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Witty, wise, and powerful meditations on the New Testament are presented in the perfect form for readers with busy lives who sometimes find that there is not enough time in the day to focus on their spiritual well-being. Martin Copenhaver feels their pain and has packed this volume full of insight into the teachings of Jesus that anyone, no matter how busy, can find the time to digest, reflect on, and enjoy. In addition, a scripture and a prayer accompany each of the 140+ lessons, the distilled results of decades of spiritual scholarship and teaching.
"He was pierced for our transgressions; he was crushed for our iniquities; upon him was the chastisement that brought us peace, and with his wounds we are healed." Isaiah 53:5 Often hailed as one of the greatest chapters in the Bible, the prophecy of the suffering servant in Isaiah 53 foretells the crucifixion of Jesus, the central event in God's ultimate plan to redeem the world. This book explains the prophetic words of Isaiah 53 verse by verse, highlighting important connections to the history of Israel and to the New Testament—ultimately showing us how this ancient prophecy illuminates essential truths that undergird our lives today.
"Rosary Meditations: The Gospel in Miniature with Scripture, Art, Coloring Pages, and Bible Stories for Christian/Catholic Kids, Children, Youth, and Adults including How to Pray the Rosary" is a book to help children and adults learn the Gospel message of Jesus Christ. It covers how to pray and to meditate on the mysteries of the Rosary, which cover important events in the lives of Jesus and his mother, Mary. The interior of the book is in color and contains art masterpieces and coloring book pages for the 20 mysteries. Each mystery also has a Bible reading, Bible story (or other information), and a short reflection. The reflections are meant to be an encouragement to be a follower of Jesus Christ and to love God and others. There is a section explaining how the Rosary is a Biblical prayer, how to pray the rosary, ideas on how to pray as a family, and a brief overview of the Old Testament as an introduction to understanding the Gospel message. Also included is a short version of the story of Our Lady of Fatima and a coloring page of Jesus Blessing the Children with a Bible reading and reflection.
Contrary to some common assumptions, Jesus is not the ultimate Answer Man, but more like the Great Questioner. In the Gospels Jesus asks many more questions than he answers. To be precise, Jesus asks 307 questions. He is asked 183 of which he only answers 3. Asking questions was central to Jesus’ life and teachings. In fact, for every question he answers directly he asks—literally—a hundred. Jesus is the Question considers the questions Jesus asks—what they tell us about Jesus and, more important, what our responses might say about what it means to follow Him. Through Jesus’ questions, he modeled the struggle, the wondering, the thinking it through that helps us draw closer to God and better understand, not just the answer, but ourselves, our process and ultimately why questions are among Jesus’ most profound gifts for a life of faith. A game-changer of a book.
Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.
This volume of the College Art Association Monograph series presents a study of the iconography of preface and miniature in the Byzantine gospel book.
Diana Butler Bass, one of contemporary Christianity’s leading trend-spotters, exposes how the failings of the church today are giving rise to a new “spiritual but not religious” movement. Using evidence from the latest national polls and from her own cutting-edge research, Bass, the visionary author of A People’s History of Christianity, continues the conversation began in books like Brian D. McLaren’s A New Kind of Christianity and Harvey Cox’s The Future of Faith, examining the connections—and the divisions—between theology, practice, and community that Christians experience today. Bass’s clearly worded, powerful, and probing Christianity After Religion is required reading for anyone invested in the future of Christianity.
"This book centers on The Gospel of the Lots of Mary, a previously unknown text preserved in a fifth- or sixth-century Coptic miniature codex. It presents the first critical edition and translation of this new text. My book is also a project about religious praxis and authority, as I situate the manuscript within the context of practices of and debates around divination in the ancient Mediterranean world."--Preface, p. [vii].
The author writes: John 3:16 is often referred to as 'the gospel in a nutshell'. I believe it is one of the most mistranslated verses in the Bible. Like most Christians I totally misunderstood the verse. So I am warning you now that I may spoil John 3:16 for you for the rest of your life. But I hope that this book will also give you the true meaning of what is a wonderful message, and a very important one, especially for Christians.
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.