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Described by Cornel West as “a towering public intellectual and the leading universalist philosopher of his generation,” Forrest Church was one of the preeminent liberal theologians of our time. His final gift, The Cathedral of the World, draws from the entire span of Church’s life’s work to leave behind a clear statement of his universalist theology and liberal faith. Giving new voice to the power of liberal religion, Church invites all seekers to enter the Cathedral of the World, home to many windows but only one Light.
This book sets the work of Frank Selwyn Macaulay Bennett, Dean of Chester 1920–37, in context, and traces the influence on other cathedrals of the changes he instituted at Chester. His earlier work as parish priest and his interrelated writings on theology and on education, health, and ecumenism are examined for the light they shed on his practice. Despite the efforts of his predecessors, Bennett found Chester Cathedral in need of much repair and renovation if it were to match his ideal and fulfill the purpose he had in mind for it. In the early twentieth century Anglican cathedrals in England were generally perceived as remote and unwelcoming places and of interest mainly to antiquarians seeking to inspect their monuments; admission charges were levied on visitors. Frank Bennett changed all this. In 1920, he promptly declared Chester Cathedral "open and free"; he would lock up nothing except the safe. "Visitors" now became "pilgrims", whose voluntary offerings rapidly surpassed the sums previously raised by compulsory entry charges. By the time he retired in 1937, the Cathedral’s finances were in credit; the fabric of the church and adjoining monastic buildings had been repaired, renovated, and developed, and all were fully in use, as Bennett had planned in 1920.
This fascinating volume invites colorists of all ages to color detailed illustrations of 40 great churches from around the world. Includes St. Paul's (London), Chartres (France), Notre Dame (Paris), Cologne (Germany), St. Peter's (Rome), St. Basil's (Moscow), St. Patrick's (New York), the Washington Cathedral, and more.
A disarming, lyrical hybrid of fiction and autobiography, this forgotten masterpiece of post-war English fiction follows a small boy through his First World War childhood and teenage years on the Kentish coast, then into the army and frontline service in the Second World War. Obsessed by his strange twin passions for orchids and for fireworks, the author-narrator paints a haunting portrait of a childhood and adulthood interleaved with one another in a near-mystical rural idyll. Defined by his unspoken homosexuality, the books capture the unfolding of a melancholy, often painfully sensitive male consciousness. First published in the late 1940s as three separate but interlinked volumes – “The Military Orchid”; “A Mine of Serpents” and “The Goose Cathedral” – The Orchid Trilogy conjures up a rapturous, fantastical portrait of England at war and peace in the 20th century. Witty, subtle and deceptively simple, this unjustly neglected classic that has yet to be surpassed in its exploration of the magical world of childhood. One of those too-rare books whose enjoyability makes it seem too short – Elizabeth Bowen It is a kind of collage of sharply drawn bits of real life, excellently described and artistically arranged – Stephen Spender Reminiscence and reflection and description are woven together to make a curious and fascinating tapestry – David Cecil Mr. Brooke's finely shaped prose, his wit, percipience, and liveliness in the description of people, places, and states of mind are a rare delight – The Scotsman A sad, funny, densely detailed yet continuously readable experience – The Observer One of the most exciting creative artists of our time and one who will consistently evade all the literary categories – John Pudney