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"Vague" began, as it happened, a few months after "England's Dreaming" left off: in the post-punk diaspora of late 1979. Turning nineteen years old in sunny Salisbury, Tom Vague began by featuring local punk bands as well as all the major acts that passed through or nearby - the Banshees, the Cure, the Ruts, Joy Division, Red Krayola, the Gang of Four, Clash, Adam and the Ants. It wasn't a pure punk fanzine - it was too late for that - but matched punk irreverence with the overall feeling of experimentation that still existed at the end of the 1970's. Over the first few issues, "Vague" continued to work out the possibilities of independence - in all senses of the word - that had been pioneered in 1976 by Mark Perry (fanzines) and in 1977 by Buzzcocks and the Desperate Bicycles (seven inch records). The whole point about fanzines and DIY singles was that you didn't have to do what everyone else did. So "Vague" mixed up reviews with Perry Harris' cartoons and what Tom describes as 'stream of consciousness prose' that reflected the chaos and the intimacy of the moment. Vague followed the post-punk strands - from the Ants to Goth to Crass to Psychobillies and Positive Punks - through to the mid 80's, and Tom's commentary precisely dates the changes. In the notes for Issue 12, July 1982, he observes that 'it was around this time that the number of exaggerated Mac Curtis haircuts increased around London and Theatre of Hate indirectly started the punkabilly cult, which consisted of disillusioned young Ants fans and reformed punky types, largely Londoners. Suddenly everyone started to look like Kirk Brandon'. Tom Vague recorded the present without any thought to posterity. Because he noted the moment so thoroughly, he became a historian, providing a record of Punk's most obdurate and persistent strands. In documenting the chaos of the 1980's from within, he has preserved a forgotten narrative of that decade: not Live Aid, New Romantic Pop or Thatcher, but a dogged and anarchic strand of youth culture that persisted into the flowering of rave in the early 90's. This collection should be read by any serious enquirer into the period." (Jon Savage : 2017)
An exultant novel of New York City at the turn of the twentieth century, about one man's rise to fame and fortune, and his mysterious murder—“engrossing” (Wall Street Journal), “immersive” (The New Yorker), and “seriously entertaining” (The Sunday Times, London). Andrew Haswell Green is dead, shot at the venerable age of eighty-three, when he thought life could hold no more surprises. The killing—on Park Avenue in broad daylight, on Friday the thirteenth—shook the city. Born to a struggling farmer, Green was a self-made man without whom there would be no Central Park, no Metropolitan Museum of Art, no Museum of Natural History, no New York Public Library. But Green had a secret, a life locked within him that now, in the hour of his death, may finally break free. A work of tremendous depth and piercing emotion, The Great Mistake is the story of a city transformed, a murder that made a private man infamous, and a portrait of a singular individual who found the world closed off to him—yet enlarged it.
Jansson documents how presidents from FDR to Clinton have made ill-advised choices that squandered trillions of dollars. Using Office of Management and Budget projections through 2004, Jansson shows how the madness continues--and how an informed electorate can put an end to it.
Enlightening stories of courageous eighteenth- and nineteenth-century men and women who defied the racial prejudices of their communities In this unique book, Sven Lindqvist, author of the acclaimed “Exterminate All the Brutes,” shows why the history of antiracist work must not be limited only to the study of racists. Here we have the inspiring stories of more than twenty eighteenth- and nineteenth-century men and women who struggled and fought against ignorance and animus, often going against the times to expose the many facets of racism and hate. Well-documented and rich in anecdote, The Skull Measurer’s Mistake recounts the antiracist efforts of Benjamin Franklin, Helen Hunt, Joseph Conrad, and Alexis de Tocqueville, as well as others whose names are perhaps forgotten but whose important work lives on. Lindqvist—whose writing, Adam Hochschild has said, “leaves you changed”—shows how racist arguments emerged, and reemerged, over time. At a time when conversations about racial justice are occurring in every corner of society, knowledge of past antiracists can help us defeat racism today.
THE GREAT BRITISH DETECTIVES boxed set is an unparalleled collection that spans the rich tapestry of early twentieth-century British detective literature. Curated to showcase the diversity of narrative techniques, settings, and characters, this anthology embarks on a thrilling journey through the fog-laden streets of London to the country's quaint villages, encapsulating the golden age of detective fiction. The assortment includes seminal works that have shaped the genre, blending intellectual puzzles with suspenseful storytelling, and features contributions from literary titans to hidden gems. The thematic cohesion around mystery and intrigue is brilliantly executed, offering readers an exhaustive exploration of the detective genre's evolution. The authors represented in this collectionamong them Arthur Conan Doyle, G. K. Chesterton, and Edgar Wallacebring together a wealth of literary experience and accolades. Their backgrounds, ranging from journalism to medicine, have informed their storytelling, infusing their narratives with authenticity and complexity. This anthology situates itself within significant literary and cultural movements, reflecting societal anxieties and the universal quest for truth and justice. These narratives not only entertain but also offer intriguing insights into the zeitgeist of early 20th-century Britain. For aficionados of detective stories, THE GREAT BRITISH DETECTIVES boxed set opens a veritable treasure chest of narrative riches. The volume is an indispensable addition to the libraries of those keen to immerse themselves in the intrigue and intellect of classic detective literature. It stands as a testament to the enduring appeal of the genre, inviting readers on a journey of discovery through the minds of its most gifted architects. This collection is not merely a historical artifact; it is a vibrant conversation across generations, inviting reflection on the timeless themes of morality, law, and the human condition.
With unrivalled political savvy and a keen sense of irony, distinguished political scientists Anthony King and Ivor Crewe open our eyes to the worst government horror stories and explain why the British political system is quite so prone to appalling mistakes.
#1 INTERNATIONAL BESTSELLER AN ADAM SAVAGE BOOK CLUB PICK The book-length answer to anyone who ever put their hand up in math class and asked, “When am I ever going to use this in the real world?” “Fun, informative, and relentlessly entertaining, Humble Pi is a charming and very readable guide to some of humanity's all-time greatest miscalculations—that also gives you permission to feel a little better about some of your own mistakes.” —Ryan North, author of How to Invent Everything Our whole world is built on math, from the code running a website to the equations enabling the design of skyscrapers and bridges. Most of the time this math works quietly behind the scenes . . . until it doesn’t. All sorts of seemingly innocuous mathematical mistakes can have significant consequences. Math is easy to ignore until a misplaced decimal point upends the stock market, a unit conversion error causes a plane to crash, or someone divides by zero and stalls a battleship in the middle of the ocean. Exploring and explaining a litany of glitches, near misses, and mathematical mishaps involving the internet, big data, elections, street signs, lotteries, the Roman Empire, and an Olympic team, Matt Parker uncovers the bizarre ways math trips us up, and what this reveals about its essential place in our world. Getting it wrong has never been more fun.
It's now over twenty years since punk pogo-ed its way into our consciousness. Punk Rock So What?brings together a new generation of academics, writers and journalists to provide the first comprehensive assessment of punk and its place in popular music history, culture and myth. The contributors, who include Suzanne Moore, Lucy OBrien, Andy Medhurst, Mark Sinker and Paul Cobley, challenge standard views of punk prevalent since the 1970s. They: * re-situate punk in its historical context, analysing the possible origins of punk in the New York art scene and Manchester clubs as well as in Malcolm McClarens brain * question whether punk deserves its reputation as an anti-fascist, anti-sexist movement which opened up opportunities for women musicians and fans alike. * trace punks long-lasting influence on comics, literature, art and cinema as well as music and fashion, from films such as Sid and Nancy and The Great Rock n Roll Swindle to work by contemporary artists such as Gavin Turk and Sarah Lucas. * discuss the role played by such key figures as Johnny Rotten, Richard Hell, Malcolm McClaren, Mark E. Smith and Viv Albertine. Punk Rock Revisited kicks over the statues of many established beliefs about the meaning of punk, concluding that, if anything, punk was more culturally significant than anybody has yet suggested, but perhaps for different reasons.