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In September 1923, a magnitude 7.9 earthquake devastated eastern Japan, killing more than 120,000 people and leaving two million homeless. Using a rich array of source material, J. Charles Schencking tells for the first time the graphic tale of Tokyo's destruction and rebirth. In emotive prose, he documents how the citizens of Tokyo experienced this unprecedented calamity and explores the ways in which it rattled people's deep-seated anxieties about modernity. While explaining how and why the disaster compelled people to reflect on Japanese society, he also examines how reconstruction encouraged the capital's inhabitants to entertain new types of urbanism as they rebuilt their world. Some residents hoped that a grandiose metropolis, reflecting new values, would rise from the ashes of disaster-ravaged Tokyo. Many, however, desired a quick return of the city they once called home. Opportunistic elites advocated innovative state infrastructure to better manage the daily lives of Tokyo residents. Others focused on rejuvenating society—morally, economically, and spiritually—to combat the perceived degeneration of Japan. Schencking explores the inspiration behind these dreams and the extent to which they were realized. He investigates why Japanese citizens from all walks of life responded to overtures for renewal with varying degrees of acceptance, ambivalence, and resistance. His research not only sheds light on Japan's experience with and interpretation of the earthquake but challenges widespread assumptions that disasters unite stricken societies, creating a "blank slate" for radical transformation. National reconstruction in the wake of the Great Kanto Earthquake, Schencking demonstrates, proved to be illusive.
In September 1923, a magnitude 7.9 earthquake devastated eastern Japan, killing more than 120,000 people and leaving two million homeless. Using a rich array of source material, J. Charles Schencking tells for the first time the graphic tale of Tokyo's destruction and rebirth. In emotive prose, he documents how the citizens of Tokyo experienced this unprecedented calamity and explores the ways in which it rattled people's deep-seated anxieties about modernity. While explaining how and why the disaster compelled people to reflect on Japanese society, he also examines how reconstruction encouraged the capital's inhabitants to entertain new types of urbanism as they rebuilt their world. Some residents hoped that a grandiose metropolis, reflecting new values, would rise from the ashes of disaster-ravaged Tokyo. Many, however, desired a quick return of the city they once called home. Opportunistic elites advocated innovative state infrastructure to better manage the daily lives of Tokyo residents. Others focused on rejuvenating society--morally, economically, and spiritually--to combat the perceived degeneration of Japan. Schencking explores the inspiration behind these dreams and the extent to which they were realized. He investigates why Japanese citizens from all walks of life responded to overtures for renewal with varying degrees of acceptance, ambivalence, and resistance. His research not only sheds light on Japan's experience with and interpretation of the earthquake but challenges widespread assumptions that disasters unite stricken societies, creating a "blank slate" for radical transformation. National reconstruction in the wake of the Great Kanto Earthquake, Schencking demonstrates, proved to be illusive.
Focusing on one landmark catastrophic event in the history of an emerging modern nation—the Great Kanto Earthquake that devastated Tokyo and surrounding areas in 1923—this fascinating volume examines the history of the visual production of the disaster. The Kanto earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld demonstrates how visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization.
*Includes pictures *Includes accounts of the earthquake and subsequent fires by survivors *Includes a bibliography for further reading *Includes a table of contents Of the numerous disasters, both natural and man-made, to strike Japan during the 20th century, the Great Kanto Earthquake was among the worst, and the most significant. The massive earthquake struck the Japanese capital region, including the cities of Tokyo and Yokohama, shortly before noon on Saturday, September 1, 1923, causing immense physical destruction. Buildings collapsed, crushing their occupants, and a tsunami assaulted miles of coastline, depositing boats well inland and dragging people, structures, and debris out to sea. In both Tokyo and Yokohama, the tremors set off firestorms that raged for days across the dense, wooden cityscapes. In all, the earthquake left perhaps 140,000 dead and more than 2 million homeless, transforming East Asia's most prosperous and modern urban area into a scorched, burned-out wasteland. On the day of the earthquake, according to the Buddhist figure Takashima Beiho, "Nature raged all at once, collapsing the pillars of the sky and snapping the axis of the earth. The big city of Tokyo, the largest in the Orient, at the zenith of its prosperity, burned down and melted away over two days and three nights." Together, the earthquake and firestorm killed somewhere between 100,000 and 150,000, left more than a million homeless, and destroyed billions of yen worth of property. The best estimates are that up to 75% of all buildings in Tokyo were destroyed or seriously damaged, and while all of Tokyo was afflicted, the low city especially suffered. The five city wards in which damage was greatest (90% or more) were all located in the low city. The proud neighborhoods around Nihonbashi and Kyobashi were particularly gutted, and many symbols of the Mieji-era shitamachi, such as the original Shinbashi Station, the Mitsukoshi Department Store, the Asakusa Twelve-Stories, were destroyed in the conflagration. A few other emblematic buildings survived, most notably the Asakusa Kannon and, famously, Frank Lloyd Wright's Imperial Hotel, but the earthquake truly marked the beginning of the end of the low city's preeminence as a center for culture and entertainment. Of course, the significance of the Great Kanto Earthquake was not restricted to the material destruction it caused. In the immediate wake of the disaster, anarchy reigned through the streets of Tokyo, and before the last of the firestorms had even been extinguished, panicked residents spread rumors and gathered into armed vigilante groups, ultimately leading to thousands of deaths by mob violence. Police and municipal authorities found themselves powerless in the face of this chaos, and order was only restored when the Japanese government declared martial law and sent in the army to occupy the nation's own capital. Thus, the unrest following the Great Kanto Earthquake served at once to exacerbate tensions between Japan and its Korean colony, and it also burnished the reputation of the Japanese military as the one national institution upon which a troubled people could depend in a time of crisis. These developments would ultimately serve the nation poorly as it headed towards World War II. The 1923 Great Kanto Earthquake: The History and Legacy of the Earthquake That Destroyed Tokyo chronicles the earthquake and its aftermath. Along with pictures of important people, places, and events, you will learn about the earthquake like never before, in no time at all.
An exploration of Taishō-era narrative fiction
The book explores the critical importance of Pan-Asianism in Japanese imperialism. Pan-Asianism was a cultural as well as political ideology that promoted Asian unity and recognition. The focus is on Pan-Asianism as a propeller behind Japan's expansionist policies from the Manchurian Incident until the end of the Pacific War.
This edited volume engages with some of the most dynamic themes in current research on East Asian environmental history, including agricultural science, war and the environment, imperial forestry, oceanic history, and the history of energy. Chapters in this book supply an overview of environmental history as a rapidly expanding field, continuing to generate valuable insights into the mutually constitutive relationship between human societies and the biophysical environment. The book is divided into three parts: Part I consists of three chapters related to land use, while Part II includes five chapters that focus on water, a topic of perennial concern among environmental historians of East Asia, especially as it relates to irrigation, food production, and marine fisheries. Part III consists of two chapters, discussing the impact of new technologies on air quality, in addition to the history of energy in East Asia, which has emerged as an important area of inquiry at the intersection between both environmental history and the history of science and technology. Perspectives on Environmental History in East Asia: Changes in the Land, Water, and Air will appeal to students and scholars of East Asian studies, environmental history, and environmental sciences.
The first English-language study of German-Japanese interwar relations to employ sources in both languages.
The Era of Great Disasters examines modern disaster response in Japan, from the changing earthquake preparations and regulations, to immediate emergency procedures from the national, prefectural, and city levels, and finally the evolving efforts of rebuilding and preparing for the next great disaster in the hopes of minimizing their tragic effects. This book focuses on three major earthquakes from Japan’s modern history. The first is the 1923 Great Kanto Earthquake, which struck the capital region. The second is the 1995 Great Hanshin-Awaji Earthquake, affecting the area between Kobe and Osaka. The third is the 2011 Great East Japan Earthquake, the magnitude 9.0 quake that struck off the Pacific coast of the Tohoku region, causing a devastating tsunami and nuclear accident. While the events of (and around) each of these earthquakes are unique, Professor Iokibe brings his deep expertise and personal experience to each disaster, unveiling not only the disasters themselves but the humanity underneath. In each case, he gives attention and gratitude to those who labored to save lives and restore the communities affected, from the individuals on the scene to government officials and military personnel and emergency responders, in the hope that we might learn from the past and move forward with greater wisdom, knowledge, and common purpose.
This book explores the relationship between architecture, government and fire. It posits that, through the question of fire-safety standardisation, building design comes to be both a problem for, and a tool of, government. Through a close study of fire-safety standards it demonstrates the shaping effect that architecture and the city have on the way we think about governing. Opening with an investigation into the Grenfell Tower fire and the political actors who sought to enrol it in programmes of governmental reform before contextualising the research in current literature, the book takes four city studies, each beginning with a specific historic fire: The 1654 Great Fire of Meirecki, Edo; the 1877 town fire of Lagos; the 1911 Empire Palace Theatre fire, Edinburgh; and the 2001 World Trade Centre attack, New York. Each study identifies the governmental response to the fire, safety standards and codes designed in its wake and how these new processes spread and change. Drawing on the work of sociologists John Law and Anne Marie Mol and their concept of ‘Fire Space’, it describes the way that architectural design, through the medium of fire, is an instrument of political agency. Pyrotechnic Cities is a critical investigation into these political implications, written for academics, researchers and students in architectural history and theory, infrastructure studies and governance.