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First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.
In a wide-ranging series of introductory essays written by some of the leading figures in the field, this book is one of the most comprehensive and up-to-date guides on the diverse and murky world of the gothic in literature, film and culture.
In Pannonia and Upper Moesia, first published 1974, András Mócsy surveys the Middle Danube Provinces from the latest pre-Roman Iron Age up to the beginning of the Great Migrations. His primary concern is to develop a general synthesis of the archaeological and historical researches in the Danube Basin, which lead to a more detailed knowledge of the Roman culture of the area. The economic and social development, town and country life, culture and religion in the Provinces are all investigated, and the local background of the so-called Illyrian Predominance during the third century crisis of the Roman Empire is explained, as is the eventual breakdown of Danubian Romanisation. This volume will appeal to students and teachers of archaeology alike, as well as to those interested in the Roman Empire – not only the history of Rome itself, but also of the far-flung areas which together comprised the Empire’s frontier for centuries.
Is "goth music" a genre, and if so, how does it relate to the goth subculture? The music played at goth club nights and festivals encompasses a broad range of musical substyles, from gloomy Batcave reverberations to neo-medieval bagpipe drones and from the lush vocals of goth metal to the harsh distortion of goth industrial. Goth Music: From Sound to Subculture argues that within this variegated musical landscape a number of key consistencies exist. Not only do all these goth substyles share a number of musical and textual characteristics, but more importantly these aspects of the music are constitutive of goth social reality. Drawing on their own experiences in the European and American goth scenes, the authors explore the ways in which the sounds of goth inform the scene’s listening practices, its fantasies of other worlds, and its re-enchantment of their own world. Goth music, this book asserts, engenders a musical timespace of its own, a musical chronotope that is driven by nostalgic yearning. Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.
Gregory the Great, whose reign spanned the years between 590 and 604 A.D., was one of the most remarkable figures of the early medieval Papacy. Aristocrat, administrator, teacher and scholar, he ascended the throne of St Peter at a time of acute crisis for the Roman Church. Consul of God, first published in 1980, revises the traditional picture of Pope Gregory. It examines how he organised the central administration of the Papacy and his unremitting war on heresy and schism. Gregory also pioneered a new pastoral tradition in learning, promoted monasticism, and trained the episcopate. Jeffrey Richards demonstrates that Gregory was both a conservative and a pioneer, and just as his reign looked forward to the medieval world it also looked back to a vanishing world of imperial unity. He was thus the last representative of those Roman senators whose fortitude and energy he emulated, earning the epitaph ‘Consul of God’.
First published in 2001, Medieval Germany: An Encyclopedia provides a comprehensive guide to the German and Dutch-speaking world in the Middle Ages, from approximately C.E. 500 to 1500. It offers detailed accounts of a wide variety of aspects of medieval Germany, including language, literature, architecture, politics, warfare, medicine, philosophy and religion. In addition, this reference work includes bibliographies and citations to aid further study. This A-Z encyclopedia, featuring over 500 entries written by expert contributors, will be of key interest to students and scholars, as well as general readers.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.
Mediterranean Heritage, first published in 1978, offers a wide-ranging and perceptive discussion of the often concealed links between English culture and the common heritage of Western Europe: the Graeco-Roman legacy of the Mediterranean. There seems to have been no time when England has not been in touch with the civilisations of Greece and Italy: even Stonehenge, the most dramatic survivor of our remotest past, has a carved dagger of Mycenaean pattern among its ornaments. The pioneers of a distinctly English creative vision – Shakespeare, Sidney, Milton – clearly looked to Italy. Throughout the eighteenth century ‘grand tourists’ found southern Europe irresistible. The Romantics all became enraptured by the Mediterranean, and passed on their fascination in some of the most passionate poetry in English. Appearing at a time which England is more obviously a part of Europe than she has been for sixteen hundred years, Mediterranean Heritage provides valuable insights into the origins of our culture’s greatest achievements.