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THE GREAT ALCHEMICAL WORK is an important contribution to the study of alchemy. In the first English language edition of this 'little work, ' Portuguese alchemist Rubellus Petrinus presents a sincere and invaluable guide to the operative laboratory tradition that gave birth to the Art of Hermes and its vast literature. Taking as his starting point the classic works of three well-known Adepts - Eirenaeus Philalethes, Nicholas Flamel and Basil Valentine - Rubellus offers aspirants a clear explanation of these highly cryptic, often deliberately misleading, texts. According to Frater Parush (A.H.S.), in his preface, "... the interested student will find herein one of the best publications now available of the accurate and proper understanding of some important pieces of classic alchemical cypher. Rubellus removes a good portion of the veil from over the works of Flamel, Valentine and Philalethes concerning the Great Work, and thereby opens the door to a wider understanding of other related literature." Drawing upon his more than thirty years of discipline and experience, Rubellus generously shares his knowledge that has had "all that is superficial removed from it," and daringly exposes the facts of the secret processes of the Art. THE GREAT ALCHEMICAL WORK features full colour plates with photographs of alchemical processes, products and equipment, along with rare reproductions of early woodcut versions of Basil Valentine's famous Keys.
In The Weiser Concise Guide to Alchemy, Brian Cotnoir offers a detailed, stepbystep introduction of Alchemy that explores its mysteries while illustrating its use as a modern spiritual system of attainment. He provides an overview of the history of Alchemy, from the first meldings of Egyptian technology, through the Middle Ages--the golden age of alchemyright up to contemporary techniques. He demystifies the relationship between Alchemy and chemistry, and he provides evidence to detractors that Alchemy is much more than a medieval form of psychotherapy. (The guide includes practical laboratory experiments that safely, and intelligently, lead readers to an understanding of this ancient art and spiritual practice.) From the introduction: Brian describes this book as the one he wishes he had available when he began his lifelong study of Alchemy. I challenge any reader to find a more succinct and clear guide to this science and art. The Weiser Concise Guide to Alchemy is replete with actual exercises of the alchemical art such as: distillation and further processes to extract aqua vitae and the 'spirit of wine' the purification of salts through calcination, crystallization, and sublimation advanced processes for obtaining such alchemical precursors as Archaeus of Water, Oil of Tartar, and the Spirit of Wine of the Sages herbal work for obtaining spagyric tinctures, magistries, ens, and stones mineral work for obtaining the salts and oils of metals. The Weiser Concise Guide to Alchemy makes Alchemy a viable and valuable modality that can be used for understanding and working in concert with the energies of Nature for spiritual development, healing, and transformation.
According to practitioners and students of alchemy, the body's Vital Energy, or Quintessence, is best obtained from minerals and metals. Using everyday language and an accessible style, Cockren explores the different uses and manifestations of this ancient science, from the physical to the medicinal and even the spiritual. Along the way, he provides engaging sketches of alchemy's early pioneers, including St. Germain, Basil Valentine, and the legendary Paracelsus, providing a solid foundation to his belief that within the world's metals "can be found elements to cure all discords in the human body." Considered the greatest British alchemist of the 20th century, ARCHIBALD COCKREN (d. 1950) was a practicing physician who also studied metallurgy, biochemistry, and bacteriology.
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
The present volume owes its ongm to a Colloquium on "Alchemy and Chemistry in the Sixteenth and Seventeenth Centuries", held at the Warburg Institute on 26th and 27th July 1989. The Colloquium focused on a number of selected themes during a closely defined chronological interval: on the relation of alchemy and chemistry to medicine, philosophy, religion, and to the corpuscular philosophy, in the sixteenth and seventeenth centuries. The relations between Medicina and alchemy in the Lullian treatises were examined in the opening paper by Michela Pereira, based on researches on unpublished manuscript sources in the period between the 14th and 17th centuries. It is several decades since the researches of R.F. Multhauf gave a prominent role to Johannes de Rupescissa in linking medicine and alchemy through the concept of a quinta essentia. Michela Pereira explores the significance of the Lullian tradition in this development and draws attention to the fact that the early Paracelsians had themselves recognized a family resemblance between the works of Paracelsus and Roger Bacon's scientia experimentalis and, indeed, a continuity with the Lullian tradition.
A ground-breaking modern manual on an ancient art, Real Alchemy draws on both modern scientific technology and ancient methods. A laboratory scientist and chemist, Robert Allen Bartlett provides an overview of the history of alchemy, as well as an exploration of the theories behind the practice. Clean, clear, simple, and easy to read, Real Alchemy provides excellent directions regarding the production of plant products and transitions the reader-student into the basics of mineral work—what some consider the true domain of alchemy. New students to practical laboratory alchemy will enjoy reading Real Alchemy and hopefully find the encouragement needed to undertake their own alchemical journey. Bartlett also explains what the ancients really meant when they used the term “Philosopher’s Stone” and describes several very real and practical methods for its achievement. Is the fabled Philosopher’s Stone an elixir of long life or is it a method of transforming lead into gold? Judge for yourself.
The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.