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The true story of the sensational rumors surrounding the Victorian author—and the attempts to cover them up: “Riveting . . . a scholarly detective story” (The Boston Globe). Charles Dickens was regarded as the great proponent of hearth and home in Victorian Britain, but in 1858 this image was nearly shattered. With the breakup of his marriage that year, rumors of a scandalous relationship he may have conducted with the young actress Ellen “Nelly” Ternan flourished. For the remaining twelve years of his life, Dickens managed to contain the gossip. After his death, surviving family members did the same. But when the author’s last living son died in 1934, there was no one to discourage rampant speculation. Dramatic revelations came from every corner—over Nelly’s role as Dickens’s mistress, their clandestine meetings, and even his possibly fathering an illegitimate child. This book presents the most complete account of the scandal and ensuing cover-up ever published. Drawing on the author's letters and other archival sources not previously available, Dickens scholar Michael Slater investigates what Dickens did or may have done, then traces the way the scandal was elaborated over succeeding generations. Slater shows how various writers concocted outlandish yet plausible theories while newspapers and book publishers vied for salacious information. With its tale of intrigue and a cast of well-known figures from Thackeray and Shaw to Orwell and Edmund Wilson, this book will delight not only Dickens fans but anyone who appreciate tales of mystery, cover-up, and clever detection. “Slater’s work is a fascinating investigation into the nature of scandal itself as much as it is a look at the particular episode.” —TheDaily Beast
When a murder is staged at magnificent Knebworth House, Victorian writer-sleuths, Charles Dickens and Wilkie Collins investigate. August, 1856. Wilkie Collins and Charles Dickens are spending the summer at Knebworth House, the magnificent Hertfordshire home of fellow writer Lord Edward Bulwer-Lytton, where they are putting on a charity performance of one of Lord Edward's most successful plays, The Lady of Lyon. But the dress rehearsal is disrupted by the discovery of a body lying in the centre of the stage, shot to death. With everyone involved in the play coming under suspicion, the two writer-sleuths feel compelled to investigate. Their enquiries unearth a number of scandalous secrets lurking among the writers, artists and actors assembled at Knebworth. Secrets that stretch back more than twenty years. Secrets that will have devastating repercussions for the present.
Charles Dickens and Nelly Ternan met in 1857; she was 18, a hard-working actress performing in his production of The Frozen Deep, and he was 45, the most lionized writer in England. Out of their meeting came a love affair that lasted thirteen years and destroyed Dickens’s marriage while effacing Nelly Ternan from the public record. In this remarkable work of biography and scholarly reconstruction, the acclaimed biographer of Mary Wollstonecraft, Thomas Hardy, Samuel Pepys and Jane Austen rescues Nelly from the shadows of history, not only returning the neglected actress to her rightful place, but also providing a compelling portrait of the great Victorian novelist himself. The result is a thrilling literary detective story and a deeply compassionate work that encompasses all those women who were exiled from the warm, well-lighted parlors of Victorian England.
Winner of the Plutarch Award for Best Biography A lively and insightful biographical celebration of the imaginative genius of Charles Dickens, published in commemoration of the 150th anniversary of his death. Charles Dickens was a superb public performer, a great orator and one of the most famous of the Eminent Victorians. Slight of build, with a frenzied, hyper-energetic personality, Dickens looked much older than his fifty-eight years when he died—an occasion marked by a crowded funeral at Westminster Abbey, despite his waking wishes for a small affair. Experiencing the worst and best of life during the Victorian Age, Dickens was not merely the conduit through whom some of the most beloved characters in literature came into the world. He was one of them. Filled with the twists, pathos, and unusual characters that sprang from this novelist’s extraordinary imagination, The Mystery of Charles Dickens looks back from the legendary writer’s death to recall the key events in his life. In doing so, he seeks to understand Dickens’ creative genius and enduring popularity. Following his life from cradle to grave, it becomes clear that Dickens’s fiction drew from his life—a fact he acknowledged. Like Oliver Twist, Dickens suffered a wretched childhood, then grew up to become not only a respectable gentleman but an artist of prodigious popularity. Dickens knew firsthand the poverty and pain his characters endured, including the scandal of a failed marriage. Going beyond standard narrative biography, A. N. Wilson brilliantly revisits the wellspring of Dickens’s vast and wild imagination, to reveal at long last why his novels captured the hearts of nineteenth century readers—and why they continue to resonate today. The Mystery of Charles Dickens is illustrated with 30 black-and-white images.
Even within the context of Charles Dickens's history as a publishing innovator, Our Mutual Friend is notable for what it reveals about Dickens as an author and about Victorian publishing. Marking Dickens's return to the monthly number format after nearly a decade of writing fiction designed for weekly publication in All the Year Round, Our Mutual Friend emerged against the backdrop of his failing health, troubled relationship with Ellen Ternan, and declining reputation among contemporary critics. In his subtly argued publishing history, Sean Grass shows how these difficulties combined to make Our Mutual Friend an extraordinarily odd novel, no less in its contents and unusually heavy revisions than in its marketing by Chapman and Hall, its transformation from a serial into British and U.S. book editions, its contemporary reception by readers and reviewers, and its delightfully uneven reputation among critics in the 150 years since Dickens’s death. Enhanced by four appendices that offer contemporary accounts of the Staplehurst railway accident, information on archival materials, transcripts of all of the contemporary reviews, and a select bibliography of editions, Grass’s book shows why this last of Dickens’s finished novels continues to intrigue its readers and critics.
The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.
A unique, in-depth view of Victorian London during the record-breaking summer of 1858, when residents both famous and now-forgotten endured “The Great Stink” together While 1858 in London may have been noteworthy for its broiling summer months and the related stench of the sewage-filled Thames River, the year is otherwise little remembered. And yet, historian Rosemary Ashton reveals in this compelling microhistory, 1858 was marked by significant, if unrecognized, turning points. For ordinary people, and also for the rich, famous, and powerful, the months from May to August turned out to be a summer of consequence. Ashton mines Victorian letters and gossip, diaries, court records, newspapers, and other contemporary sources to uncover historically crucial moments in the lives of three protagonists—Charles Dickens, Charles Darwin, and Benjamin Disraeli. She also introduces others who gained renown in the headlines of the day, among them George Eliot, Karl Marx, William Thackeray, and Edward Bulwer Lytton. Ashton reveals invisible threads of connection among Londoners at every social level in 1858, bringing the celebrated city and its citizens vibrantly to life.
Charles Dickens's 200th birthday will be celebrated in 2012. Though his writings are now more than 100 years old, many remain in print and are avidly read and studied. Often overlooked--or unknown--are the considerable Christian convictions Dickens held and displayed in his work. This book fills that vacuum by examining Dickens the Christian and showing how Christian beliefs and practices permeate his work. This historical work is written for pastors, students, and laity alike. Chapters look at Dickens's life and work topically, arguing that Christian faith was front and center in some of what Dickens wrote (such as his children's work The Life of Our Lord) and saliently implicit throughout various other characters and plots. Since Dickens's Christian side is rarely considered, Gary Colledge illuminates a fresh angle of Dickens, and the 200th birthday makes it especially timely.
“A charming, comic, and ultimately poignant story about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.” —Anthony Doerr, #1 New York Times bestselling author of All The Light We Cannot See Laced with humor, rich historical detail from Charles Dickens’ life, and clever winks to his work, Samantha Silva's Mr. Dickens and His Carol is an irresistible new take on a cherished classic. Charles Dickens is not feeling the Christmas spirit. His newest book is an utter flop, the critics have turned against him, relatives near and far hound him for money. While his wife plans a lavish holiday party for their ever-expanding family and circle of friends, Dickens has visions of the poor house. But when his publishers try to blackmail him into writing a Christmas book to save them all from financial ruin, he refuses. And a serious bout of writer’s block sets in. Frazzled and filled with self-doubt, Dickens seeks solace in his great palace of thinking, the city of London itself. On one of his long night walks, in a once-beloved square, he meets the mysterious Eleanor Lovejoy, who might be just the muse he needs. As Dickens’ deadlines close in, Eleanor propels him on a Scrooge-like journey that tests everything he believes about generosity, friendship, ambition, and love. The story he writes will change Christmas forever.
Charles Dickens called his sister-in-law Georgina Hogarth his ‘best and truest friend’. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father–daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina’s refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina’s commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses’ daughter Katey say it was ‘the greatest mistake ever’ to invite a sister-in-law to live with a family?