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4 girls and only 1 pony! When their mother remarries, twin sisters Toni and Staci get . . . twin stepsisters! Toni and Staci have almost nothing in common with their new siblings—Paisley is loud and spoiled, and Stirling is pretty and perfect—but all of the girls love horses. When Paisley brings home a pony of her own, with a sugar-colored mane and sweet dark eyes, the rest of the sisters are consumed with jealousy. How can 4 horse-crazy girls get along when there’s only 1 pony?
Caring for a horse isn’t always a picnic Erin is thrilled when her parents agree to buy her a horse. She doesn’t even mind holding up her end of the agreement—keeping up her grades, mending clothes, and helping out with chores around the house. She’ll do anything as long as it means having a horse of her very own. But owning a horse is nothing like Erin imagined. The old mare whom she names Spindrift can be grouchy and ill tempered. And having a horse means lots of extra responsibility—feeding her, grooming her, training her. Luckily, Erin’s aunt Lexie knows a thing or two about horses and is willing to show her the ropes. But even Aunt Lexie can’t keep Erin out of trouble entirely.
The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.
In the ancient moors of Scotland, the king of Calidon lies on his deathbed, cursed by a ring that cannot be removed from his finger. When a mysterious fey stranger appears to save the king, he also carries a secret that could tear the royal family apart. The kingdom’s only hope will lie with two young men raised worlds apart. Aric is the beloved heir to the throne of Calidon; Albaric is clearly of noble origin yet strangely out of place. The Oddling Prince is a tale of brothers whose love and loyalty to each other is such that it defies impending warfare, sundering seas, fated hatred, and the very course of time itself. In her long-awaited new fantasy novel, Nancy Springer (the Books of Isle series) explores the darkness of the human heart as well as its unceasing capacity for love.
Dusie is having a bad day of mythological proportions Dusie wakes up one morning to a hissing sound. As she catches her reflection in the mirror, she finds that her hair has turned into snakes. That’s right—snakes. But her mom seems totally unfazed. That’s because underneath the turban, Dusie’s mom has a crown of vipers. She is an immortal gorgon—a kind of goddess—and had hoped Dusie wouldn’t inherit the family curse since her father was a mortal, but it looks like Dusie is stuck with it too. Middle school is tough enough without being cursed, and Dusie—or Dusssie, as the snakes call her—is about to learn that being half gorgon comes with its own set of challenges. She tries to keep her snakes hidden, but when a boy at school nearly blows her cover, Dusie is desperate to figure out a way to control her newfound powers. Growing up, with or without snakes for hair, isn’t kid stuff.
When Jessie’s brother dies, something takes hold of her in this chilling supernatural story of guilt, possession, and obsession Jessie wakes up knowing exactly what she needs to do. Gazing at her reflection in the bathroom mirror, she begins cutting off her beautiful locks, leaving herself with a short, boyish cut—just like her brother’s. Jason died in a car crash, and since the funeral, Jessie hasn’t been the same. Now, wearing her brother’s clothes, her hair spiked just the way he used to wear his, she can face herself again. But what starts out as a difficult grieving process becomes something much more serious. Before long, she is sleeping in his bedroom, talking like him, even hearing his voice in her head. She is no longer just acting like Jason . . . she is starting to become him.
Winner of the Edgar Award: A search to find her parents becomes a quest that shakes Jamie Bridger’s identity to its core Raised by her grandparents, fourteen-year-old Jamie Bridger has never known who her parents are. When she presses for details, her grandmother protests that she doesn’t remember things that happened years ago, and her grandfather reacts by flying into a rage. But who could forget the birth of their only grandchild? And how could a mother give up her baby for good? Shouldn’t Jamie’s parents have tried to get in contact with her? Jamie is determined to find answers, and she’ll go to any lengths to get them, even if it means traveling all the way to New York to find a man who shares her name—a man she believes to be her father. But as she starts to put together the pieces of her past, Jamie learns that the truth is more shocking than anything she could have anticipated.
Lisa love being a member of the Saddle Club. But lately, Stevie and Carole haven't had time for her or their friendship. And if she can'tconvince her friends that their club is just as important, she may have to find new members to replace them. . . .
The contemporary family is being distracted, disturbed and distraught by societal pressures from every direction. The nuclear family concept, believed crucial to child rearing, is becoming passé according to census data. Or has the wave of disruption to families crested? It is hoped that this bibliography will serve as a useful tool to researchers seeking further information on families and the pressures being exerted upon them in the 21st century.
After breaking his leg, eleven-year-old Nate feels useless because he cannot work on the family farm in nineteenth-century Nebraska, so when his father brings home an orphan boy to help with the chores, Nate feels even worse.