego Oliver Queen, this book shows that Green Arrow has never been just one thing, but rather a perpetually moving target. Includes new interviews with Green Arrow creators from across the decades, including Neal Adams, Mike Grell, Chuck Dixon, Phil Hester, Brad Meltzer, and Jeff Lemire.
A part-manga, part-prose powerful coming-of-age story about a fifteen-year-old girl caught up in the March 2011 Great Eastern Japan Earthquake and Tsunami.
This thrilling collection of seven Japanese ghost stories will captivate lovers of yokai stories! These classic Japanese ghost stories are based on those written by famed author Lafcadio Hearn between 1890 and 1904. Here, they are retold by award-winning comic book writer Sean Michael Wilson, who has garnered a worldwide fan base for his manga adaptations of works of Japanese literature, including such classics as The Book of Five Rings and The Demon's Sermon on the Martial Arts. Manga Yokai Stories includes: Nuke-kubi: A masterless samurai is trapped in a house haunted by headless goblins The Screen Maiden: A young man develops an obsession with a woman in a painting that almost kills him Corpse Rider: A woman's unburied corpse cannot rest until she has taken her revenge on the man who divorced her A Dead Secret: A young mother terrifies her family when she returns as a ghost, unable to find peace until she puts to rest a shocking secret she has left behind Wilson's skillful adaptation of Hearn's ghostly tales--along with superb manga illustrations from UK-based Japanese artist Inko Ai Takita--make these fascinating stories come to life. This book is in traditional Japanese reading order--from back to front--so that fans and manga lovers can enjoy an authentic reading experience.