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Six accomplished photographers--Jerry Burchfield, Mark Chamberlain, Jacques Garnier, Rob Johnson, Douglas McCulloh, and Clayton Spada--known as The Legacy Project, aided by 400 artists, experts, and volunteers, transformed an abandoned southern California F-18 jet hangar, located at the Marine Corps Air Station El Toro (MCAS El Toro) in Orange County, into the largest camera ever made and then proceeded to produce the world's largest photograph, The Great Picture. The image is an enormous panoramic landscape of the California desert beyond the air station, which is destined to become the heart of the Orange County Great Park. On July 12, 2006, The Legacy Project unveiled the world's largest photograph at a special reception held inside the world's largest camera. It has been exhibited only twice since then during a short viewing at Art Center College of Design, South Campus Wind Tunnel, Pasadena, California in 2007, and most recently this past winter at Central Academy of Fine Arts, Beijing, China. However, for the first time, Sweeney Art Gallery/Culver Center's presentation of The Great Picture will be accompanied by additional components that explore details behind its making and those who made it possible. The Legacy Project has shown their work in more than 30 exhibitions in the United States and abroad. The Legacy Project will continue to work through 2017 as El Toro is transformed into the Orange County Great Park. SELLING POINTS: *The Great Picture is a history-making gelatin silver photograph three stories high by eleven stories wide, produced by six accomplished photographers known as The Legacy Project *The image was made using a shuttered southern California F-18 jet hanger transformed into an enormous camera obscura- the largest camera ever made ILLUSTRATIONS: 132 colour & 38 b/w illustrations
This beautifully produced book draws on the latest research, illustrating the complete set of drawings, published for the first time.
The reader is invited to find Waldo and each of a group of unusual portraits in the detailed illustrations of crowds in a gallery, at a sporting event, and in other settings.
A brief history of the Great Wall of China, begun about 2,200 years ago to keep out Mongol invaders.
Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of color set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. Now available for the first time in paperback, this book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output -- including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges -- Hokusai, Prints and Drawings provides a detailed account of the artist's genius.
An illustrated tour of The Cloisters, presenting hidden treasures and details of the collection that might be missed by the casual visitor.
A major publication on Hokusai's remarkable late work, incorporating fresh scholarship on the sublime paintings and prints the artist created in the last thirty years of his life
The instant New York Times bestseller about humanity's place in the universe—and how we understand it. “Vivid...impressive....Splendidly informative.”—The New York Times “Succeeds spectacularly.”—Science “A tour de force.”—Salon Already internationally acclaimed for his elegant, lucid writing on the most challenging notions in modern physics, Sean Carroll is emerging as one of the greatest humanist thinkers of his generation as he brings his extraordinary intellect to bear not only on Higgs bosons and extra dimensions but now also on our deepest personal questions: Where are we? Who are we? Are our emotions, our beliefs, and our hopes and dreams ultimately meaningless out there in the void? Do human purpose and meaning fit into a scientific worldview? In short chapters filled with intriguing historical anecdotes, personal asides, and rigorous exposition, readers learn the difference between how the world works at the quantum level, the cosmic level, and the human level—and then how each connects to the other. Carroll's presentation of the principles that have guided the scientific revolution from Darwin and Einstein to the origins of life, consciousness, and the universe is dazzlingly unique. Carroll shows how an avalanche of discoveries in the past few hundred years has changed our world and what really matters to us. Our lives are dwarfed like never before by the immensity of space and time, but they are redeemed by our capacity to comprehend it and give it meaning. The Big Picture is an unprecedented scientific worldview, a tour de force that will sit on shelves alongside the works of Stephen Hawking, Carl Sagan, Daniel Dennett, and E. O. Wilson for years to come.
“Sometimes I think Mom and Dad love her more than me.”—The Pain “Sometimes I think Mom and Dad love him more than me.”—The Great One The Great One thinks her brother, the Pain, is a messy slowpoke who gets dessert even if he doesn’t finish dinner. She thinks her parents love him more than they love her. The Pain thinks his older sister, the Great One, is a bossy know-it-all. Just because she’s older, she gets to feed the cat and play real songs on the piano. He thinks his parents love her more than they love him. How will they ever find out who is loved more?
A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.