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Archbishop Alban Goodier, S.J. fills in the many blanks in the historical narratives about the Passion of Jesus Christ with a riveting account based on history, culture and his own deep spiritual insights. He brings to life and unifies the many observations, emotions and subtle and not-so-subtle actions that revolve around the person of God the Son as he faces his most tragic and triumphant moment. The author’s unique approach intersperses Scripture accounts with the commentary of an incisive narrator who sifts and judges from the span of hundreds of years. He draws from the obvious as well as the obscure, and finds supernatural meaning in the most mundane actions that surround the suffering Christ. In the hands of this writer, the Lord’s few words, accompanied by the author’s commentary, challenge contemporary believers as much as they did those who first followed in the footsteps of Christ and his apostles. The author was born in 1869 in Lancashire, northern England and educated at the prominent Catholic college, Stonyhurst, which has been the source of many English Catholic politicians, intellectuals and business people. After a degree from the University of London, he was ordained a Jesuit in 1903. He served as archbishop of Bombay from 1919 to 1926 and returned to England to write and serve as a chaplain until his death in 1939.
This study shows how poets worked within and against the available forms of nature writing to challenge their place within physical, political, and cultural landscapes. Looking at the treatment of different ecosystems, it argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions.
This 15 volume, second edition features revised and new articles. Among the 12,000 entries in the encyclopedia are articles on theology, philosophy, history, literary figures, saints, musicians and much more.
This 15 volume, second edition features revised and new articles. Among the 12,000 entries in the encyclopedia are articles on theology, philosophy, history, literary figures, saints, musicians and much more.
Through a blend of personal narrative, cultural and literary analysis, and discussions about teaching, Minor Re/Visions: Asian American Literacy Narratives as a Rhetoric of Citizenship shows how people of color use reading and writing to develop and articulate notions of citizenship. Morris Young begins with a narration of his own literacy experiences to illustrate the complicated relationship among literacy, race, and citizenship and to reveal the tensions that exist between competing beliefs and uses of literacy among those who are part of dominant American culture and those who are positioned as minorities. Influenced by the literacy narratives of other writers of color, Young theorizes an Asian American rhetoric by examining the rhetorical construction of American citizenship in works such as Richard Rodriguez’s Hunger of Memory, Victor Villanueva’s Bootstraps: From an American Academic of Color, Carlos Bulosan’s America Is in the Heart, and Maxine Hong Kingston’s “Song for a Barbarian Reed Pipe” from Woman Warrior. These narratives, Young shows, tell stories of transformation through education, the acquisition of literacy, and cultural assimilation and resistance. They also offer an important revision to the American story by inserting the minor and creating a tension amid dominant discourses about literacy, race, and citizenship. Through a consideration of the literacy narratives of Hawai`i, Young also provides a context for reading literacy narratives as responses to racism, linguistic discrimination, and attempts at “othering” in a particular region. As we are faced with dominant discourses that construct race and citizenship in problematic ways and as official institutions become even more powerful and prevalent in silencing minor voices, Minor Re/Visions reveals the critical need for revising minority and dominant discourses. Young’s observations and conclusions have important implications for the ways rhetoricians and compositionists read, teach, and assign literacy narratives.
Quadragesima is the Latin word for Lent or the forty days of preparation for Easter observed with fasting and prayer by Catholics. This work opens with an overview or a harmony of the Passion, followed by a chapter by chapter consideration of our Lord Jesus Christ's Passion. Let us consider the Last Supper: “Our Lord knew that this was to be the last gathering. At the beginning of the Last Supper He had said: "With desire I have desired (i.e., I have desired with great longing) to eat this Pasch with you before 1 suffer." All through that Supper how keen was His affection for His own; how much He felt for them; how all His words and actions had been directed with a view to giving them comfort and courage! He had bid farewell to His Mother; of that scene, as of all other similar scenes, Scripture tells us not a word, as though the Evangelists felt it to be too sacred for description. But it is not too sacred for meditation, and we may look on. and say and think what we will. He bade farewell to Judas in unmistakable terms; but with how much affection it had been preceded, how much affection was shown even at the parting itself. And He bade farewell to all the rest; we can take them one by one, with their different characters and different shortcomings, and know that He had a special love for each.”And the Agony in the Garden: “Undoubtedly the first ingredient of Our Lord's cup of sorrow was the sense of the sin of the world, the sense that in some way it was His own, the sense that in Him it was to be expiated. But this was intensified by many others. There was the intensity of His love. The more we care for others, the more we suffer for them and with them: what, then, must have been the measure of the suffering of Our Lord for us? Again, there was the determination that He would not be out-done in generosity; safely, then, we may say that the greatest sufferer in the world does but approach to the suffering of Our Lord. Again, there was the fact of His refined and perfect nature. The more perfect the creature, the more keenly does it feel; what, then, was the suffering of the nature of Our Lord?”Behold thy Mother; behold thy son. Let us consider this scene a moment: “Of all die scenes in the Passion, there is none more familiar to every one of us than this. The crowd has dwindled away; even its noisy exultation has not been able to keep up its false courage for long. There remain doubt, are not those who have been mostviolent; they are the partially sympathetic, the more or less faithful remnant, the curious. There remains, too, the guard, mainly of Roman soldiers, divided between contempt for the Victim and contempt for the people who have made such a display of their Eastern ferocity. It is true these soldiers have played their part in the cruelty; but they are Western souls, they are more easily sated in their lust for blood, and they stand there sullen and disgusted. Instinctively, without themselves noticing it, the true mourners have crept closer and closer; the guard does not trouble to prevent them; they find some comfort for themselves in this act of mercy. So three women stand there-Mary Immaculate, Mary the Penitent, Mary the mother of Apostles.”
A monumental work that presents a solid introduction to early Christian literature to the English reading public. It is the first work of its kind written originally in English. Reviewers were unanimous in heaping praise upon the publication and looking upon it as a breakthrough in studying the Fathers of the Church.