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In the closing decades of the twelfth century, the Cistercian Order had become an important ecclesiastical and economic power in Europe. Yet it had lost its influential spokesman, Bernard of Clairvaux, and as the century drew to a close, religious sensibilities were changing. The new mendicant orders, the Franciscans and the Dominicans, and the impulses they embodied were to shift the center of gravity in Christian religious life for centuries to come. It was in this transitional period that Conrad of Eberbach gradually—between the 1180s and 1215—compiled the Exordium magnum cisterciense: The Great Beginning of Cîteaux. It is a book of history and lore, often with miraculous stories, meant to continue a great spiritual tradition, and it is also a book meant to justify and repair the Order. The Exordium magnum was in part an effort to provide a historical and formative context for those who were to be Cistercians in the thirteenth century. Conrad's combination of a historical sensibility and the edifying exempla makes the Exordium magnum a remarkably innovative book. Its unique combination of genres—narratio and exempla—is conceivable only within the intellectual world of the twelfth or early thirteenth centuries, before exempla collections came to be complied solely for edification or use in sermons. The Great Beginning of Cîteaux is a revealing book and an excellent place to begin more detailed study of the Cistercian Order between 1174 and the middle of the thirteenth century.
In the closing decades of the twelfth century the Cistercian Order found itself in a world rather different from the one in which it had been founded and began to thrive. The Order was justifiably proud of its achievements and unparalleled diffusion across Europe. It had become an important ecclesiastical and economic power in Europe and developed an institutional structure meant to sustain a large, widespread organization. Yet it had lost its influential spokesman, Bernard of Clairvaux, and as the century drew to a close, religious sensibilities were changing. The new mendicant orders, the Franciscans and the Dominicans, and the impulses they embodied, were to shift the center of gravity in Christian religious life for centuries to come.
The First Life of Bernard of Clairvaux, traditionally known as the Vita Prima, originated to prepare the case for canonization of Bernard, first abbot of Clairvaux. The work was begun by William of Saint-Thierry, continued by Arnold of Bonneval, and completed by Geoffrey of Auxerre. When the initial case put forth for Bernard was rejected by Innocent II, Geoffrey undertook a revision of the original vita (Recension A) and submitted another version (Recension B) to Pope Alexander III, who declared Bernard a saint in 1174. This work emphasizes the deep love in which Bernard was held during his life by his monks and the people of France and Italy as well as his role as a powerful public figure. This book contains the first English translation of Recension B, drawn from what is apparently the only manuscript of the work found today in a Cistercian monastery, Mount Saint Bernard Abbey. The introduction begins with the story of how this manuscript came to Mount Saint Bernard, so fixing this translation of the Vita prima within Cistercian life from the twelfth century to today.
This is a rich collection of memories and reflections from the long-time abbot of La Trappe, Dom Marie-Gérard Dubois, OCSO. Starting with his entry into monastic life, he walks the reader through the dramatic changes in the Strict Observance of the Cistercian Order, including its liturgical reform and developments in the role of lay brothers. Dom Dubois also shares stories about the diverse group of men who entered the Order at that time, including WWII veterans, Holocaust survivors, and members of the French literary elite, and why they decided to become monks. His stories offer a fascinating inside view into twentieth-century Cistercian life.
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
The Cistercian Order in Medieval Europe offers an accessible and engaging history of the Order from its beginnings in the twelfth century through to the early sixteenth century. Unlike most other existing volumes on this subject it gives a nuanced analysis of the late medieval Cistercian experience as well as the early years of the Order. Jamroziak argues that the story of the Cistercian Order in the Middle Ages was not one of a ‘Golden Age’ followed by decline, nor was the true ‘Cistercian spirit’ exclusively embedded in the early texts to remain unchanged for centuries. Instead she shows how the Order functioned and changed over time as an international organisation, held together by a novel 'management system'; from Estonia in the east to Portugal in the west, and from Norway to Italy. The ability to adapt and respond to these very different social and economic conditions is what made the Cistercians so successful. This book draws upon a wide range of primary sources, as well as scholarly literature in several languages, to explore the following key areas: the degree of centralisation versus local specificity how much the contact between monastic communities and lay people changed over time how the concept of reform was central to the Medieval history of the Cistercian Order This book will appeal to anyone interested in Medieval history and the Medieval Church more generally as well as those with a particular interest in monasticism.
Prayer and Thought in Monastic Tradition presents a chronological picture of the development of monastic thought and prayer from the early English Church (Bede, Adomnan) through to the 17th Century and William Law's religious community at King's Cliffe. Essays interact with different facets of monastic life, assessing the development and contribution of figures such as Boniface, the Venerable Bede, Anselm of Canterbury and Bernard of Clairvaux. The varying modes and outputs of the monastic life of prayer are considered, with focus on the use of different literary techniques in the creation of monastic documents, the interaction between monks and the laity, the creation of prayers and the purpose and structure of prayer in different contexts. The volume also discusses the nature of translation of classic monastic works, and the difficulties the translator faces. The highly distinguished contributors include; G.R. Evans, Sarah Foot, Henry Mayr-Harting, Brian McGuire, Henry Wansbrough and Rowan Williams.
Presents the Order's figureheads, practical life and spiritual horizon, and its contribution to medieval Europe's religious, cultural and political climate.
Written by a widely-travelled bishop, theologian and poet, these 16 evangelical, catholic and ecumenical articles, published over 34 years, provide illumination with imagination, interweaving art, poetry and archives with theology, history and spirituality.
The White Nuns considers Cistercian women and the women who were their patrons in a clear-eyed reading of narrative texts and administrative records. In rejecting long-accepted misogynies and misreadings, Constance Hoffman Berman offers a robust model for historians writing against received traditions.